<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Subject Terms broche

Remove constraint Subject Terms: broche

Search Results

Michael Lochmann (1630-1674)
Creator:
Print made by George Fennitzer, active 1697–1700
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
1670
Materials & Techniques:
Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/16 × 9 3/8 inches (31.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Michael Lochmann (1630-1674)
Creator:
Print made by George Fennitzer, active 1697–1700
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Michael Lochmann (1630-1674)
Creator:
Print made by George Fennitzer, active 1697–1700
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Michael Lochmann (1630-1674)
Creator:
Print made by George Fennitzer, active 1697–1700
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund