<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Width [cm] 51

Remove constraint Width [cm]: 51

Subject Terms men

Remove constraint Subject Terms: men

Search Results

Robert Smirke The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Robert Smirke The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Robert Smirke The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Sir Charles Lock Eastlake A View of Trajan's Forum, Rome
Sir Charles Lock Eastlake, 1793–1865
A View of Trajan's Forum, Rome
1821
Not on view
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
David Cox The Poplar Avenue, after Hobbema
David Cox, 1783–1859
The Poplar Avenue, after Hobbema
ca. 1835
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792