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Credit Line Yale Center for British Art, Paul Mellon Fund

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Work Type intaglio print

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Subject Terms jewelry

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Man Wearing a Hat
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 12 5/8 inches (46.3 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Rhetorica. Die Redekunst.
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 1/2 x 11 7/16 inches (41.9 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Elizabeth Keppel and a Servant
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1760s
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 15 5/8 inches (62.2 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Calmady Children
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1835
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 x 10 7/16 inches (32 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mary Elizabeth, Countess Grey, with Her Two Children
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1831
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 3/4 inches (43.5 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Julia, Lady Peel
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1832
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Girls Singing
Creator:
Print made by Pieter van den Berge, active 1689–1737
Date:
undated
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 1/4 inches (35.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Juliet

Juliet
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1779
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 14 1/8 inches (53.4 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Courtship for Money
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1771
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 7/16 inches (36.2 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Susanna and the Elders
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1769
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 1/16 x 14 3/16 inches (45.9 x 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Curious Maids
Creator:
Print made by John Greenwood, 1727–1792
Date:
1768
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 11 3/4 inches (44.2 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Le Grand Seigneur
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 7 3/16 inches (25.5 × 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Venus and Cupid
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/4 inches (14.6 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sigismonda
Creator:
Print made by John Blackmore, active 1740–1780
Date:
between 1769 and 1771
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 12 13/16 inches (42.8 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Jeune dame tenant une aumônière
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 6 15/16 inches (25.5 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bedside Scene
Creator:
Print made by Abraham de Blois, active 1679–1720
Date:
ca. 1680
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 11 5/16 inches (35.6 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1768
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Constantia
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1780
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Morning Rose, What Shall Poor Harpax Do!
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1744
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 14 5/16 inches (31.1 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lucretia Romana
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1678 and 1717
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 15/16 x 8 3/8 inches (30.4 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'
Creator:
Print made by Edward Fisher, 1722–1785
Date:
between 1752 and 1763
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 7/16 x 9 3/8 inches (34.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Croker
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1828
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Le Maistre
Creator:
Print made by Valentine Green, 1739–1813
Date:
1771
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 13/16 x 12 inches (42.7 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Countess of Blessington
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1837
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 12 15/16 inches (40.5 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Lister
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1834
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 3/8 x 13 3/8 inches (44.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sunshine of Love
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1837
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Enchantress
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1786
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Enchantress
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1786
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1787
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 9/16 × 12 1/2 inches (44.6 × 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund