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Credit Line Yale Center for British Art, Paul Mellon Fund

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Date 1790

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Work Type intaglio print

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George III
Creator:
Print made by Gainsborough Dupont, 1754–1797
Date:
1790
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 × 15 3/8 inches (63.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cottage Girl
Creator:
Print made by Henry Birche, active 1790–1795
Date:
between 1790 and 1795
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 9/16 × 14 3/8 inches (52.2 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Setting Sun
Creator:
Print made by John Young, 1755–1825
Date:
1790
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 23 1/2 inches (46 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Philander
Creator:
Print made by Thomas Park, ca. 1760–1834
Date:
1790
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 5/16 × 9 3/8 inches (31.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Philander
Creator:
Print made by Thomas Park, ca. 1760–1834
Date:
1790
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 × 7 1/4 inches (25.6 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Right Honorable Lady Beauchamp
Creator:
Print made by William Nutter, 1754–1802
Date:
1790
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 11 7/8 inches (42.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hiram King of Tyre, Sends Presents to King Solomon
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1790
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Coastal Scene
Creator:
Jonathan Girtin, ca.1780–aft.1820
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 3/8 inches (23.7 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Aquatint, etching, and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 15 5/8 inches (53 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Mrs. Elizabeth Stanhope
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1790
Materials & Techniques:
Stipple engraving, mezzotint, etching, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/16 × 10 1/16 inches (33.5 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Girl Sleeping
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Etching, engraving, aquatint and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 3/8 inches (40 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Welcome Home
Creator:
Print made by unknown artist
Date:
1790
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund