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Credit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomGenre genre subject
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1
- Marine Dabblers
- 1811
2
- Figure Composition Study 1
- 1794
3
- Figure Composition Study 50
- undated
4
- Figure Study 5
- undated
5
- Figure Study 6
- undated
6
- Figure Composition Study 34
- undated
7
- Study of a Male Figure
- undated
8
- Male Head 2
- undated
9
- Figure Study 4
- undated
10
- Figure Composition Study 41
- undated
11
- Figure Composition Study 43
- undated
12
- Figure Composition Study 44
- undated
13
- Figure Composition Study 46
- undated
14
- Figure Composition Study 48
- 1793
15
- Figure Composition Study 49
- undated
16
- Figure Composition Study 50
- undated
17
- Study of Two Seated Figures
- undated
18
- Study of a Standing Figure
- undated
19
- Figure Composition Study 35
- undated
20
- Figure Composition Study 45
- undated
21
- Figure Composition Study 47
- undated
22
- Figure Composition Study 37
- undated
23
- Figure Composition Study 38
- undated
24
- Figure Composition Study 39
- undated
25
- Figure Composition Study 40
- undated
26
- Figure Composition Study 36
- undated
27
- Figure Composition Study 42
- undated
28
- Study of Two Figures and a Face
- undated
29
- Study of a Seated Woman
- undated
30
- Figure Study 10
- undated
31
- Composition of Two Figures
- undated
32
- Female Figure
- undated
33
- Figure Study of a Woman
- undated
34
- Figure Study Eleven
- undated
35
- Figure Study Twelve
- undated
36
- Figure Study Thirteen
- undated
37
- Figure Composition Study 5
- undated
38
- Figure Composition Study 7
- undated
39
- Figure Composition Study 8
- undated
40
- Figure Study 8
- undated
41
- Male Head 1
- undated
42
- Figure Composition Study 13
- undated
43
- Figure Composition Study 21 with a Face
- undated
44
- Figure Composition Study 25
- undated
45
- Figure Composition Study 26
- undated
46
- Figure Composition Study 33
- undated
47
- Figure Study 7
- undated
48
- Figure Composition Study 17
- undated
49
- Figure Composition Study 20
- undated
50
- Figure Composition Study 22
- undated
51
- Figure Composition Study 23
- undated
52
- Figure Composition Study 24
- undated
53
- Figure Study 3
- undated
54
- Figure Composition Study 28
- undated
55
- Figure Composition Study 29
- undated
56
- Figure Composition Study 31
- undated
57
- Figure Composition Study 32
- undated
58
- Figure Composition Study 2
- undated
59
- Figure Composition Study 3
- undated
60
- Figure Composition Study 4
- 1793
61
- Figure Composition Study 9
- undated
62
- Figure Composition Study 11
- undated
63
- Figure Composition Study 12
- undated
64
- Figure Composition Study 14
- undated
65
- Figure Composition Study 16
- undated
66
- Figure Composition Study 18
- undated
67
- Figure Study 9
- undated
68
- Figure Study 2
- undated
69
- Figure Composition Study 27
- undated
70
- Figure Composition Study 30
- undated
71
- Study of Three Women
- undated
72
- Classical Landscape with Travellers, a Dog and House on the left
- 1741
73
- Mrs. Pelham
- 1775
74
- The Ladies Waldegrave
- 1781
75
- Miss Wynyard
- 1771
76
- The Bird Cage
- 1786
77
- Crying Forfeits
- 1826
78
- The Fortune Teller
- 1784
79
- Crying Forfeits
- c.1826
80
- Man Showing a Miniature to a Girl
- undated
81
- The Pledge of Love
- 1788
82
- The Spottiswoode Ox
- 1804
83
- Connubial Happiness
- 1786
84
- A Lady and Children
- 1780
85
- The Fruit Barrow
- 1780
86
- The Full of the Honeymoon
- 1789
87
- The Wane of the Honeymoon
- 1789
88
- The Flower Girl
- 1785
89
- Grolier with the Printer Aldus Manutius
- 1882
90
- Charles Watson Wentworth, Marquess of Rockingham, K.G
- c.1774
91
- Lady Charles Spencer
- 1776
92
- Lady Hamilton as The Sempstress
- 1787
93
- Lady, Cavalier and a Page
- undated
94
- Diana, Viscountess Crosbie
- ca. 1779
95
- The Cottage Girl
- 1794
96
- The Pet Rabbit
- 1835
97
- Mrs. Fitzherbert
- 1792
98
- Suspence
- 1788
99
- Shepherdess
- ca. 1747
100
- The Promenade at Carlisle House
- 1781