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Credit Line Yale Center for British Art, Paul Mellon Collection

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Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
Robert Barnes Girl at a Window
Print made by Robert Barnes, 1840–1895
Girl at a Window
undated
Louis Haghe His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
ca. 1840
John Grant Rocket Practice in the Marshes
John Grant, Died 1873
Rocket Practice in the Marshes
1845
William Nelson Gardiner January
Print made by William Nelson Gardiner, 1766–1814
January
1788
Louis Haghe His Majesty's Ship Britannia Returning to Port
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Returning to Port
ca. 1840
Robert Barnes The Grandmother with her Grandchildren
Print made by Robert Barnes, 1840–1895
The Grandmother with her Grandchildren
undated
Rowney & Forster Punch
Print made by Rowney & Forster, active 1820–1822
Punch
after 1821
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Richard Parkes Bonington Les Pendus
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
Richard Parkes Bonington Rue du Gros Horloge
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Double Hairpin Set
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
Richard Parkes Bonington Façade de l'Eglise de Brou
Print made by Richard Parkes Bonington, 1802–1828
Façade de l'Eglise de Brou
1825
Richard Parkes Bonington Vue Generale de l'Eglise de l'Abbaye de Tournus
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale de l'Eglise de l'Abbaye de Tournus
1825
Louis Marin Bonnet The Woman Taking Coffee
Print made by Louis Marin Bonnet, 1736–1793
The Woman Taking Coffee
ca. 1774
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
William Dickinson The Relief
William Dickinson, 1746–1823
The Relief
1781
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
John Doyle ('H.B.') Rather a Dangerous Kind of Hug
Print made by John Doyle ('H.B.'), 1797–1868
Rather a Dangerous Kind of Hug
1847
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
Bradshaw & Blacklock Turkish Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Turkish Scenes
after 1850
Bradshaw & Blacklock Country Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Country Scenes
after 1850
Bradshaw & Blacklock Scottish Scenes. Albanian Scenes.
Bradshaw & Blacklock, active ca.1850
Scottish Scenes. Albanian Scenes
after 1850
Bradshaw & Blacklock Scottish Scenes. Albanian Scenes.
Bradshaw & Blacklock, active ca.1850
Scottish Scenes. Albanian Scenes
after 1850
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850