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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms staff
Remove constraint Subject Terms: staffSearch Results
1
- Sir Percival Hart (1496–1580)
- ca. 1565
- Not on view
2
- The Rising Moon
- 1857
3
- The Weary Ploughman
- 1858
4
- The Rising Moon
- 1857
5
- The Rising Moon
- 1857
6
- The Rising Moon
- 1857
7
- The Rising Moon
- 1857
8
- The Weary Ploughman
- 1858
9
- The Sleeping Shepherd
- 1857
10
- The Sleeping Shepherd
- 1857
11
- Apuleia in Search of Apuleius
- between 1813 and 1823
12
- Satan Approaching the Court of Chaos
- 1784 to 1785
13
- A Seated Figure on Horseback
- undated
14
- The Resurrection
- 1796
15
- Standing Man with a Staff
- undated
16
- Captain Conquest and His Baggage Wagon
- 1772
17
- Crossing the Red Sea
- 1829
18
- Man with a Stick, Seen From Behind
- 1755
19
- Five People Praying
- 1760
20
- Man Walking Using a Long Staff
- 1755
21
- Paysanne de Mazovie; Paysan de Mazovie
- ca. 1810
22
- Joshua Commanding the Sun to Stand Still
- 1827
23
- Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
- undated
24
- A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
- undated
25
- Barnaby Rudge and his Raven
- 1841
26
- Falstaff Instructing Bardolph
- 1825
27
- Prospero and Ariel
- 1821
28
- A Village Snow Scene
- 1819
29
- Florence, from the Chiesa al Monte
- 1820
30
- Allegory of Sea Trades
- undated
31
- An Old Fisherwoman with Two Women Digging for Bait
- undated
32
- Classic Composition
- ca. 1800
33
- A Peasant of Mount Erix
- between 1783 and 1789
34
- Cain and Abel
- undated
35
- The Baptism of Christ
- undated
36
- Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
- between 1770 and 1780
37
- Prospero Summoning Ariel
- ca. 1800
38
- Florence, from the Chiesa al Monte
- 1820
39
- Florence, from the Chiesa al Monte
- 1820
40
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
41
- A Priest with Two Children
- between 1825 and 1828
42
- Incantation Scene
- undated
43
- Landscape with Shepherd and Sheep
- undated
44
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
45
- Romantic Landscape with Distant Mountains
- 1842
46
- Clare Castle, Suffolk
- between 1797 and 1800
47
- Ferdinandus Austriacus
- ca. 1635
48
- Study of a Biblical Scene
- undated
49
- The History of the Blind Beggar of Bethnal Green
- 1909
50
- The Bride
- 1828
51
- The Flood
- 1829
52
- Study of Christ Raising Lazarus
- undated
53
- Figure Studies of a Man Rising From the Ground
- undated
54
- Florence, from the Chiesa al Monte
- 1820
55
- Florence, from the Chiesa al Monte
- 1820
56
- The Descent of Man into the Vale of Death
- 1808, published 1813
57
- The Judgement of Paris
- 1771
58
- The Flood
- 1829
59
- Ideal Pastoral Life
- 1829
60
- Ideal Pastoral Life
- 1829
61
- Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
- undated
62
- The Shepherd
- between 1827 and 1836
63
- Florence, from the Chiesa al Monte
- 1820
64
- The Show
- after 1821
65
- Warwick Castle
- 1780
66
- King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I
- 1800
67
- Telemachus and Mentor
- 1847
68
- Entrance to the Gap of Dunloh, Killarney, 6 September 1841
- 1841
69
- The Purple Mountains, 6 September 1841
- 1841
70
- The Turnpike, 6 September 1841
- 1841
71
- Augur's Lake, Gap of Dunloh
- 1841
72
- The Healing of the Lame Man
- after 1855
73
- The Healing of the Lame Man
- after 1855
74
- Peasant Woman with Staff, La Palma
- 1828
75
- Egyptians outside a tomb
- undated
76
- Sepulchral Chambers
- undated
77
- Lady Macartney's Villa at Chiswick
- after 1808
78
- The Weary Ploughman
- 1858
79
- Bacchus
- 1776
80
- Blood on Thunder Fording the Red Sea
- 1788