Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: running

1. Figures with a Donkey and Dog Crossing a Weir

Creator:: James Lambert of Lewes, 1725–1788
Date:: 1767
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 24 inches (46.4 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Berkeley Hunt, 1842: The Chase

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 24 inches (40.6 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Berkeley Hunt, 1842: Full Cry

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 24 inches (40.6 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Berkeley Hunt, 1842: The Meet

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 24 inches (40.6 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

Creator:: John Wootton, 1682–1764
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 49 inches (67.6 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. A Hawking Party

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1690
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/2 x 27 inches (52.1 x 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Horses in a Thunderstorm

Creator:: Thomas Woodward, 1801–1852
Date:: 1823
Materials & Techniques:: Oil on panel
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Hare Hunting

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1690
Materials & Techniques:: Oil on canvas
Dimensions:: 56 x 48 inches (142.2 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Heron Hawking below Stirling Castle

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1690
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 × 24 1/8 inches (62.2 × 61.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland

Creator:: Thomas Roberts, 1748–1778
Date:: 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 22 1/2 x 36 inches (57.2 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings

Creator:: Thomas Stringer, 1722–1790
Date:: 1773
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 48 inches (90.2 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. The Mill

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 7 x 5 inches (17.8 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Reverend Jemmet Browne at a meet of foxhounds

Creator:: Peter Tillemans, 1684–1734
Date:: 1730 to 1732
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. The Meadow

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 7 x 5 inches (17.8 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Lord John Hay and Charles Hay, third Marquis of Tweeddale

Creator:: Gilbert Soest, ca. 1600–1681
Date:: 1673
Materials & Techniques:: Oil on canvas
Dimensions:: 49 3/4 x 42 inches (126.4 x 106.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Mount Kennedy, County Wicklow, Ireland

Creator:: William Ashford, 1746–1824
Date:: 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 16 9/16 x 24 1/16 inches (42.1 x 61.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. A Fox on the Run - Gidding Windmill in the Distance

Creator:: Peter Biegel, 1913–1988
Date:: 20th century
Materials & Techniques:: Oil on canvas
Dimensions:: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. The Quorn Running Towards Quenby Hall

Creator:: Lionel Edwards, 1878–1966
Date:: 1949
Materials & Techniques:: Oil on canvas
Dimensions:: 24 x 36 inches (61 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Pierrepont House, Nottingham, Nottinghamshire

Creator:: unknown artist
Date:: ca. 1705
Materials & Techniques:: Oil on canvas
Dimensions:: 36 3/16 x 48 inches (91.9 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Foxhunting: Clearing a Ditch

Creator:: John Frederick Herring, 1795–1865
Date:: 1839
Materials & Techniques:: Oil on panel
Dimensions:: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Susannah Maria Cibber (née Arne) as Cordelia

Creator:: Pieter van Bleeck, 1700–1764
Date:: ca. 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/16 x 20 9/16 inches (38.3 x 52.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Foxhunting in Hilly Country

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 x 15 1/4 inches (31.1 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Susannah Maria Cibber (née Arne) as Cordelia

Creator:: Pieter van Bleeck, 1700–1764
Date:: 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 84 x 82 inches (213.4 x 208.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. The Earl of Shrewsbury's Groom Holding a Hunter

Creator:: Henry Bernard Chalon, 1771–1849
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. North Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 19 3/4 x 15 3/4 inches (50.2 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 18 1/2 x 15 1/4 inches (47 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 x 15 3/4 inches (48.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of platemark
Dimensions:: Sheet: 18 7/8 x 14 7/8 inches (47.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 15 7/8 inches (54.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 18 x 14 1/2 inches (45.7 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of a platemark
Dimensions:: Sheet: 19 x 14 7/8 inches (48.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Murder of Banquo

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Cain and Abel

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Bull Charging

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1794
Materials & Techniques:: Brown wash with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Three Horses and Stable Lad

Creator:: James Howe, 1780–1836
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Cadger's Trot

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1823
Materials & Techniques:: Lithograph on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 1/4 inches (20.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Ferdinand Reunited with his Father

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Whipper-In and a Couple of Hounds Running Hard in Open Country

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 13/16 inches (23.2 × 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Study for an Illustration for a Poem by Sir Herbert Read

Creator:: Henry Moore, 1898–1986
Date:: 1946
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 9 inches (28.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Fools; or Jesters

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1813
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 14 1/16 inches (14.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. 'How to Twist Your Neck'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A French Physician with His Retinue Going to Visit His Patients

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 x 13 3/4 inches (28.1 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. St. Augustine's Gate, Canterbury

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Messengers Tell Job of the Misfortunes that Have Befallen Him

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Peter and John Going to the Sepulchre

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1784
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 9/16 x 9 5/8 inches (47.1 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Young Squire

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 7 13/16 inches (17.7 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Death on a Pale Horse

Creator:: John Hamilton Mortimer, 1740–1779
Date:: ca. 1775
Materials & Techniques:: Pen and black ink and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 5/8 x 18 1/2 inches (62.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Atalanta and Hippomanes

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Butterfly Hunting

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1806
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 3/16 inches (13.3 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Mother Bundle in a Rage or Too late for the Stage

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1809
Materials & Techniques:: Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Running Postillion

Creator:: David Allan, 1744–1796
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 7 1/8 inches (24.1 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. On Lancaster Sands, Low Tide

Creator:: David Cox, 1783–1859
Date:: 1840s
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Found, with further sketches in the margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash
Dimensions:: Sheet: 13 1/8 x 19 5/8in. (33.3 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/8 inches (30.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. North-Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815 to 1823
Materials & Techniques:: Graphite and pen and brown ink, numbered for transfer on medium, slightly textured, beige wove paper, mounted on board
Dimensions:: Sheet: 22 7/8 x 31 7/8 inches (58.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Figures with a Donkey and Dog Crossing a Weir

2. The Berkeley Hunt, 1842: The Chase

3. The Berkeley Hunt, 1842: Full Cry

4. The Berkeley Hunt, 1842: The Meet

5. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

6. A Hawking Party

7. Horses in a Thunderstorm

8. Hare Hunting

9. Heron Hawking below Stirling Castle

10. Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland

11. Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings

12. The Mill

13. The Reverend Jemmet Browne at a meet of foxhounds

14. The Meadow

15. Lord John Hay and Charles Hay, third Marquis of Tweeddale

16. Mount Kennedy, County Wicklow, Ireland

17. A Fox on the Run - Gidding Windmill in the Distance

18. The Quorn Running Towards Quenby Hall

19. Pierrepont House, Nottingham, Nottinghamshire

20. Foxhunting: Clearing a Ditch

21. Susannah Maria Cibber (née Arne) as Cordelia

22. Foxhunting in Hilly Country

23. Susannah Maria Cibber (née Arne) as Cordelia

24. The Earl of Shrewsbury's Groom Holding a Hunter

25. North Country Mails at the Peacock, Islington

26. Human Figure, Lateral View

27. Human Figure, Lateral View

28. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

29. Human Figure, Lateral View (For the key figure to Table XIII)

30. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

31. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

32. Human Figure, Lateral View

33. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

34. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

35. Human Skeleton, Lateral View

36. Human Skeleton, Lateral View

37. Human Skeleton, Lateral View

38. Human Skeleton, Lateral View

39. Human Skeleton, Lateral View

40. Human Figure, Lateral View

41. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

42. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

43. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

44. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

45. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

46. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

47. Glaucus and Scylla

48. Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

49. The Murder of Banquo

50. Cain and Abel

51. A Bull Charging

52. Three Horses and Stable Lad

53. Pan and Syrinx

54. The Cadger's Trot

55. Ferdinand Reunited with his Father

56. A View of the Bridge at Walton-on-Thames in Surrey

57. A Whipper-In and a Couple of Hounds Running Hard in Open Country

58. Study for an Illustration for a Poem by Sir Herbert Read

59. Fools; or Jesters

60. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

61. 'How to Twist Your Neck'

62. The Stone Bow, Lincoln

63. A French Physician with His Retinue Going to Visit His Patients

64. Pan and Syrinx

65. St. Augustine's Gate, Canterbury

66. St. Martin's Church

67. The Messengers Tell Job of the Misfortunes that Have Befallen Him

68. Peter and John Going to the Sepulchre

69. The Young Squire

70. Death on a Pale Horse

71. Atalanta and Hippomanes

72. Inverlochy Castle, Invernesshire

73. Butterfly Hunting

74. Mother Bundle in a Rage or Too late for the Stage