Phaeton with a Pair of Cream Ponies and a Stable-Lad
between 1780 and 1784
Not on view
2
George Stubbs, 1724–1806
Pumpkin with a Stable-lad
1774
Not on view
3
William Hogarth, 1697–1764
William Augustus, Duke of Cumberland
1732
Not on view
4
George Romney, 1734–1802
John Flaxman Modeling the Bust of William Hayley
1795 to 1796
Not on view
5
William Turner of Oxford, 1789–1862
Shepherd Boy on a Hillside
ca. 1840
Not on view
6
John Closterman, 1660–1711
John Poulett, first Earl Poulett
ca. 1690
Not on view
7
John Wootton, 1682–1764
Rievaulx Abbey
ca. 1745
Not on view
8
Thomas Gainsborough, 1727–1788
Landscape with Stream and Weir
between 1750 and 1753
Not on view
9
Julius Caesar Ibbetson, 1759–1817
A Married Sailor's Adieu
ca. 1800
Not on view
10
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
11
Ramsay Richard Reinagle, 1775–1862
Francis Noel Clarke Mundy and His Grandson, William Mundy
1809
Not on view
12
Robert Burnard, 1800–1876
John Gubbins Newton and His Sister, Mary Newton
ca. 1833
Not on view
13
George Garrard, 1760–1826
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
14
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
15
unknown artist
The Old Parish Church and Village, Hampton-on-Thames, Middlesex, 18th century
late 18th century
Not on view
16
William Ashford, 1746–1824
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
17
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
18
Thomas Smith of Derby, ca. 1720–1767
Borlase Cokayne as a Boy riding Sultana
1751
Not on view
19
James Seymour, 1702–1752
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
1747
Not on view
20
Sir William Beechey, 1753–1839
Portrait of a Boy
ca. 1790
Not on view
21
Cornelius Johnson, 1593–1661
William III, Prince of Orange, as a Child
1657
Not on view
22
Thomas Patch, 1725–1782
British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
23
Jonathan Richardson the Elder, 1667–1745
Nathaniel Seymour
between 1730 and 1735
Not on view
24
Lambert Marshall, 1809–1873
'Sultan' at the Marquess of Exeter's Stud, Burghley House
1826
Not on view
25
unknown artist
The Hermitage
ca. 1772
Not on view
26
Johan Joseph Zoffany, 1733–1810
David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
ca. 1762
Not on view
27
Thomas Smith of Derby, ca. 1720–1767
A Wooded Landscape with a Stream and a Fisherman
ca. 1749
Not on view
28
Willem Wissing, ca. 1656–1687
Unknown Boy
ca. 1685
Not on view
29
Francis Wheatley, 1747–1801
Night
1799
Not on view
30
Benjamin West, 1738–1820
The Artist and His Son Raphael
1773
Not on view
31
Francis Wheatley, 1747–1801
Evening
1799
Not on view
32
Francis Wheatley, 1747–1801
Morning
1799
Not on view
33
Benjamin West, 1738–1820
Elizabeth West (née Shewell), and Her Son Raphael
ca. 1773
Not on view
34
Attributed to Andrea Soldi, 1703–1771
Sir Robert Smyth and Louisa Caroline Isabella Smyth (née Hervey), Lady Smyth with Their Son, Hervey
between 1738 and 1739
Not on view
35
George Chinnery, 1774–1852
Men Round the Food Vendor’s Stall
after 1825
Not on view
36
George Barret, ca. 1728/32–1784
Wooded Landscape with a Boy and his Dog
ca. 1770
Not on view
37
Sir Joshua Reynolds, 1723–1792
Charles Stanhope, third Earl of Harrington and Marcus Richard Fitzroy Thomas
1782
Not on view
38
John Singleton Copley, 1738–1815
Richard Heber
1782
Not on view
39
Joseph Wright of Derby, 1734–1797
Academy by Lamplight
1769
Not on view
40
unknown artist
The Buckley-Boar Family
between 1758 and 1760
Not on view
41
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
42
Benjamin West, 1738–1820
The Artist and His Family
ca. 1772
Not on view
43
Agostino Brunias, 1728–1796
Servants Washing a Deer
ca. 1775
Not on view
44
George Barret, ca. 1728/32–1784
Landscape with Cottagers
ca. 1775
Not on view
45
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
46
George Chinnery, 1774–1852
An English Family in Macao
ca. 1835
Not on view
47
Arthur William Devis, 1762–1822
Emily and George Mason
between 1794 and 1795
Not on view
48
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape with Figures in the Foreground
between 1800 and 1810
Not on view
49
Francis Cotes, 1726–1770
Charles Collyer as a Boy, with a Cricket Bat
1766
Not on view
50
Arthur Devis, 1712–1787
A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
51
Agostino Brunias, 1728–1796
A Mother with her Son and a Pony
ca. 1775
Not on view
52
Julius Caesar Ibbetson, 1759–1817
Donkeys and Figures on a Beach
ca. 1815
Not on view
53
Agostino Brunias, 1728–1796
Market Day, Roseau, Dominica
ca. 1780
Not on view
54
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
55
William Hamilton, 1751–1801
John Palmer Whalley
ca. 1775
Not on view
56
unknown artist
The Death of the Hare
between 1760 and 1770
Not on view
57
Sir Francis Grant, 1803–1878
James Keith Fraser
1844
Not on view
58
John Linnell, 1792–1882
Hanson Toot, View in Dovedale
1815, reworked, 1846, 1854, and 1870
Not on view
59
John Hamilton Mortimer, 1740–1779
Portrait of a Man and a Boy Looking at Prints
between 1765 and 1770
Not on view
60
Sir Henry Raeburn, 1756–1823
Quintin McAdam
ca. 1815
Not on view
61
Gainsborough Dupont, 1754–1797
A Wooded Landscape with Cattle and Herdsman
before 1796
Not on view
62
Joseph Highmore, 1692–1780
The Head of a Young Boy
ca. 1735
Not on view
63
unknown artist
A Family Group Called 'The Stafford Family'
ca. 1730
Not on view
64
John Linnell, 1792–1882
Shepherd Boy Playing a Flute
1831
Not on view
65
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
66
John Opie, 1761–1807
Thomas Abraham of Gurrington, Devon
1784
Not on view
67
Edward Penny, 1714–1791
Widow Costard's cow and goods, distrained for taxes, are redeemed by the generosity of Johnny Pearmain
1782
Not on view
68
Edward Penny, 1714–1791
The Profligate Punished by Neglect
1774
Not on view
69
John Linnell, 1792–1882
Evening, Bayswater
1818
Not on view
70
unknown artist
The Practical Joke
ca. 1740
Not on view
71
Joseph Francis Nollekens, 1702–1748
Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
1745
Not on view
72
Joseph Francis Nollekens, 1702–1748
Children Playing with a Hobby Horse
between 1741 and 1747
Not on view
73
Joseph Edgar Boehm, 1834–1890
Girl on Horseback with a Boy and a Dog
1865
Not on view
74
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
75
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
76
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
77
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
78
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
79
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
80
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
81
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
82
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
83
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
84
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
85
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
86
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
87
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
88
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
89
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
90
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion