Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 44 / Subject Terms: landscape (representation)

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827-1838

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1838

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by James Tibbits Willmore, 1800–1863

Pont de l'Arche

1835

Print made by James Tibbits Willmore, 1800–1863

Llanthony, Monmouthshire

1834

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827-1838

Print made by James C. Allen, active 1821–1831

Dunwich

ca. 1830

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828-1832

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1828-1837

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by William Say, 1768–1834

Brougham Castle, near the Junction of the Rivers Eamont and Lowther

1823 to 1827

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by William Finden, 1787–1852

The Drachenfels

1833

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by William Miller, 1796–1882

St. Cloud

1835

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by Robert Brandard, 1805–1862

La Chaise de Gargantua near Duclair

1834

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Scott, 1774–1828

Aysgarth Force

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by William Finden, 1787–1852

The Drachenfels

1833

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by William Radclyffe, 1780–1855

Bridges of St. Cloud and Sèvres

1835

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by W. R. Smith, active 1819–1851

Amboise

1833

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Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 44

Subject Terms landscape (representation)

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Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 44

Subject Terms landscape (representation)

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