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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 37

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Width [cm] 45

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1. Crook of the Lune, Looking towards Hornby Castle

Crook of the Lune, Looking towards Hornby Castle
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1821
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A View of the Chapel and Hall of Oriel College, &c.

A View of the Chapel and Hall of Oriel College, &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1807
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Part of Balliol College Quadrangle

Part of Balliol College Quadrangle
Creator:
Print made by James S. Storer, 1771–1853
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Design after a Greek Vase

Design after a Greek Vase
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 19 1/16 × 27 1/4 inches (48.4 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Fisherman and Dog Sitting by the Coast

Fisherman and Dog Sitting by the Coast
Creator:
George Morland, 1763–1804
Date:
1803
Materials & Techniques:
Graphite touched with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Mount: 18 1/4 x 20 7/8 inches (46.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Court of Equity, Belle Savage Inn, Ludgate Hill

Court of Equity, Belle Savage Inn, Ludgate Hill
Creator:
Robert Laurie, 1755?–1836
Date:
1778
Materials & Techniques:
Photomechanical reproduction of a mezzotint published 1780
Dimensions:
Plate: 12 x 15 7/8in. (30.5 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Bank of England Royal Exchange

Bank of England Royal Exchange
Creator:
James H. Kernot, 1802–1858
Date:
1800
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 14 5/8 × 18 15/16 inches (37.1 × 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Knaresborough Castle, Yorkshire

Knaresborough Castle, Yorkshire
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:
Mount: 14 3/4 x 17 13/16 inches (37.4 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Bridge on the Malton Road from York

Bridge on the Malton Road from York
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 17 3/4 inches (37.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

View in Barnscliff, near Scarborough, when Overflowed by the Derwent
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:
Mount: 14 5/8 x 17 1/2 inches (37.1 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection