One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
5
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
6
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
7
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
8
James Ward, 1769–1859
Sketch for 'Gordale Scar'
between 1812 and 1814
Not on view
9
Charles Turner, 1774–1857
Sir John Moore
1809
10
J. C. Easling, fl.1788–1815
Lieutenant General Sir Thomas Picton
1815
11
Print made by William Bernard Cooke, 1778–1855
Views in Sussex, Publisher's Printed Wrapper
1819
12
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
13
Sir George Howland Beaumont seventh Baronet, 1753–1827
Temple of Venus Monday, March 18th, 1782
1782
14
Sir George Howland Beaumont seventh Baronet, 1753–1827
Hermitage Near Albano
1782
15
Sir George Howland Beaumont seventh Baronet, 1753–1827
Larici
1782
16
James Barry, 1741–1806
Jupiter and Juno on Mount Ida
ca. 1809
17
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
18
Print made by Remi Parr, 1743–after 1750
The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
undated
19
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
20
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
21
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
22
George Morland, 1763–1804
Fallen Horse and Rider, The Hunt Disappearing Left
undated
23
John Buckler FSA, 1770–1851
Chimney piece in King James's Room, Hatfield House
1812
24
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
25
Print made by John Doyle ('H.B.'), 1797–1868
The (Modern) Deluge
1848
26
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
27
James Seymour, 1702–1752
A Horse Lying Down
undated
28
James Seymour, 1702–1752
King Charles I of England, Mounted
undated
29
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
undated
30
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
31
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
undated
32
James Seymour, 1702–1752
Horse Walking to Left
undated
33
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
34
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
35
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
36
James Seymour, 1702–1752
Studies of Stags' Heads
undated
37
James Seymour, 1702–1752
A Hound Facing Left
undated
38
Henry Thomas Alken, 1785–1851
A Gentleman driving a four-in-hand to a Mail Phaeton, accompanied by three grooms
undated
39
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
40
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
41
George Dance, 1741–1825
Two Ladies Standing in Conversation, Presumably a Scene from a Play