'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
2
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
3
Cornelius Varley, 1781–1873
At St. Albans
undated
4
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
undated
5
Print made by Samuel Buck, 1696–1779
The South-West View of Battel-Abbey, in the County of Sussex
1737
6
Print made by Matthew Darly, active 1754–1778
Statue Hall or the Modern Register Office
1769
7
Henry Swinburne, 1743–1803
Montpellier, France
1775
8
Print made by L. Truchy, 1721–1764
Building Houses with Cards
1743
9
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
10
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
11
Print made by James C. Allen, active 1821–1831
Aldborough
1819-1826
12
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1823
13
Lady Diana Beauclerk, 1734–1808
Children with Pet Owls
undated
14
Sir George Hayter, 1792–1871
Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
1828
15
Print made by James Caldwall, 1739–1819
A French Physician with His Retinue Going to Visit His Patients
1771
16
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
17
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
18
Robert Blyth, 1750–1784
Two untitled etchings laid down on one sheet: Bandits and Soldiers Fighting
1782
19
Richard Sawyer, active 1820–1830
The Front of Northumberland House, next the Strand
1809
20
Robert Laurie, 1755?–1836
Fox-hunting: Cotton Decks of Stanfield, aged 75; a noted breaker of pointers
1772
21
Samuel Alken, 1756–1815
Spaniel Chasing a Hare
undated
22
Charles Bentley, 1806–1854
[Key to plate 2] Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. 8 March 1832
1832
23
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated
24
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
25
Print made by Francesco Bartolozzi, 1728–1815
King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I
1800
26
Paul Fourdrinier, 1698–1758
The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr
undated
27
Paul Fourdrinier, 1698–1758
The Elevation of the Design of a Triangular House by Theodore Jacobsen Esqr
undated
28
Rev. William Gilpin, 1724–1804
Bridge on the Malton Road from York
undated
29
Rev. William Gilpin, 1724–1804
Knaresborough Castle, Yorkshire
undated
30
John Leech, 1817–1864
A Jockey-Cart
undated
31
Sawrey Gilpin, 1733–1807
Lion Lying Down
undated
32
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
33
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
34
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
35
Nathaniel Parr, active 1742–1751
The King and Miller of Mansfield
1743
36
Thomas Sutherland, ca. 1785–1838
The West or Garden Front of the Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
1824
37
Print made by Isaac Cruikshank, 1764–1811
An Abyssinian Breakfast
1791
38
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
39
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
40
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber