Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 24

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

Print made by Miss Frances Waring, active 1801–1826

Lint Mills near Dunkeld (Variant)

1803

Print made by Miss Frances Waring, active 1801–1826

Hermitage Bridge, Dunkeld

1803

Print made by Miss Frances Waring, active 1801–1826

Dunkeld Castle

1803

Print made by Miss Frances Waring, active 1801–1826

Lint Mills near Dunkeld

1803

unknown artist

St Stephen's Cloisters

1834

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

John Leech, 1817–1864

Two Volumes of Original Pencillings

James Gwin, 1700–1769

Desseins Originaux des Attitudes Continuée dans L'École des Armes

1763

Print made by Miss Frances Waring, active 1801–1826

Lint Mills near Dunkeld

1803

Print made by Miss Frances Waring, active 1801–1826

Bothwell Castle

1803

Print made by Miss Frances Waring, active 1801–1826

Fascally

1803

Print made by Miss Frances Waring, active 1801–1826

Dunkeld Cathedral

1803

Print made by Miss Frances Waring, active 1801–1826

Bothwell Castle

1803

Print made by Miss Frances Waring, active 1801–1826

Fascally

1803

James Gillray, 1756–1815

Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

1801

James Gillray, 1756–1815

The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

1808

James Gillray The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

James Gillray, 1756–1815

The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

1806

James Gillray, 1756–1815

German - Nonchalence: - or - The Vexation of Little Boney

1803

James Gillray, 1756–1815

The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

1800

James Gillray, 1756–1815

Half Natural

1799

James Gillray, 1756–1815

Liliputian Substitutes, Equiping for Public Services

1801

James Gillray, 1756–1815

The Comforts of a Rumford Stove

1800

James Gillray, 1756–1815

("Portrait of Gentleman" Walking)

1800

James Gillray, 1756–1815

The Nursery, with, Britannia Reposing in Peace

1802

James Gillray The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

James Gillray, 1756–1815

The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber

1807

James Gillray, 1756–1815

Introduction of Citizen Volpone - and His Suite, at Paris

1802

James Gillray, 1756–1815

A Bouquet of the Last Century

1802

James Gillray, 1756–1815

Opposition Coaches

1788

James Gillray British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

James Gillray, 1756–1815

British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

1807

James Gillray, 1756–1815

Hope

1802

James Gillray, 1756–1815

Despair

1802

James Gillray, 1756–1815

King Henry The Fourth's Last Scene

1788

Robert Cockburn, 1812–1836

Aleppo - January 1836

1835-1836

Robert Cockburn, 1812–1836

Aleppo, January, 1835

1835

Robert Cockburn, 1812–1836

Aleppo - January 1836

1836

Robert Cockburn, 1812–1836

Dervish Ali, and Mr. Geoffrey

1835-1836

James Pollard, 1792–1867

Pony Race for One Hundred Guineas...3 November 1819

1819

unknown artist

The North View of the Summer Palace of Her Imperial Majesty at St. Petersburg

18th century

James Gillray Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)

James Gillray, 1756–1815

Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)

1798

Print made by Miss Frances Waring, active 1801–1826

Dunkeld Cathedral

1803

Print made by Miss Frances Waring, active 1801–1826

Lint Mills near Dunkeld

1803

Print made by Miss Frances Waring, active 1801–1826

Gretna Green

1803

Print made by Miss Frances Waring, active 1801–1826

Fascally

1803

James Gillray, 1756–1815

Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

1806

John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte

John Laporte, 1761–1839

[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte

1802-1804

unknown artist

Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire

ca. 1835

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

James Watson, 1740–1790

Madame La Marquise de Pompadour

Kitson

James Harris, 1st Earl of Malmesbury

undated

Print made by Sir Frank Short, 1857–1945

A Sea Piece

1889

W. A. Glynn