Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
1005
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
1006
William S. Leney, 1769–1831
The Soldier's Wife
1793
1007
Gwen John, 1876–1939
Three Women in Church
between 1910 and 1919
1008
Isaac Cruikshank, 1764–1811
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend
1792
1009
Gwen John, 1876–1939
Girl in an Apron with a Cat on her Lap
between 1916 and 1924
1010
Thomas Rowlandson, 1756–1827
A Touch of the Times
1788
1011
Thomas Rowlandson, 1756–1827
Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia
ca. 1786
1012
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
1013
Thomas Rowlandson, 1756–1827
Reformation - or - The Wonderful Effects of a Proclamation!!!
1787
1014
Thomas Rowlandson, 1756–1827
Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)
1801
1015
Print made by Isaac Cruikshank, 1764–1811
The New Birth
1789
1016
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 3
undated
1017
J. Mynde, active 1740–1770
Blenheim House
undated
1018
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
1019
William S. Leney, 1769–1831
The Sailor's Wife
1793
1020
Print made by Thomas Gainsborough, 1727–1788
Travellers by a Clump of Trees in a Rocky Landscape with Stream
undated
1021
George Moutard Woodward, ca. 1760–1809
In Our Journey through Life may we Live Well on the Road
ca. 1798
1022
George Moutard Woodward, ca. 1760–1809
May the Eye of Science pierce Through the Mists of Obsurity
ca. 1798
1023
Thomas Rowlandson, 1756–1827
Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin
ca. 1786
1024
Thomas Rowlandson, 1756–1827
Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---
ca. 1786
1025
Print made by Edward Francis Finden, 1791–1857
The Castle of St. Angelo
1832
1026
Print made by Edward Francis Finden, 1791–1857
The Bridge of Sighs, Venice
1832-1834
1027
Print made by Edward Francis Finden, 1791–1857
The Bernese Alps
1832-1834
1028
Print made by Edward Francis Finden, 1791–1857
Cologne
1832-1834
1029
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
1030
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
1031
James Duffield Harding, 1798–1863
Lane Scene
1829
1032
Francis Towne, 1740–1816
Ambleside
1786
1033
Henry Thomas Alken, 1785–1851
Full Cry
undated
1034
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated
1035
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
1036
Henry Thomas Alken, 1785–1851
The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks
undated
1037
Robert Dighton, 1752–1814
Snipe Shooting
ca. 1790
1038
Samuel Alken, 1756–1815
Spaniel Chasing a Hare
undated
1039
William Evans of Bristol, 1809–1858
The 'Royal' Coach Outside the White Lion Inn
ca. 1845
1040
Sawrey Gilpin, 1733–1807
Saddled Horse, Facing Right
undated
1041
Sawrey Gilpin, 1733–1807
Hunt Followers and Hounds Moving to Right Through Undergrowth
undated
1042
Sawrey Gilpin, 1733–1807
Three Pheasants Surrounding an Owl
undated
1043
Sawrey Gilpin, 1733–1807
Three Lions, Prowling
undated
1044
Sir Francis Grant, 1803–1878
Self-Portrait, Hunting: in a Scarlet Coat and Tall Hat
ca. 1821
1045
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
1046
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
1047
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
1048
Thomas Rowlandson, 1756–1827
A Horse Sale at Hopkins's Repository (An outline)
undated
1049
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
1050
Peter Tillemans, 1684–1734
Stag Hunting: Rider With Hounds About to Bring the Stag Down
undated
1051
Peter Tillemans, 1684–1734
Foxhunting: The Kill
undated
1052
unknown artist
Design after a Greek Vase
undated
1053
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
1054
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
1055
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
1056
John Buckler FSA, 1770–1851
South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
1057
John Buckler FSA, 1770–1851
North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
1058
John Buckler FSA, 1770–1851
Sketch of the Dining Room at Burton Agnes; Yorkshire, The Seat of Sir Francis Boynton Bart
1819
1059
John Buckler FSA, 1770–1851
Porch at Wilton House designed by Hans Holbein
1804
1060
Print made by unknown artist
A View of Part of the Royal Gardens at Naples Towards the Sea
undated
1061
Print made by unknown artist
A View of the Sea from the Palace of the Vice Roy at Naples
undated
1062
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior and Junior
undated
1063
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
1064
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
1065
James Gillray, 1756–1815
What a Cur ' tis
1795
1066
James Gillray, 1756–1815
The Royal Society
1786
1067
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
1068
James Gillray, 1756–1815
Malagrida, Driving Post
1069
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
1070
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
1071
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
1072
George Harley, 1791–1871
Ruins of Westminster Palace
1834
1073
Thomas Weaver, 1774–1843
Coursing
1800
1074
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
1075
Peter DeWint, 1784–1849
Horses Resting in a Meadow near Bolsover Castle
undated
1076
Robert Dighton, 1752–1814
Pheasant Shooting
before 1801
1077
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
1078
Print made by Angela Conner, born 1935
A Morgan Horse, Rearing
1980
1079
Print made by unknown artist
A View of the Piazza del Popolo in the City of Rome
undated
1080
Samuel Howitt, 1756–1822
Going to Cover
undated
1081
Samuel Howitt, 1756–1822
Going Home
undated
1082
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
1083
Samuel Howitt, 1756–1822
Going out of Kennel
undated
1084
Samuel Howitt, 1756–1822
The Check
undated
1085
Samuel Howitt, 1756–1822
Full Cry
undated
1086
Samuel Howitt, 1756–1822
The Death
undated
1087
James Seymour, 1702–1752
Saddled Horse, Walking to Left
undated
1088
James Seymour, 1702–1752
Coursing - After the Kill
undated
1089
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
1090
Possibly Henry Thomas Alken, 1785–1851
H. Grant on Horseback
undated
1091
Henry Thomas Alken, 1785–1851
Two Riders Jumping a Wooden Fence
undated
1092
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
1093
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
1094
Henry Thomas Alken, 1785–1851
A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"
1821
1095
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
1096
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony