Ben Venue - Loch Achray (view with reclining figure)
between 1861 and 1863
1606
Henry Shaw, 1800–1873
Greek Armour
undated
1607
James Gillray, 1756–1815
Election-Troops, Bringing in Their Accounts, to the Pay-Table
1788
1608
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
1609
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
1610
James Gillray, 1756–1815
The Devil to Pay; or Neptune Reposing after Fording the Jordan
1791
1611
James Gillray, 1756–1815
The Westminster Hunt
1788
1612
James Gillray, 1756–1815
Twas Nobody Saw the Lover's Leap and Let the Cat Out of the Bag
1786
1613
James Gillray, 1756–1815
Cooling the Brain - or - The Little Major, Shaving the Shaver
1789
1614
James Gillray, 1756–1815
Georgey in the Coal - Hole. (Colonel Hanger)
1800
1615
James Gillray, 1756–1815
One of the Advantages of a Low Carriage
1801
1616
James Gillray, 1756–1815
Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)
1800
1617
James Gillray, 1756–1815
A Military Sketch of a Gift Stick, or Poker Emblazoned. (A Portrait of General Cathcart)
1800
1618
James Gillray, 1756–1815
Delicious Weather
1808
1619
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
1620
James Gillray, 1756–1815
To Skiffy - Skipt on, With His Wonted Grace. Vide Birthday Ball
1800
1621
George Edwards, 1694–1773
[Brown Bird]
ca. 1758
1622
George Edwards, 1694–1773
[Song Thrush]
ca. 1758
1623
George Edwards, 1694–1773
[Insect]
ca. 1758
1624
George Edwards, 1694–1773
[Red-Breasted Bird]
ca. 1758
1625
James Gillray, 1756–1815
There's More Ways Than One - Vide, Coalition Expedients
1788
1626
George Edwards, 1694–1773
Yellowhammer
ca. 1758
1627
George Edwards, 1694–1773
[Cock Sparrow]
ca. 1758
1628
George Edwards, 1694–1773
[Black Bird]
ca. 1758
1629
George Edwards, 1694–1773
[Bird]
ca. 1758
1630
George Edwards, 1694–1773
[Blue Bird]
ca. 1758
1631
George Edwards, 1694–1773
[Bird]
ca. 1758
1632
George Edwards, 1694–1773
[Spiders]
ca. 1758
1633
George Edwards, 1694–1773
[Beetle]
ca. 1758
1634
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
1635
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
1636
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
1637
Mrs. P. D. H. Page, 20th century
Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]
undated
1638
Robert Cockburn, 1812–1836
Bridge of Antioch, Oct. 1835
1835
1639
Robert Cockburn, 1812–1836
Aleppo - Jan. 1836
1836
1640
Robert Cockburn, 1812–1836
[Woman Seated]
1835-1836
1641
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
1642
Frederick Christian Lewis the Elder, 1779–1856
Landscape with Watermill
undated
1643
Frederick Christian Lewis the Elder, 1779–1856
Landscape with Watermill
undated
1644
Print made by Frederick Christian Lewis the Elder, 1779–1856
Landscape with Watermill after a drawing attributed to Rembrandt by F.C. Lewis
undated
1645
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
1646
George Lambert, 1700–1765
Landscape with Two Men on a Road
undated
1647
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
1648
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
1649
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
1650
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
1651
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
1652
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
1653
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
1654
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde (Variant)
1803
1655
Thomas Rowlandson, 1756–1827
Two thrones with claw legs
1656
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
1657
Print made by Miss Frances Waring, active 1801–1826
Dunbarton Castle
1803
1658
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
1659
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
1660
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
1661
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
1662
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
1663
Stephen Riou, 1720–1780
Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta
1752
1664
Stephen Riou, 1720–1780
Alzata della faciata d'una Casa per fare alla Villa
1752
1665
Stephen Riou, 1720–1780
La facciata d'una Casa per fare alla Campagna
1752
1666
Stephen Riou, 1720–1780
Il diritto della Facciata d'una Casa per fare alla Campagna
1752
1667
Stephen Riou, 1720–1780
La Prigioni a Venezia
1752
1668
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
1669
James Moore, 1762–1799
Dunfermline Abbey, Scotland
1792
1670
Samuel Ireland, died 1800
Drawings for "Picturesque Views with an Historical Account of the Inns of Court in London and Westminster," London, 1800, Plus Eleven Unpublished Drawings
between 1794 and 1800
1671
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
1672
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
1673
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
1674
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
1675
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
1676
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
1677
Print made by John Greig, active 1803–1853
Weston House
1803-1804
1678
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
1679
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
1680
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
1681
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
1682
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
1683
Print made by John Greig, active 1803–1853
The Elms
1803-1804
1684
Charles Robert Cockerell, 1788–1863
The Temples of Aegina, Corinth, Theseum, Nemea: Elevations and Details of Doric Columns
undated
1685
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Structural Details