The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
1410
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
1411
Thomas Rowlandson, 1756–1827
Feeding the Ducklings
undated
1412
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
1413
Thomas Rowlandson, 1756–1827
Three Clerical Scholars
1789
1414
Thomas Rowlandson, 1756–1827
Harvesters Setting Out
undated
1415
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
1416
Thomas Rowlandson, 1756–1827
The Paris Diligence
undated
1417
Thomas Rowlandson, 1756–1827
The Inn Door (A Man escorted by two link boys to a door to the left)
undated
1418
Thomas Rowlandson, 1756–1827
Soldiers on a March
1805
1419
Thomas Rowlandson, 1756–1827
The Waggoner's Rest
between 1800 and 1805
1420
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
1421
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1422
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1423
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1424
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1425
Print made by Francesco Curti, 1610–1690
Frontispiece: Hercules Fighting the Hydra
ca. 1633
1426
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1427
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1428
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1429
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1430
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1431
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1432
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1433
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1434
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1435
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1436
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1437
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1438
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1439
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1440
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1441
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1442
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1443
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
1444
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1445
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1446
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1447
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1448
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1449
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1450
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1451
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome
ca. 1633
1452
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
1453
John Brett, 1831–1902
Study of Rocks
undated
1454
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1820
1455
Sawrey Gilpin, 1733–1807
Mr. Plumer's Horse
undated
1456
Sawrey Gilpin, 1733–1807
Study of a Bear
undated
1457
Sawrey Gilpin, 1733–1807
Study of a Saddled Horse and Horse's Head
undated
1458
Alfred Diston, active 1818–1829
La Palma
undated
1459
Alfred Diston, active 1818–1829
Peasant of Miradero, Tenerife
between 1823 and 1828
1460
Alfred Diston, active 1818–1829
Woman of Victoria, Tenerife
1828
1461
Attributed to Robert Dixon, 1780–1815
Norwich from the gravel pits
undated
1462
John Downman, 1750–1824
Portrait of a Lady
undated
1463
attributed to John Downman, 1750–1824
Portrait of a Girl Holding a Garland
undated
1464
Richard Doyle, 1824–1883
Title page for Punch, vol. VIII
ca. 1845
1465
unknown artist
Old House at Fonthill, Wiltshire
between 1800 and 1810
1466
Jean B. C. Chatelain, 1710–1771
The Grotto and the Temple of Contemplation, Stowe
1752
1467
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
1468
William Alfred Delamotte, 1775–1863
View from Stokenchurch Hill, Buckinghamshire
1821
1469
John Devoto, active 1708–1752
An architectural fantasy
undated
1470
Alfred Diston, active 1818–1829
Gomero, Orchilla Gatherer
1828
1471
Alfred Diston, active 1818–1829
Charcoal seller, Tenerife
1825
1472
Alfred Diston, active 1818–1829
Canary Fisherman
1825
1473
Alfred Diston, active 1818–1829
Man and woman of Chasna-Tenerife
1828
1474
Alfred Diston, active 1818–1829
Ladies' Church dress
ca. 1828
1475
Alfred Diston, active 1818–1829
Franciscan Friar
1828
1476
William Thomas Bree, 1754–1822
Old Farm Buildings in a Landscape
undated
1477
Isaac Weld, 1774–1856
View of the Rock Bridge
between 1795 and 1797
1478
Sawrey Gilpin, 1733–1807
Horse Rider, in Walking Gait
undated
1479
Sawrey Gilpin, 1733–1807
Riders and a Two-Wheeled Cart With Driver
undated
1480
Sawrey Gilpin, 1733–1807
Horse Grazing
undated
1481
Sawrey Gilpin, 1733–1807
Standing Horse
undated
1482
Sawrey Gilpin, 1733–1807
Study of Two Horses
undated
1483
Samuel Davis, 1760–1819
West Country Town by a River
undated
1484
George Dance, 1741–1825
Portrait of a Young Man
1805
1485
Samuel Davis, 1760–1819
Carriage Outside a Ruined Gateway
undated
1486
George Edwards, 1694–1773
Hercules Beetle
ca. 1758
1487
Thomas Gainsborough, 1727–1788
A Woodland Pool with Rocks and Plants
between 1765 and 1770
1488
François Louis Thomas Francia, 1772–1839
Boulogne Harbour
undated
1489
Samuel Daniell, 1775–1811
Korah Girl with a Jar
1802
1490
Samuel Daniell, 1775–1811
Tswana Man Holding and Ostrich Feather Fan in a Landscape
ca. 1802
1491
Henry Edridge, 1769–1821
On the Monnow, Monmouth
undated
1492
William Faithorne the Younger, ca. 1669–1703
Charles II when a Child
between 1671 and 1686
1493
William Alexander, 1767–1816
View Near the City of Tientsin
1800
1494
Samuel Davis, 1760–1819
Distant View of an Island
between 1777 and 1808
1495
Nathaniel Dance, 1735–1811
Miss Peagreen's Papa & Mama Walking in the Public Walks at a Bathing Place
undated
1496
John Robert Cozens, 1752–1797
From the Top of the Arena, Verona
ca. 1783
1497
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd