Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
914
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
915
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
916
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
917
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
918
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
919
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
920
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
921
Alexander Nasmyth, 1758–1840
A View of Edinburgh
undated
922
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
923
Print made by John Robert Cozens, 1752–1797
Bath: Queen Square
1773
924
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
925
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
926
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
927
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
928
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
929
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
930
Print made by William Bernard Cooke, 1778–1855
The Mew Stone at the Entrance of Plymouth Sound
1815
931
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
932
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
933
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819
934
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818
935
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818
936
Print made by James Mitan, 1776–1822
Turin, from the Portico of the Superga Church
1820
937
Willey Reveley, 1760–1799
Views in the Levant: Harbour Town Surrounded by Windmills
ca. 1785
938
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
939
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
940
unknown artist
Views in the Levant: Study of Figures From a Frieze or Panel
ca. 1785
941
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
942
Print made by S. Fisher, active 1831–1844
Coventry, Warwickshire
1833
943
Print made by J. C. Varrall, active 1815–1827
Rochester, Stroud and Chatham, Medway
1838
944
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
945
Print made by Joseph Stannard, 1797–1830
The Footbridge
ca.1822
946
Isaac Cruikshank, 1764–1811
The Modern Leviathan!!
1796
947
unknown artist
The Unitarian Arms
1792
948
Isaac Cruikshank, 1764–1811
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
1791
949
Isaac Cruikshank, 1764–1811
Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4)
1790
950
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
951
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
952
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
953
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
954
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
955
Pieter Schenck I, 1660–1719
Portrait of G. Kneller
956
Isaac Cruikshank, 1764–1811
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!
1795
957
Isaac Cruikshank, 1764–1811
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!
1800
958
Print made by John Cawse, 1779–1862
Smuggling - Corn from Egypt!!!
1800
959
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
960
Thomas Rowlandson, 1756–1827
The Reconciliation, or the Return from Scotland
1793
961
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
962
Thomas Rowlandson, 1756–1827
The Departure
1784
963
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
964
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
965
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
966
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
967
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
968
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
969
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
970
James McNeill Whistler, 1834–1903
The Dressmaker's Shop
ca. 1897
971
Print made by John Browne, 1741–1801
A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
after 1762
972
S. G. Hughes, active 1832
Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)
1831
973
S. G. Hughes, active 1832
Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)
1831
974
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
975
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
976
Thomas Major, 1714–1799
The Royal Palace of Windsor
1745
977
Print made by Edward Francis Finden, 1791–1857
Santa Maria della Spina, Pisa
1832-1834
978
Print made by Edward Francis Finden, 1791–1857
Gate of Theseus, Athens
1832
979
Print made by Francesco Bartolozzi, 1728–1815
The Virgin and Child
1770
980
Print made by Francesco Bartolozzi, 1728–1815
The Virgin and Child
1770
981
Print made by Edward Francis Finden, 1791–1857
The Bridge of Sighs, Venice
1832-1834
982
Print made by Edward Francis Finden, 1791–1857
The School of Homer, Scio
1833
983
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
984
Isaac Cruikshank, 1764–1811
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty
1795
985
Isaac Cruikshank, 1764–1811
Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do)
1794
986
Isaac Cruikshank, 1764–1811
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats
1793
987
Isaac Cruikshank, 1764–1811
Assassination-Versailles, October 6, 1789
1790
988
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
989
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
990
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
991
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
992
Gwen John, 1876–1939
Brown Bowl and Flowers in a Brown Vase
ca. 1920
993
Isaac Cruikshank, 1764–1811
The Hopes of the Family in the Road to Preferment
1799
994
Thomas Rowlandson, 1756–1827
An Irish Howl
1799
995
James Sayer, 1748–1823
The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
1789
996
Richard Newton, 1777–1798
Enjoying an Old Friend
1795
997
Richard Newton, 1777–1798
Opening the Ambassadors Ball in Paris
1794
998
Richard Newton, 1777–1798
Pull Devil - Pull Parson
1795
999
Print made by Matthew Darly, active 1754–1778
Hats
1773
1000
Richard Newton, 1777–1798
Retort Courteous or the Disloyal Address returned without Ceremony