Search Constraints
You searched for:
Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 13
Remove constraint Height [cm]: 13Subject Terms literary theme
Remove constraint Subject Terms: literary themeSearch Results
1
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
2
- The Homeward Star
- begun ca. 1880
3
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
4
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
5
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
6
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
7
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
8
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
9
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
10
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
11
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
12
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
13
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
14
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
15
- Frontispiece (Plate 1)
- ca. 1788
16
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
17
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
18
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
19
- Falstaff in the Boar's Head
- 1807
20
- The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
- 1723
21
- Falstaff at Herne's Oak
- 1807
22
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
23
- Malvolio Dancing
- 1827
24
- Ferdinand Reunited with his Father
- 1821
25
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
26
- Feste, as Sir Topas, addressing Malvolio
- 1822
27
- Christopher Sly and the Page, as His Wife
- 1821
28
- Katherina and Grumio
- 1821
29
- Juliet About to Take her Sleeping Draught
- 1825
30
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
31
- Falstaff at Herne's Oak
- 1821
32
- Master William Page and Sir Hugh Evans
- 1821
33
- Hotspur and the Plotters at Bangor
- 1825
34
- Gulliver Bound by the Lilliputians
- undated
35
- Falstaff Dragging the Body of Hotspur
- 1825
36
- Falstaff Instructing Bardolph
- 1825
37
- Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
- undated
38
- Claudio and Isabella
- 1823
39
- Capulet Railing at his Daughter, Juliet
- 1825
40
- Isabella and Mariana Kneeling Before the Duke
- 1822
41
- Illustration for Don Quixote (with figures on a donkey)
- undated
42
- Robin Hood and Clarinda hunting deer in a wooded landscape
- undated