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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms grass
Remove constraint Subject Terms: grassSearch Results
1
- Over the Bank, Exmoor
- ca. 1895
2
- Albania
- between 1848 and 1849
3
- Gozo, near Malta
- 1866
4
- A View of the Pine Woods Above Cannes
- 1869
5
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
6
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
7
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
8
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
9
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
10
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
11
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
12
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
13
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
14
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
15
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
16
- Spring (Plate 12)
- 1789
17
- The Lamb (Plate 18)
- 1789
18
- The Tyger (Plate 42)
- 1794
19
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
20
- Spring (Plate 26)
- 1789
21
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
22
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
23
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
24
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
25
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
26
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
27
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
28
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
29
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
30
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
31
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
32
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
33
- Showery June, Picardy
- between 1870 and 1880
34
- Temple of Venus and Rome from the Colosseum
- 1781
35
- Windsor Castle, Berkshire
- ca. 1823
36
- The Back of a Farm House
- undated
37
- The Eel Catcher
- undated
38
- River Landscape
- undated
39
- Remains of Purton Hall, Staffordshire
- 1820
40
- Wanstead House
- undated
41
- From Hampstead
- 1730
42
- Two Donkeys in a Landscape
- undated
43
- Part of Regent's Park
- 1805
44
- Mountainous Landscape with Cows
- undated
45
- The Trees and River in the Park at Coleorton Hall, Leicestershire
- undated
46
- Classical Landscape
- undated
47
- Boxhill from West Humble Lane
- undated
48
- Carew Castle South Wales
- undated
49
- Roundway Park, Wiltshire: Exterior View
- ca. 1840
50
- Roundway Park, Wiltshire: Exterior View
- ca. 1840
51
- Hanworth Park, Middlesex
- undated
52
- Wanstead House, Essex
- 1807
53
- Swakeley House, Middlesex
- undated
54
- Mountainous Landscape
- undated
55
- Barnes Common, June 1836
- 1836
56
- Tree Study with Stags (Landscape)
- undated
57
- Figures on a Bank, Kensington Gravel Pits
- 1812
58
- Nîmes from the Tour Magne
- ca. 1765
59
- High Tor, Matlock
- undated
60
- St. Thomas' Church, Winchelsea
- undated
61
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
62
- Aldenham Church
- ca. 1817
63
- Llanberis, North Wales
- 1813
64
- Terraced Cottages with Fallen Trees
- undated
65
- The Poor House, Hadley, Hertfordshire
- 1802
66
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
67
- The Ruins of the College of Lincluden, near Dumfries
- ca. 1806
68
- Hartwell, Buckinghamshire
- 1833
69
- Unidentified Country House
- between 1700 and 1715
70
- Reading Gate-Way
- undated
71
- A House Sparrow
- undated
72
- The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
- 1832
73
- Meadow Pipit
- undated
74
- Hoar Frost, Misty Morning: Glen Lyon
- undated
75
- Chalfont Lodge, Buckinghamshire
- undated
76
- Horses in a Paddock
- 1811
77
- Classical Composition
- 1798 to 1799
78
- Kirkstall Abbey from the N.W
- ca. 1792
79
- Lichfield Cathedral, Staffordshire
- 1794
80
- Tempio d' Antonio e Faustina
- between 1798 and 1799
81
- Glasgow Cathedral
- between 1794 and 1795
82
- Valley of the Conway
- ca. 1800
83
- View of Winchelsea, Sussex
- ca. 1795
84
- Melville Castle, Midlothian
- ca. 1796
85
- Romantic Landscape
- ca. 1801
86
- The New Walk, York
- ca. 1798
87
- A Water-Wheel Driving a Transporter
- undated
88
- View of Rochester
- 1791
89
- A Devonshire Farm
- ca. 1798
90
- The Watermill Above the Bridge at Charenton
- undated
91
- Guisborough Priory
- undated
92
- The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
- 1807
93
- Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
- 1805
94
- Eragrostis Tef
- 1775
95
- Bolton Abbey
- undated
96
- A Border Tower
- undated
97
- Elephant with Rider
- undated
98
- Quagga Zebra
- ca. 1824
99
- The Messengers Tell Job of the Misfortunes that Have Befallen Him
- undated
100
- The Village of Kirkstall, Yorkshire
- 1801