Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: intaglio print / Subject Terms: cane

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1793

Print made by William Blake, 1757–1827

I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

1793

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Rochester

1794

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

William Nutter, 1754–1802

Sunday Morning, A Cottage Family Going to Church

1795

Print made by James Bretherton, ca. 1730–1806

The Full Blown Macaroni

1772

Print made by John Finlayson, 1730–1776

Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

1769

Johann Jacobus Haid, 1704–1767

Mr. Garrick in "The Farmer's Return"

1766

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by James Walker, 1748–1808

Rochester

1794

Print made by John Blackmore, active 1740–1780

Samuel Foote Esq

1771

unknown artist

Man with a Stick, Seen From Behind

1755

unknown artist

Man Walking Using a Long Staff

1755

Robert Dixon, 1780–1815

Beeston Priory, Beeston Regis

between 1810 and 1811

James Gillray, 1756–1815

The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy

1796

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

Print made by Samuel Bellin, 1799–1894

David Cox

undated

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Laniere

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Thomas Girtin, 1775–1802

View of Thuilleries and Bridge taken from the Quay d'Orsai

1802