View of the Office of Ordnance with the Entrance of the House of Lords
undated
3203
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
3204
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
3205
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
3206
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
3207
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
3208
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
3209
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
3210
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
3211
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
3212
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
3213
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
3214
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
3215
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
3216
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
3217
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
3218
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
3219
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
3220
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
3221
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
3222
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
3223
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
3224
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
3225
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
3226
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
3227
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
3228
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
3229
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
3230
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
3231
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
3232
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
3233
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
3234
Print made by unknown artist
Chance. The London Firemen's Dog
1834
3235
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
3236
Print made by unknown artist
Houses of Parliament
undated
3237
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
3238
unknown artist
Henry VII Chapel, Westminster Abbey
undated
3239
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
3240
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
3241
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
3242
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
3243
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
3244
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
3245
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
3246
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
3247
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
3248
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
3249
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
3250
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
3251
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
3252
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
3253
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
3254
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
3255
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
3256
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
3257
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
3258
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
3259
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
3260
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
3261
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
3262
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
3263
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
3264
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
3265
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
3266
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
3267
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
3268
Print made by Charles J. Hullmandel, 1789–1850
Henry the Seventh's Chapel, North Side
undated
3269
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
3270
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
3271
Print made by James Basire II, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
3272
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
3273
Attributed to John Carter, 1748–1817
Springing of groins
1815
3274
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
3275
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
3276
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
3277
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
3278
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
3279
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
3280
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
3281
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
3282
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
3283
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
3284
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
3285
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
3286
attributed to Peter DeWint, 1784–1849
Houses at Teddington on the Thames
1809
3287
Thomas Rowlandson, 1756–1827
The Comforts of Bath: The Breakfast
1798
3288
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
3289
Thomas Rowlandson, 1756–1827
A View at Blackwall
undated
3290
Thomas Rowlandson, 1756–1827
Southhampton, the Watergate and Globe Inn
undated
3291
Thomas Rowlandson, 1756–1827
A Review in a Market Place
ca. 1790
3292
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
3293
Thomas Rowlandson, 1756–1827
Bradwell Lodge, Bradwell Quay, Essex
undated
3294
Thomas Rowlandson, 1756–1827
Bodmin Moor
ca. 1825
3295
Thomas Rowlandson, 1756–1827
Richmond Park
undated
3296
Print made by John Bluck, active 1791–1831
Clare Hall
1814
3297
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
3298
Thomas Rowlandson, 1756–1827
Newbury Market Place, Berkshire
between 1815 and 1820
3299
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
3300
Thomas Rowlandson, 1756–1827
Admiral Christian's and Mr. Lyson's Cottages, Cowes