Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1831 / Image Available: Available

Joseph Mallord William Turner, 1775–1851

Staffa, Fingal's Cave

exhibited 1832

On view at YUAG

John Constable, 1776–1837

Sir Richard Steele's Cottage, Hampstead

1831 to 1832

Not on view

Jacques-Laurent Agasse, 1767–1849

Vicunas

1831

Not on view

Augustus Leopold Egg, 1816–1863

The Life of Buckingham

undated, exhibited 1855

Not on view

George Chambers, 1803–1840

Two Fishing Boats on the Banks of Inland Waters

1831

Not on view

Augustus Leopold Egg, 1816–1863

The Death of Buckingham

undated, exhibited 1855

Not on view

Richard Ansdell Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

Richard Ansdell, 1815–1885

Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

before 1841

Not on view

William Mulready, 1786–1863

Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill

1831

Not on view

John Linnell, 1792–1882

William Collins, R.A

1831

Not on view

John Linnell, 1792–1882

Shepherd Boy Playing a Flute

1831

Not on view

John Constable, 1776–1837

Dawn

between 1831 and 1832

Samuel Palmer, 1805–1881

Shoreham, Kent

between 1831 and 1832

Samuel Palmer, 1805–1881

Cornfield and Church by Moonlight

early 1830s

Print made by William Miller, 1796–1882

Windsor Castle, Berkshire

1831

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by William Miller, 1796–1882

Windsor Castle, Berkshire

1831

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Print by John Scott, 1774–1828

[Shooting] The Pointer

1831

Print made by James Tibbits Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James Tibbits Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by Thomas Jeavons, ca. 1800–1867

Pembroke Castle, Wales

1831

Print made by Thomas Jeavons, ca. 1800–1867

Pembroke Castle, Wales

1831

Print made by James Tibbits Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Augustus Welby Northmore Pugin, 1812–1852

Designs for Gothic Ornamentation

1831

Print made by David Lucas, 1802–1881

Summer Morning

1831

Print made by David Lucas, 1802–1881

Summer Evening

1831

Thomas Shotter Boys, 1803–1874

Versailles

between 1831 and 1837

Thomas Shotter Boys, 1803–1874

The Pont des Arts, Paris

between 1831 and 1837

Alfred Edward Chalon, 1780–1860

A Dancer

ca. 1836

Thomas Shotter Boys, 1803–1874

Notre Dame, Paris

between 1831 and 1845

Print made by William Miller, 1796–1882

Marly

1831

Print made by James Tibbits Willmore, 1800–1863

Bedford, Bedfordshire

1831

Edward Matthew Ward, 1816–1879

Portrait of a Young Man

undated

John Varley, 1778–1842

London from the South West

1831

Sir Edwin Henry Landseer, 1802–1873

Hounds and Hunters Attacking Deer

1831

Richard Henry Nibbs, 1816–1893

Greenwich Hospital

undated

John Chessell Buckler, 1793–1894

Costessy Hall, Norfolk

1831

David Hall McKewan, 1816–1875

Landscape with Stream and Haymakers

undated

David Hall McKewan, 1816–1875

Mountain Rocks

undated

Richard Henry Nibbs, 1816–1893

Hay and Log Barges on the Conway

undated

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1831

Print made by Edward Goodall, 1795–1870

Florence, from the Chiesa al Monte

1831

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by Edward Goodall, 1795–1870

Florence, from the Chiesa al Monte

1831

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by Robert Brandard, 1805–1862

Gosport, Entrance to Portsmouth Harbour

1831

Print made by Robert Brandard, 1805–1862

Gosport, Entrance to Portsmouth Harbour

1831

Print made by Henry Wallis, 1805–1890

Airth Castle, Stirlingshire; page 4 (Volume One)

1831

unknown artist

Fraser's Panoramic Plan of London

1831

Print made by William Miller, 1796–1882

The Tower of London

1831

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Print made by Robert Wallis, 1794–1878

Ludlow Castle, Shropshire

1831

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by William Miller, 1796–1882

Windsor Castle, Berkshire

1831

Print made by William Radclyffe, 1780–1855

Eton College, Berkshire

1831

Print made by James Tibbits Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by Robert Brandard, 1805–1862

Gosport, Entrance to Portsmouth Harbour

1831

Print made by Thomas Jeavons, ca. 1800–1867

Pembroke Castle, Wales

1831

Print made by William Miller, 1796–1882

Marly

1831

Capt. Thomas Hastings, 1778–1854

Near Millfield, East Cowes, Isle of Wight

1831

Alfred Edward Chalon, 1780–1860

Mrs. Mary Cawse

1831

John Woods, active 1836–1860

Custom House

1831

Josiah Henshall, 1806–1869

Fleet Street

1831

Edward William Cooke, 1811–1880

Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge

1831

Thomas Allom, 1804–1872

The Ceremony of Opening London Bridge with the Old London Bridge in the Background

1831

Charles E. P. Motte, 1785–1836

The Opening of the New London Bridge

1831

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 5

1831

William Bernard Cooke, 1778–1855

Isleworth Ferry

1831

unknown artist

The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831

1831

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832