A View across the Artist's Garden from his House at Exmouth, Devonshire
mid-19th century
Not on view
2
Samuel John Egbert Jones, active 1820–1845
Pheasant Shooting
mid-19th century
Not on view
3
James Ward, 1769–1859
The Midday Meal
ca. 1835
Not on view
4
James Ward, 1769–1859
Self-Portrait
1830
Not on view
5
James Ward, 1769–1859
Diana at the Bath
1830
Not on view
6
Joseph Stannard, 1797–1830
Fishing Smack and Other Vessels in a Strong Breeze
1830
Not on view
7
George Chinnery, 1774–1852
An English Family in Macao
ca. 1835
Not on view
8
George Chinnery, 1774–1852
An Unknown Man
ca. 1835
Not on view
9
Joseph Edgar Boehm, 1834–1890
Study of a Coat Belonging to John, 11th Earl of Westmorland
mid-19th century
Not on view
10
Nicholas Condy, 1793–1857
The Victualling Office, Plymouth
ca. 1835
Not on view
11
Peter DeWint, 1784–1849
Landscape with Chestnut Tree
ca. 1835
Not on view
12
William Turner of Oxford, 1789–1862
A View of Oxford
mid-19th century
Not on view
13
Lambert Marshall, 1809–1873
Ben Marshall
before 1835
Not on view
14
Attributed to George Sidney Shepherd, 1784–1862
The Serpentine, Hyde Park
mid-19th century
Not on view
15
Edward Duncan, 1803–1882
Pheasant Shooting
1830
Not on view
16
James Ward, 1769–1859
Interior of a Stable
between 1830 and 1840
Not on view
17
John Sell Cotman, 1782–1842
Drainage Mills in the Fens, Croyland, Lincolnshire
ca. 1835
Not on view
18
James Arthur O'Connor, 1792–1841
A Wooded River Landscape with Mother and Child
1830
Not on view
19
Charles Hancock, 1802–1877
Two Greyhounds in a Landscape
between 1830 and 1850
Not on view
20
Francis Calcraft Turner, active 1782–1846
Horses Grazing: Mares and Foals in a Field
1830
Not on view
21
Francis Calcraft Turner, active 1782–1846
Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow
1830
Not on view
22
John Dalby, active 1826–1853
The Quorn Hunt in Full Cry: Second Horses
ca. 1835
Not on view
23
Edward Duncan, 1803–1882
Partridge Shooting
1830
Not on view
24
George Henry Laporte, 1799–1873
Grey Arabian mare and foal, with a family
ca. 1835
Not on view
25
George Henry Laporte, 1799–1873
Mameluke purchasing an Arabian stallion
ca. 1835
Not on view
26
unknown artist
The Crucifixion
between 1830 and 1840
Not on view
27
Edward Pritchett, active ca. 1828–1864
The Piazzetta, Venice
mid-19th century
Not on view
28
unknown artist
Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing)
1830
Not on view
29
unknown artist
A Roman Emperor
1830s
Not on view
30
John Constable, 1776–1837
Dedham Vale from Langham
between 1830 and 1831
31
Joseph Mallord William Turner, 1775–1851
Saint Catherine's Hill, Guildford, Surrey
1830
32
Joseph Mallord William Turner, 1775–1851
Ship Aground, Brighton
1830
33
James Duffield Harding, 1798–1863
Naples from the Strada Nouva, Nov.26, 1830
1830
34
Capt. Thomas Hastings, 1778–1854
Near Freshwater, Isle of Wight
1830
35
Capt. Thomas Hastings, 1778–1854
On the Medina, Isle of Wight
1830
36
Capt. Thomas Hastings, 1778–1854
Near Sandown Bay, Isle of Wight
1830
37
Capt. Thomas Hastings, 1778–1854
Hampstead Heath
1830
38
Capt. Thomas Hastings, 1778–1854
On Hampstead Heath
1830
39
Print made by Edward Calvert, 1799–1883
The Return Home
1830
40
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
41
Print made by David Lucas, 1802–1881
A Mill
1830
42
Print made by David Lucas, 1802–1881
Castle Acre Priory
1830 to 1831
43
Print made by David Lucas, 1802–1881
A Dell, Helmingham Park, Suffolk
1830
44
Print made by David Lucas, 1802–1881
A Mill
1830
45
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
46
Print made by David Lucas, 1802–1881
View on the Orwell
1830
47
Print made by David Lucas, 1802–1881
Weymouth Bay, Dorsetshire
1830
48
Print made by David Lucas, 1802–1881
View on the River Stour
1830
49
Print made by Thomas Shotter Boys, 1803–1874
Hotel de Sens, Paris
1830
50
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
51
Print made by James Lonsdale, 1777–1839
James Northcote
1830
52
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 1
1830
53
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 2
1830
54
Thomas Sidney Cooper, 1803–1902
A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835
ca. 1835
55
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
ca. 1835
56
Charles B. Newhouse, fl. c.1820–1836
The London-Dumphries Royal Mail
between 1830 and 1840
57
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
58
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
59
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
60
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
61
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
62
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
63
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
64
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
65
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
66
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sends Mother Eve's Apples Flying"
undated
67
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
ca. 1835
68
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
69
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
70
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
71
Richard Gilson Reeve, 1803–1889
Coaching: The Royal Mails Starting from the General Post Office, London
1830
72
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Seated Woman and Seated Man - two drawings on one mount