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Collection
Prints and Drawings
38
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
25
Wallis, Robert, 1794–1878
8
Constable, John, 1776–1837
3
Goodall, Edward, 1795–1870
3
Lucas, David, 1802–1881
3
Shepherd, Thomas Hosmer, 1792–1864
3
Smith, William R., active 1819–1851
3
Deeble, William, active 1814–1849
2
Lupton, Thomas Goff, 1791–1873
2
Miller, William, 1796–1882
2
Radclyffe, William, 1780–1855
2
Stothard, Thomas, 1755–1834
2
Armytage, James Charles, -1897
1
Barber, Thomas, 1771–1843
1
Bennett, W. J. (William James), 1787–1844
1
Crostick, Thomas, active ca. 1828
1
Danby, Francis, 1793–1861
1
ENGLEHEART, Francis, 1775–1849
1
Heath, William, 1795–1840
1
Jeavons, Thomas, ca. 1800–1867
1
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Date
1834
470
1546
247
1835
222
1782
201
1827
195
1830
189
1630
177
1833
172
1836
163
1800
131
1792
109
1797
109
1795
108
1808
106
1837
106
1832
102
1803
101
1814
93
1802
92
1818
91
1828
87
1793
80
1820
80
1816
79
1788
77
1789
77
1812
75
1811
74
1826
72
1850
71
1825
68
1780
66
1859
66
1550
65
1831
65
1745
63
1790
63
1796
62
1799
62
1819
62
1823
61
1785
59
1794
59
1773
58
1776
58
1762
56
1787
56
1783
54
1791
54
1813
54
1772
52
1784
52
1798
52
1824
52
1779
51
1809
51
1810
50
1775
46
1821
46
1755
45
1700
44
1807
44
1739
43
1822
41
1838
41
1801
40
1806
40
1769
39
1771
38
1829
[remove]
38
1765
36
1786
36
1839
36
1896
36
1563
35
1842
35
1743
34
1770
34
1804
34
1778
33
1760
32
1777
32
1781
32
1568
30
1805
30
1764
27
1817
27
1757
25
1768
25
1815
25
1767
24
1855
24
1553
23
1559
23
1642
23
1763
23
1774
23
1715
20
1735
20
1750
20
On-site Access
Accessible by appointment in the Study Room
38
Image Use
Free to Use
38
Image Available
Available
38
Classification
Prints
38
Creator Gender
male
38
Collective Title
Picturesque Views in England and Wales
15
Rogers's Italy
7
English Landscape
3
"Metropolitan Improvements, or, London in the Nineteenth Century", T.H. Shepherd, 1834.
2
Rogers's Poems
2
The Amulet
1
The Small Replicas of the Foregoing
1
Period
19th century
38
Materials & Techniques
wove paper
30
line engraving
26
etching (printing process)
15
chine collé
12
mezzotint
7
stipple engraving
2
drypoint
1
hand coloring
1
laid paper
1
soft-ground etching
1
watercolor
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
4
to
64
Unknown
1
Width [cm]
Width [cm] range begin
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Current results range from
0
to
90
Unknown
1
Work Type
intaglio print
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38
Genre
landscape
16
architectural subject
13
marine art
12
cityscape
5
religious and mythological subject
5
animal art
4
literary theme
2
genre subject
1
historical subject
1
portrait
1
Subject Terms
marine art
5
architectural subject
3
castle
2
lake
2
landscape (representation)
2
sea
2
watchtower
2
Jewish
1
Moses lifts up his rod and the water divides (Red Sea); the angel of God and the pillar of cloud move to the rear
1
arches
1
artist
1
bonnets
1
buildings
1
cane
1
capitals
1
carriage
1
cathedral
1
chapel
1
chimneys
1
cityscape
1
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Subject Terms
»
Associated Places
England
10
United Kingdom
9
Europe
5
City of Westminster
3
Cornwall
3
English Channel
2
Fowey
2
Fowey Blockhouse
2
Fowey Harbor
2
Fowey River
2
Italy
2
London
2
Palace of Westminster
2
St. Catherine's Castle
2
Suffolk
2
Switzerland
2
Wiltshire
2
Alps
1
Amalfi
1
Apsley House
1
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Associated Places
»
Associated People
Moses
1
Wilkie, Sir David (1785–1841), painter of genre, historical subjects, and portraits
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
John Constable (The Yomiuri Shimbun, 1986-01-30 - 1986-06-17)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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38
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Yale Center for British Art, Paul Mellon Collection
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Date
1829
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Work Type
intaglio print
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1
Print made by William Heath, 1795–1840
Finis
1829
2
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1829
3
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1829
4
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
5
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
6
Print made by Edward Goodall, 1795–1870
Naples
1829
7
Print made by Robert Wallis, 1794–1878
Amalfi
1829
8
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1829
9
Francis Engleheart, 1775–1849
The Guitar
1829
10
Print made by Robert Wallis, 1794–1878
William Tell's Chapel
1829
11
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1829
12
Print made by Robert Wallis, 1794–1878
St. Maurice
1829
13
Print made by Thomas Crostick, active ca. 1828
Fonthill
1829
14
Henry Le Keux, 1787–1868
A Convent Gate
1829
15
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1829
16
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1829
17
Print made by James Tibbits Willmore, 1800–1863
Kilgarren Castle, Pembroke
1829
18
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1829
19
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1829
20
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1829
21
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1829
22
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1829
23
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
24
George H. Phillips, active 1819–1825
Crossing the Red Sea
1829
25
Print made by Thomas Goff Lupton, 1791–1873
The Eddystone Lighthouse (The Small Plate)
1829 to 1834
26
John Martin, 1789–1854
The Fall of Ninevah
1829
27
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
28
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
29
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1829
30
Print made by William James Bennett, 1787–1844
The Supreme Court of Judicature on the Island of Ceylon
1829
31
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
32
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
33
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
34
Print made by David Lucas, 1802–1881
Spring
1829 to 1830
35
Print made by James Charles Armytage, 1802–1897
Sir David Wilkie
after 1829
36
Print made by David Lucas, 1802–1881
Old Sarum
1829 to 1830
37
Print made by David Lucas, 1802–1881
Stoke by Neyland, Suffolk
1829
38
Print made by Thomas Goff Lupton, 1791–1873
Sun-Rise, Whiting Fishing at Margate
1829 to 1834