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Collection
Prints and Drawings
72
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
[remove]
72
Cooke, William Bernard, 1778–1855
26
Hill, John, 1770–1850
8
Dawe, Henry E., 1790–1848
6
Allen, James C., active 1821–1831
4
Turner, Charles, 1774–1857
4
Havell, Robert, 1769–1832
3
Lupton, Thomas Goff, 1791–1873
3
Scott, John, 1774–1828
3
Cooke, George, 1781–1834
2
Hodgetts, Thomas, active 1801–1846
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Say, William, 1768–1834
2
Unknown artist
2
Rawle, Samuel, 1771–1860
1
Date
1834
440
1835
208
1827
168
1833
166
1836
157
1830
131
1837
99
1832
96
1818
84
1828
77
1816
[remove]
72
1823
68
1814
67
1859
65
1820
58
1819
51
1825
50
1831
47
1812
46
1826
46
1811
44
1896
36
1900
36
1838
35
1800
34
1813
33
1824
33
1808
31
1839
31
1822
30
1821
29
1829
26
1795
23
1790
22
1855
20
1807
17
1852
17
1799
16
1809
16
1817
16
1842
16
1810
15
1815
14
1851
13
1791
11
1856
11
1801
10
1805
10
1841
10
1797
9
1844
9
1802
8
1853
8
1889
8
1891
8
1794
7
1796
7
1840
7
0
6
1798
6
1804
6
1806
6
1845
6
1884
6
1803
5
1854
5
1875
5
1920
5
1792
4
1860
4
1865
4
1902
4
1903
4
1846
3
1858
3
1897
3
1788
2
1789
2
1793
2
1843
2
1850
2
1861
2
1862
2
1863
2
1866
2
1879
2
1894
2
1774
1
1778
1
1780
1
1786
1
1847
1
1864
1
1869
1
1873
1
1877
1
1893
1
1899
1
1906
1
1913
1
On-site Access
Accessible by appointment in the Study Room
72
Image Use
Free to Use
72
Image Available
Available
69
Unavailable
3
Classification
Prints
71
Drawings & Watercolors
1
Creator Gender
male
72
unknown
2
Collective Title
Liber Studiorum
23
Cooke's Views in Sussex
20
'History of Cassiobury Park,' 1816 and 1837
8
Cooke's Rivers of Devon
6
Whitaker's 'Loidis and Elmete'
6
Cooke's Picturesque Views of the Southern Coast of England
3
Surtees' History of Durham
1
Period
19th century
72
Materials & Techniques
etching (printing process)
51
wove paper
31
laid paper
27
brown ink
23
mezzotint
23
line engraving
21
aquatint
8
hand coloring
6
engraving (printing process)
3
letterpress printing
3
chine collé
2
black ink
1
gray wash
1
scraping out
1
watercolor
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
53
Unknown
14
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
58
Unknown
14
Work Type
intaglio print
66
relief print
3
drawing
1
watercolor
1
Genre
landscape
60
architectural subject
25
marine art
8
animal art
7
genre subject
7
historical subject
4
cityscape
2
religious and mythological subject
2
Subject Terms
landscape (representation)
6
river
6
bridge
4
marine art
4
channel (water body component)
3
abbey
2
cityscape
2
death
2
estate
2
landscape
2
mourning
2
park
2
plague
2
religious and mythological subject
2
stairs
2
walls
2
Old Testament
1
architectural subject
1
bay (body of water)
1
branches
1
more
Subject Terms
»
Associated Places
United Kingdom
7
France
6
England
5
Europe
5
Alps
4
Arve
3
Bonneville
3
Calais
3
Cornwall
3
Devon
3
Dover, Strait of
3
English Channel
3
Tamar
3
Dunblane
2
Dunblane Cathedral
2
Mount Edgcumbe Country Park Estate
2
Plymouth Sound
2
Scotland
2
Africa
1
Carrick Roads
1
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Metropole London 1800 - 1840 (Kulturstiftung Ruhr, 1992-06-04 - 1992-11-08)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Thomas Cole's Journey - Atlantic Crossings (The Metropolitan Museum of Art, 2018-01-29 - 2018-05-13)
1
Thomas Cole's Journey - Atlantic Crossings (The National Gallery, London, 2018-06-13 - 2018-10-07)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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72
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1816
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Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
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1
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
5
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
8
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
9
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
10
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
16
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
20
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
22
Joseph Mallord William Turner, 1775–1851
Leeds
1816
23
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
24
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
25
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
26
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
27
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
28
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
29
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
30
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
31
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
32
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
33
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
34
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
35
Print made by John Scott, 1774–1828
Harewood House
1816
36
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
37
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
38
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
39
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
40
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
41
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
42
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
43
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
44
Print made by John Scott, 1774–1828
Harewood House
1816
45
Print made by George Cooke, 1781–1834
Gledhow
1816
46
Print made by George Cooke, 1781–1834
Gledhow
1816
47
Print made by John Scott, 1774–1828
Harewood House
1816
48
Print made by unknown artist
Flower Garden Porch at Farnley
1816
49
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
50
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
51
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
52
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
53
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
54
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
55
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
56
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
57
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
58
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
59
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
60
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
61
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
62
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
63
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
64
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
65
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
66
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
67
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
68
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
69
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
70
Print made by William Bernard Cooke, 1778–1855
Text for 'The Rape of Hastings'
1816 to 1820
71
Print made by William Bernard Cooke, 1778–1855
Dedication for 'The Rape of Hastings'
1816 to 1820
72
Print made by William Bernard Cooke, 1778–1855
Text for 'The Rape of Hastings'
1816 to 1820