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Collection
Prints and Drawings
42
Creator
Turner, Charles, 1774–1857
22
Turner, J. M. W. (Joseph Mallord William), 1775–1851
22
Blair, Robert, 1699–1746
12
Schiavonetti, Luigi, 1765–1810
12
Blake, William, 1757–1827
10
Cadell, Thomas, 1773–1836
4
Cromek, Robert Hartley, 1770–1812
4
Ackermann, Rudolph, 1764–1834
2
Condy, Nicholas, 1793–1857
2
Phillips, Thomas, 1770–1845
2
Bluck, John, active 1791–1819
1
Daniell, William, 1769–1837
1
Freeman, Samuel, 1773–1857
1
Gillray, James, 1756–1815
1
Head, Guy, 1753–1800
1
Holland, William, 1757–1815
1
Humphrey, Hannah, ca. 1745–1818
1
Lawrence, Thomas, Sir, 1769–1830
1
Pugin, Augustus Charles, 1762–1832
1
Rowlandson, Thomas, 1756–1827
1
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Date
1804
102
1825
79
1808
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42
1811
31
1812
28
1859
24
1826
23
1768
22
1809
22
1790
21
1800
20
1813
20
1748
19
1767
18
1827
17
1819
16
1784
15
1824
15
1772
14
1774
14
1793
14
1795
14
1834
14
1776
13
1807
13
1823
13
1830
13
1836
13
1771
12
1816
12
1630
11
1745
11
1792
11
1798
11
1799
11
1817
11
1787
10
1801
10
1835
10
1788
9
1821
9
1896
9
1700
8
1715
8
1785
8
1818
8
1820
8
1757
7
1782
7
1794
7
1796
7
1802
7
1814
7
1773
6
1805
6
1815
6
1829
6
1710
5
1763
5
1780
5
1789
5
1797
5
1806
5
1810
5
1822
5
1828
5
1832
5
1833
5
1848
5
1738
4
1759
4
1764
4
1775
4
1791
4
1803
4
1831
4
1838
4
1840
4
1850
4
1855
4
1857
4
1898
4
1699
3
1725
3
1728
3
1732
3
1740
3
1743
3
1751
3
1755
3
1778
3
1783
3
1786
3
1839
3
1843
3
1845
3
1849
3
1858
3
1897
3
0
2
On-site Access
Accessible in the Study Room
38
On view
4
Image Use
Free to Use
41
Under Certain Circumstances
1
Image Available
Available
30
Unavailable
12
Classification
Prints
38
Drawings & Watercolors
4
Creator Gender
male
42
female
2
Collective Title
Liber Studiorum
21
The Grave, A Poem, by Robert Blair
12
Iconographie Anglaise par Reynolds et Autres
1
Subjects from the Liber Studiorum after J.M.W. Turner
1
The Egremont Sea-piece
1
Period
19th century
41
18th century-19th century
1
Materials & Techniques
etching (printing process)
35
laid paper
27
mezzotint
22
brown ink
21
wove paper
14
gouache
3
watercolor
3
aquatint
2
graphite
2
black ink
1
brown wash
1
card
1
chine collé
1
colored ink
1
electrotype (process)
1
hand coloring
1
pen
1
scratching out
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
56
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
18
to
51
Work Type
intaglio print
38
drawing
4
watercolor
4
frontispiece
2
Genre
landscape
14
architectural subject
13
religious and mythological subject
13
literary theme
12
marine art
7
genre subject
3
portrait
3
Subject Terms
landscape
10
death
9
religious and mythological subject
9
man
8
clouds
7
wine
7
goblet
6
soul
6
The Grave (1743) by Robert Blair (1699-1746)
5
bed
5
flying
5
literary theme
5
nude
5
sailboats
5
window
5
woman
5
barefoot
4
bread
4
flames
4
lightning
4
more
Subject Terms
»
Associated Places
Devon
3
England
3
United Kingdom
3
Lake Thun
2
Plymouth
2
Switzerland
2
Breakwater lighthouse
1
Egypt
1
English Channel
1
Exmouth
1
Plymouth Camera Obscura
1
Plymouth Hoe
1
Plymouth Sound
1
Associated People
Blake, William (1757–1827), engraver, artist, and poet
2
Iris
1
Napoleon I (1769–1821), Emperor of the French
1
Exhibition History
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
4
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
3
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
3
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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42
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1808
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Width [cm]
26
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1
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
2
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
3
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
4
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
5
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
On view
6
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
7
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
On view
8
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
9
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
10
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
11
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
12
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
13
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
14
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
15
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
16
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
17
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
18
Etched by Joseph Mallord William Turner, 1775–1851
Dunstanborough Castle
1808
On view
19
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
20
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
21
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
On view
22
Joseph Severn, 1793–1879
Caulking the Schooner, Falmouth Harbour
undated
23
Print made by Samuel Freeman, 1773–1857
Iris
1808
24
Print made by Caroline Watson, 1760–1814
Elizabeth Carter
1808
25
Nicholas Condy, 1793–1857
H.M.S. St. Vincent at Plymouth
undated
26
after Thomas Rowlandson, 1756–1827
Billingsgate Market
1808
27
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
28
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
29
William Daniell, 1769–1837
Exmouth, Devon
ca. 1813
30
Nicholas Condy, 1793–1857
Plymouth Sound from the Hoe
undated
31
Printed by Sir Frank Short, 1857–1945
Holy Island Cathedral
1808
32
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
33
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
34
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
35
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
36
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
37
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
38
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
39
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
40
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
41
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
42
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808