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Collection
Prints and Drawings
103
Creator
Girtin, Thomas, 1775–1802
50
Lewis, Frederick Christian the Elder, 1779–1856
22
Waring, Frances Miss, active 1801–1826
19
Smirke the Younger, Robert, Sir, 1781–1867
13
Pickett, W., active 1792–1820
7
Harraden, Richard Banks, 1778–1862
5
Cotman, John Sell, 1782–1842
4
Daniell, William, 1769–1837
3
Byrne, William, 1743–1805
2
Harraden, James, active 1801–1814
2
Mackenzie, Frederick, 1788–1854
2
Stadler, Joseph Constantine, active 1780–1812
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Chinnery, George, 1774–1852
1
Fielding, Anthony Vandyke Copley, 1787–1855
1
Girtin, James, ca. 1780–after 1820
1
Hayward, John Samuel, 1778–1822
1
Locker, Edward Hawke, 1777–1849
1
Lysons, Daniel, 1762–1834
1
Malton, James, 1761–1803
1
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Creator
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Date
1791
704
1796
367
1802
329
1800
308
1834
260
1546
247
1745
247
1827
154
1835
154
1785
139
1790
131
1792
129
1818
125
1825
123
1833
114
1799
111
1803
[remove]
103
1839
94
1830
91
1700
90
1811
89
1832
87
1820
86
1795
85
1836
85
1772
77
1793
74
1767
67
1814
67
1804
66
1775
65
1780
65
1823
64
1705
60
1812
59
1826
58
1781
56
1819
56
1794
52
1828
52
1815
51
1807
48
1797
45
1816
45
1829
45
1806
44
1817
44
1813
43
1771
42
1810
42
1798
41
1822
41
1831
41
1751
40
1837
40
1809
39
1808
38
1758
36
1776
36
1777
36
1789
36
1801
36
1563
35
1805
35
1761
34
1765
34
1778
32
1850
32
1871
32
1784
31
1842
30
1782
29
1787
29
1788
28
1824
28
1740
27
1770
26
1786
25
1763
24
1783
24
1860
24
1900
24
0
23
1553
23
1559
23
1715
23
1821
23
1838
23
1755
22
1750
21
1841
21
1752
19
1757
18
1840
18
1845
18
1861
18
1746
17
1760
16
1764
16
1773
16
On-site Access
Accessible by appointment in the Study Room
103
Image Use
Free to Use
103
Image Available
Available
83
Unavailable
20
Classification
Prints
63
Drawings & Watercolors
36
Drawing & Watercolors-Architectural
4
Creator Gender
male
84
female
19
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
36
Twelve Views in Scotland, Delineated by a Lady, in the Polyautographic Art of Drawing Upon Stone
19
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
13
Views of the London Docks
3
Byrne's Britannia Depicta
2
Liber Studiorum, 1838
1
The Environs of London
1
Period
19th century
101
18th century
1
18th century-19th century
1
Materials & Techniques
wove paper
59
aquatint
37
graphite
30
etching (printing process)
22
lithography
19
watercolor
19
soft-ground etching
15
gouache
10
hand coloring
7
brown ink
6
gray wash
5
black ink
4
laid paper
4
pen
4
line engraving
2
blue wash
1
brown wash
1
chine collé
1
gray ink
1
Height [cm]
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Height [cm] range end
Current results range from
0
to
51
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
12
to
140
Work Type
intaglio print
45
drawing
38
watercolor
21
planographic print
19
landscape
1
Genre
architectural subject
[remove]
103
cityscape
52
landscape
32
marine art
4
genre subject
3
animal art
1
Subject Terms
river
38
architectural subject
36
cityscape
12
bridge (built work)
7
boats
6
buildings
5
people
5
carriages
4
carts
4
horse (animal)
4
trees
4
arches
3
barges (flat-bottomed watercraft)
3
genre subject
3
house
3
ruins
3
castle
2
clouds
2
dog (animal)
2
domes
2
more
Subject Terms
»
Associated Places
Europe
51
France
49
Île-de-France
49
Seine
37
Paris
31
Pont Neuf
14
Val-de-Marne
12
Cathédrale Notre-Dame de Paris
11
Charenton-le-Pont
9
Pont de Charenton-le-Pont
9
Pont de la Concorde
8
United Kingdom
8
Bourse de Paris
7
Panthéon
7
Bassin de l'Arsenal
6
England
6
Marne
6
Quartier de Chaillot
6
Acqueduct of Louveciennes
4
Conciergerie
4
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
12
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
4
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
1
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
1
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
[remove]
103
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Yale Center for British Art, Paul Mellon Collection
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Date
1803
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Genre
architectural subject
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1
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
2
Sir Robert Smirke the younger, 1781–1867
Terrace Before the Church of St. Bartholamew
1803
3
Sir Robert Smirke the younger, 1781–1867
Terracina, Italy
1803
4
Sir Robert Smirke the younger, 1781–1867
Patras, Greece
1803
5
Sir Robert Smirke the younger, 1781–1867
Remains of an Ancient Amphitheatre Near Corinth
1803
6
Sir Robert Smirke the younger, 1781–1867
Mosque at Argos
1803
7
Sir Robert Smirke the younger, 1781–1867
The Amphitheatre at Nîmes
1803
8
Sir Robert Smirke the younger, 1781–1867
An Old Church, Three Miles Near Messina
1803
9
Sir Robert Smirke the younger, 1781–1867
Architectural Drawings of the Remains of the Temple of Sunias Minerva, in Attica
1803
10
Sir Robert Smirke the younger, 1781–1867
Temple at Phigalia
1803
11
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
12
Sir Robert Smirke the younger, 1781–1867
Remains of the Temple of Jupiter in the Plains of Nemea, Greece
1803
13
Sir Robert Smirke the younger, 1781–1867
The Ruins of the Temple of Jupiter in the Plains of Nemea
1803
14
Sir Robert Smirke the younger, 1781–1867
Ruins of the Temple of Jupiter on the Plains of Nemea
1803
15
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
16
Thomas Girtin, 1775–1802
View of the Pantheon, taken from the Arsenal
1803
17
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
1803
18
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
19
Thomas Girtin, 1775–1802
View of the Village of Chaillot, etc., taken from Pont de la Concorde
1803
20
Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
21
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
22
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
1803
23
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
24
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
1803
25
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1803
26
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
27
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
28
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
29
George Johann Scharf, 1788–1860
St. Paul's, Deptford
undated
30
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
31
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
32
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
33
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
34
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
35
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
36
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
37
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
38
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
39
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
40
Sir Jeffry Wyatville, 1766–1840
Hyde Hall, Hertfordshire: Perspective View
1803
41
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
42
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
43
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
44
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
45
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
46
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
47
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
48
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
49
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
50
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
51
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
52
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
53
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
54
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
55
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
56
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
57
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
58
Edward Hawke Locker, 1777–1849
Reading Abbey Gateway
1803
59
Frederick Mackenzie, 1788–1854
Charts Edge, Kent
undated
60
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
61
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
62
Attributed to Daniel Lysons, 1762–1834
Memorial to Mr. Nathaniel Ravener from Greenford Church
1803
63
John Varley, 1778–1842
Under the Ouse Bridge, Bathing
between 1803 and 1804
64
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
65
Print made by William Byrne, 1743–1805
Wickham, from the Marlow Road
1803
66
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
67
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
68
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
69
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
70
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
71
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
72
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
73
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
74
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
75
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
76
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
77
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
78
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
79
George Chinnery, 1774–1852
Ruins of a Temple, Sunset
between 1803 and 1825
80
John Sell Cotman, 1782–1842
Bamborough Castle, Northumberland
ca. 1808
81
John Sell Cotman, 1782–1842
Sheriff Hutton Castle, Yorkshire
ca. 1808
82
John Sell Cotman, 1782–1842
Interior of Norwich Cathedral: Doorway and Screen Between the South Transept and the Aisle of the Presbytery
ca. 1808
83
Anthony Vandyke Copley Fielding, 1787–1855
Cattle Watering by Corinthian Columns
undated
84
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
85
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
86
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
87
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
88
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
89
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
90
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
91
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Castle
1803
92
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
93
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
94
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
95
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld (Variant)
1803
96
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
97
Print made by Miss Frances Waring, active 1801–1826
Hermitage Bridge, Dunkeld
1803
98
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
99
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
100
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
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