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Collection
Prints and Drawings
22
Creator
Blake, William, 1757–1827
16
Edwards, Richard, active 1796–1797
8
Gray, Thomas, 1716–1771
8
Young, Edward, 1683–1765
8
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Walker, James, 1748–1808
2
Boydell, Josiah, 1752–1817
1
Gainsborough, Thomas, 1727–1788
1
Havell, William, 1782–1857
1
Nash, Frederick, 1782–1856
1
Smith, John, 1749–1831
1
Date
1793
36
1799
32
1804
30
1808
29
1800
28
1797
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22
1820
21
1825
21
1792
20
1767
19
1784
19
1794
18
1850
17
1809
14
1745
13
1782
13
1790
13
1796
13
1835
13
1785
12
1791
12
1795
12
1821
12
1764
11
1773
11
1775
11
1798
11
1810
11
1826
11
1830
11
1778
10
1780
10
1787
10
1802
10
1803
10
1805
10
1807
10
1742
9
1768
9
1789
9
1827
9
1829
9
1840
9
1776
8
1788
8
1816
8
1823
8
1753
7
1770
7
1783
7
1817
7
1819
7
1831
7
1834
7
1690
6
1700
6
1771
6
1781
6
1813
6
1824
6
1828
6
1837
6
1731
5
1812
5
1815
5
1822
5
1843
5
1845
5
1848
5
1857
5
1754
4
1755
4
1759
4
1762
4
1765
4
1769
4
1774
4
1777
4
1801
4
1818
4
1833
4
1849
4
1858
4
0
3
1695
3
1705
3
1720
3
1730
3
1736
3
1740
3
1749
3
1750
3
1760
3
1811
3
1814
3
1836
3
1842
3
1847
3
1851
3
1852
3
On-site Access
Accessible by appointment in the Study Room
22
Image Use
Free to Use
22
Image Available
Available
22
Classification
Drawings & Watercolors
11
Prints
11
Creator Gender
male
22
Collective Title
The Poems of Thomas Gray
8
Young's Night Thoughts
8
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
2
Period
18th century
20
18th century-19th century
2
Materials & Techniques
wove paper
20
watercolor
19
graphite
10
line engraving
10
black ink
8
etching (printing process)
8
brown ink
2
drypoint
1
mezzotint
1
scratching out
1
Height [cm]
Height [cm] range begin
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11
to
45
Width [cm]
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Current results range from
15
to
47
Work Type
watercolor
19
drawing
11
intaglio print
11
Genre
literary theme
16
religious and mythological subject
15
landscape
5
genre subject
3
architectural subject
2
animal art
1
Subject Terms
clouds
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22
literary theme
16
text
16
religious and mythological subject
15
man
12
men
11
women
7
sky
6
angels
5
landscape
5
trees
5
water
5
angel
4
river
4
sheep
4
sun
4
wings
4
beard
3
genre subject
3
grass
3
more
Subject Terms
»
Associated Places
United Kingdom
5
England
3
Europe
3
Hampton Court
2
Hereford and Worcester
2
Herefordshire
2
Leominster
2
Lugg
2
Wales
2
Cymru
1
Hyde Park
1
London
1
Piccadilly
1
Associated People
angel
1
Exhibition History
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
2
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
1
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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22
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1797
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clouds
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1
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
2
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
3
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
4
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
5
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
6
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
7
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
8
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
9
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
10
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
11
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
12
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
13
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
14
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
15
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
16
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
17
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
18
Attributed to William Havell, 1782–1857
Welsh Landscape
undated
19
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner
undated
20
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
21
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
22
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797