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Collection
Prints and Drawings
106
Creator
Blake, William, 1757–1827
29
Ireland, Samuel, died 1800
27
Girtin, Thomas, 1775–1802
8
Callcott, Augustus Wall, Sir, 1779–1844
3
Rowlandson, Thomas, 1756–1827
3
Greville, Henry Richard third Earl of Warwick, 1779–1853
2
Howitt, Samuel, 1756–1822
2
Lewis, Frederick Christian the Elder, 1779–1856
2
Morland, George, 1763–1804
2
Sowerby, James, 1756–1822
2
Tomkins, Charles, 1757–1823
2
Wyatt, James, 1746–1813
2
Alexander, William, 1767–1816
1
Anderson, William, 1757–1837
1
Bone, Henry Pierce, 1779–1855
1
Buckler, John FSA, 1770–1851
1
Cockburn, James Pattison, 1779–1847
1
Cort, Hendrik Frans de, 1742–1810
1
Cotman, John Sell, 1782–1842
1
Cuitt, George, 1743–1818
1
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1791
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541
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469
1802
431
1796
408
1771
398
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321
1772
316
1795
262
1790
260
1826
229
1784
224
1832
220
1793
215
1767
210
1752
206
1768
204
1792
204
1748
200
1799
196
1785
190
1814
178
1775
159
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155
1820
150
1827
149
1797
144
1700
143
1870
131
1825
124
1780
122
1787
121
1817
121
1758
119
1807
118
1877
115
1789
114
1835
109
1794
[remove]
106
1830
104
1805
103
1770
101
1801
100
1839
100
1815
98
1811
93
1855
93
1763
88
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87
1854
87
1803
86
1812
86
1786
85
1813
85
1782
84
1798
84
1765
82
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81
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80
1777
78
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78
0
76
1808
76
1868
76
1740
73
1774
73
1778
73
1781
73
1783
72
1819
72
1823
72
1836
72
1833
69
1828
68
1806
67
1829
67
1705
65
1869
64
1834
61
1821
59
1822
57
1809
55
1840
54
1730
51
1764
50
1888
49
1889
49
1753
48
1761
44
1788
44
1715
43
1845
43
1861
42
1756
41
1776
41
1816
41
1831
40
1760
39
1762
38
1759
37
On-site Access
Accessible by appointment in the Study Room
106
Image Use
Free to Use
106
Image Available
Available
106
Classification
Drawings & Watercolors
71
Prints
29
Drawing & Watercolors-Architectural
6
Creator Gender
male
105
female
1
Collective Title
Picturesque Views with an Historical Account of the Inns of Court in London and Westminster
27
Europe. A Prophecy, Copy A
17
Songs of Innocence and of Experience, Copy F
6
The First Book of Urizen, Copy A
5
The First Book of Urizen, Copy C
1
Period
18th century
80
18th century-19th century
18
19th century
4
Materials & Techniques
wove paper
89
watercolor
87
black ink
61
graphite
59
color printing
29
relief etching
29
pen
19
oil paint
17
laid paper
16
brown ink
14
gray ink
10
gray wash
9
gouache
7
brown wash
6
ink
5
black chalk
3
scratching out
3
black wash
1
blue wash
1
pens
1
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Materials & Techniques
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Height [cm]
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50
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Width [cm] range begin
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Current results range from
7
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71
Work Type
drawing
[remove]
106
watercolor
95
relief print
29
frontispiece
2
Genre
architectural subject
45
religious and mythological subject
25
landscape
16
genre subject
11
historical subject
8
literary theme
8
animal art
6
marine art
5
sporting art
4
figure study
2
military art
1
Subject Terms
architectural subject
45
men
26
religious and mythological subject
25
trees
25
text
23
women
21
landscape
16
nudes
12
clouds
9
flames
9
branches
8
historical subject
8
leaf
8
vines
8
children
7
fire
7
literary theme
7
rocks (landforms)
7
animal art
6
genre subject
6
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Subject Terms
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Associated Places
United Kingdom
19
England
16
Europe
15
Hampshire
3
Kent
3
Cobham
2
Cobham Hall
2
Greater London
2
Isleworth
2
Scotland
2
Southampton
2
Argyll and Bute
1
Berkshire
1
Bretagne
1
Brighton
1
Cambridge University
1
Cambridgeshire
1
Cymru
1
Dartmouth
1
Dartmouth Castle
1
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Associated Places
»
Associated People
Gabriel (Archangel)
1
George III (1738–1820), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
demons
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
7
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
7
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
3
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Thomas Rowlandson (Art Services Int'l) (The Baltimore Museum of Art, 1990-06-23 - 1990-08-05)
2
Thomas Rowlandson (Art Services Int'l) (The Frick Art Museum, 1990-04-21 - 1990-06-03)
2
Thomas Rowlandson (Art Services Int'l) (The Frick Collection, 1990-02-10 - 1990-04-08)
2
Apollo's Muse: The Moon in the Age of Photography (The Metropolitan Museum of Art, 2019-07-01 - 2019-09-22)
1
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Dare to Know: Prints and Drawings in the Age of Enlightenment (Harvard Art Museums, 2022-09-15 - 2023-01-16)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
It's Alive! Frankenstein at 200 (The Morgan Library & Museum, 2018-10-12 - 2019-01-27)
1
J. M. W. Turner - The Foundations of Genius (The Taft Museum, 1986-09-18 - 1986-11-02)
1
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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106
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Date
1794
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1
Joseph Mallord William Turner, 1775–1851
The Angler
1794
2
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
3
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
4
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
5
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
6
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
7
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
8
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
9
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
10
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
11
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
12
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
13
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
14
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
15
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
16
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
17
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
18
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
19
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
20
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
21
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
22
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
23
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
24
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
25
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
26
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
27
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
28
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
29
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
30
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
31
James Pattison Cockburn, 1779–1847
Form Open Column in Rear of Right
undated
32
James Sowerby, 1756–1822
A Snipe
1794
33
James Sowerby, 1756–1822
A Blue Tit
1794
34
John Glover, 1767–1849
On the River Wye with Wilton Castle Ruins on a Bend in the River
after 1794
35
Sir Augustus Wall Callcott, 1779–1844
Near St. Malo
undated
36
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
37
Attributed to Gangaram Chintaman Tambat, active 1790s
Portrait of a Priest of the Borahs [Bohras]
1794
38
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
39
Frederick Christian Lewis the Elder, 1779–1856
Trees and a Rocky Stream
undated
40
Frederick Christian Lewis the Elder, 1779–1856
The Fair Grounds
undated
41
William Hamilton, 1751–1801
A Dramatic Scene with Three Women in an Interior
1794
42
Henry Richard Greville third Earl of Warwick, 1779–1853
River Landscape
undated
43
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
44
Sir Augustus Wall Callcott, 1779–1844
Woman on a Horse with Two Standing Women Overlooking a Landscape
undated
45
Paul Sandby, 1731–1809
Dartmouth Castle
1794
46
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Dairy
1794
47
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Dairy
1794
48
Cornelius Varley, 1781–1873
Haymakers
after 1794
49
Charles Tomkins, 1757–1823
Seat of David Godfrey, Isleworth, Middlesex
undated
50
Charles Tomkins, 1757–1823
Shrewsbury House, Isleworth, Middlesex
undated
51
William Henry Pyne, 1769–1843
Cottage and Foot Bridge
1794
52
Philippe-Jacques de Loutherbourg, 1740–1812
A Bull Charging
1794
53
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
54
William Anderson, 1757–1837
On a Man-o'-War
between 1794 and 1799
55
Sir Augustus Wall Callcott, 1779–1844
Dead Calm: Boats off Cowes Castle
undated
56
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
57
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
58
Michael "Angelo" Rooker, 1746–1801
Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
undated
59
Samuel Ireland, 1744–1800
Middle Temple Gate
between 1794 and 1800
60
Samuel Ireland, 1744–1800
Currier's Hall
between 1794 and 1800
61
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794 (Version A)
1794
62
Thomas Rowlandson, 1756–1827
A Military Escapade
between 1794 and 1800
63
Samuel Ireland, 1744–1800
Joiner's Hall
between 1794 and 1800
64
Samuel Ireland, 1744–1800
Lincoln's Inn Hall and Chapel
between 1794 and 1800
65
Samuel Ireland, 1744–1800
Rolls Chapel
between 1794 and 1800
66
Samuel Ireland, 1744–1800
Guildhall
between 1794 and 1800
67
Samuel Ireland, 1744–1800
Dyer's Hall
between 1794 and 1800
68
Samuel Ireland, 1744–1800
Clifford's Inn
between 1794 and 1800
69
Samuel Ireland, 1744–1800
Staple Inn
between 1794 and 1800
70
Samuel Ireland, 1744–1800
Painter's Hall
between 1794 and 1800
71
Samuel Ireland, 1744–1800
Barber's Hall
between 1794 and 1800
72
Samuel Ireland, 1744–1800
The Inner Temple
between 1794 and 1800
73
Samuel Ireland, 1744–1800
Temple Church
between 1794 and 1800
74
Samuel Ireland, 1744–1800
Gray's Inn
between 1794 and 1800
75
Samuel Ireland, 1744–1800
Blacksmith's Hall
between 1794 and 1800
76
Samuel Ireland, 1744–1800
Southwest View of Middle Temple
between 1794 and 1800
77
Samuel Ireland, 1744–1800
Clement's Inn
between 1794 and 1800
78
Samuel Ireland, 1744–1800
Sergeant's Inn
between 1794 and 1800
79
Samuel Ireland, 1744–1800
Garden Front of Stationer's Hall
between 1794 and 1800
80
Samuel Ireland, 1744–1800
Furnival's Inn
between 1794 and 1800
81
Samuel Ireland, 1744–1800
Lincoln's Inn Gate
between 1794 and 1800
82
Samuel Ireland, 1744–1800
Tallow Chandler's Hall
between 1794 and 1800
83
Samuel Ireland, 1744–1800
New Inn
between 1794 and 1800
84
Samuel Ireland, 1744–1800
Lion's Inn
between 1794 and 1800
85
Samuel Ireland, 1744–1800
North Front of Temple Hall
between 1794 and 1800
86
Samuel Ireland, 1744–1800
Barnard's Inn
between 1794 and 1800
87
Samuel Ireland, 1744–1800
Brewer's Hall
between 1794 and 1800
88
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
89
Thomas Girtin, 1775–1802
Chapel Church, Surrey
ca. 1799
90
Thomas Girtin, 1775–1802
Valle Crucis Abbey, Denbighshire
ca. 1799
91
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
92
Thomas Girtin, 1775–1802
Boat Building
ca. 1799
93
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
94
Thomas Girtin, 1775–1802
The Archangel Gabriel Awaiting Night
ca. 1799
95
Hendrik Frans de Cort, 1742–1810
Ruined Farm near Coombe at Gittisham in Devonshire, Three Miles from Honiton, Devon
1794
96
Joseph Michael Gandy, 1771–1843
Design for a Farm House. Elevations of Two Fronts
between 1794 and 1797
97
George Cuitt, 1743–1818
Fingal's Cave, Staffa
undated
98
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
99
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
100
George Morland, 1763–1804
Study of a Hound: Head and Shoulders, Facing Right
1794
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