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Collection
Prints and Drawings
74
Creator
Varley, John, 1778–1842
17
Carter, John, 1748–1817
11
Moore, James, 1762–1799
9
Hastings, Thomas Capt., 1778–1854
6
Cockburn, James Pattison, 1779–1847
5
Girtin, Thomas, 1775–1802
5
Unknown artist
4
Alexander, William, 1767–1816
3
Tambat, Gangaram Chintaman, active 1790s
3
Farington, Joseph, 1747–1821
2
Harraden, Richard Banks, 1778–1862
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Angus, William, 1752–1821
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Davis, Samuel, 1760–1819
1
Gore, Charles, 1729–1807
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
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Date
1791
704
1796
367
1802
329
1800
308
1834
260
1745
248
1546
247
1827
154
1835
154
1785
139
1790
131
1792
129
1818
125
1825
123
1833
114
1799
111
1803
103
1839
94
1830
91
1700
90
1811
89
1832
87
1820
86
1795
85
1836
85
1772
77
1793
[remove]
74
1767
67
1814
67
1804
66
1775
65
1780
65
1823
65
1705
60
1812
59
1826
58
1781
56
1819
56
1828
54
1794
52
1815
51
1807
48
1797
45
1816
45
1829
45
1806
44
1817
44
1813
43
1771
42
1810
42
1798
41
1822
41
1831
41
1751
40
1837
40
1809
39
1808
38
1758
36
1776
36
1777
36
1789
36
1801
36
1563
35
1805
35
1761
34
1765
34
1778
32
1850
32
1871
32
1740
31
1784
31
1842
30
1782
29
1787
29
1788
28
1824
28
1770
26
1786
25
1763
24
1783
24
1860
24
1900
24
0
23
1553
23
1559
23
1715
23
1821
23
1838
23
1755
22
1750
21
1841
21
1752
19
1757
18
1840
18
1845
18
1861
18
1746
17
1760
16
1764
16
1773
16
On-site Access
Accessible by appointment in the Study Room
74
Image Use
Free to Use
74
Image Available
Available
74
Classification
Drawings & Watercolors
70
Prints
4
Creator Gender
male
71
unknown
4
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
9
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
6
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
43
18th century-19th century
24
19th century
6
Materials & Techniques
graphite
52
wove paper
46
watercolor
29
laid paper
22
black ink
21
gray wash
10
gouache
8
pens
7
brown ink
5
black wash
3
brown wash
3
gray ink
3
pen
3
black chalk
2
etching (printing process)
2
line engraving
2
blue wash
1
board
1
card
1
cartridge paper
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
48
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
11
to
68
Work Type
drawing
69
watercolor
40
intaglio print
4
Genre
architectural subject
[remove]
74
landscape
16
genre subject
10
cityscape
8
figure study
1
marine art
1
Subject Terms
architectural subject
65
trees
17
landscape
16
figures
14
buildings
8
houses
8
boats
7
castle
7
church
7
clouds
7
men
7
river
7
ruins
7
windows
7
cityscape
6
genre subject
6
bridge (built work)
5
chimneys
5
walking
5
arches
4
more
Subject Terms
»
Associated Places
United Kingdom
35
England
33
Europe
14
London
13
City of Westminster
12
Palace of Westminster
12
Ellora
3
India
3
Asia
2
Barnard Castle
2
Battersea
2
Cambridge
2
Cambridgeshire
2
China
2
Clare College
2
Cymru
2
Durham
2
Greater London
2
Kent
2
Northumberland
2
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Art in Focus : Blue (Yale Center for British Art, 2019-04-05 - 2019-08-11)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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74
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1793
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Genre
architectural subject
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1
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
2
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
3
pupil of John Varley, 1778–1842
A Village Street
undated
4
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
5
John Varley, 1778–1842
Merida, Spain
undated
6
John Varley, 1778–1842
A Romantic Landscape
undated
7
John Varley, 1778–1842
Norwich
undated
8
John Varley, 1778–1842
Farm House with a Well
undated
9
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
10
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
11
John Varley, 1778–1842
Linlithgow Palace
undated
12
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
13
John Varley, 1778–1842
View of New Street, near London Bridge
undated
14
John Varley, 1778–1842
View of York
undated
15
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
16
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
17
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
18
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
19
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
20
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
21
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
22
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
23
John Varley, 1778–1842
Barnard Castle, County Durham
undated
24
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
25
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
26
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
27
unknown artist
Duke's Place
1793
28
unknown artist
Duke's Place
1793
29
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
30
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
31
John Varley, 1778–1842
Ouse Bridge, York
undated
32
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
33
John Varley, 1778–1842
Carnarvon Castle
undated
34
Capt. Thomas Hastings, 1778–1854
Sketch of Figures Standing beneath a Stone Arch
undated
35
Capt. Thomas Hastings, 1778–1854
Poor Man's House, Beaulieu
undated
36
Capt. Thomas Hastings, 1778–1854
Sketch of a Roof with a Large Chimney
undated
37
Capt. Thomas Hastings, 1778–1854
Mrs. Bennet's on Shorwell, Isle of Wight
undated
38
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
39
Capt. Thomas Hastings, 1778–1854
Canterbury Cathedral
undated
40
Capt. Thomas Hastings, 1778–1854
Priory Farm
undated
41
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
42
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
44
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
45
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
46
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
47
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
48
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
49
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
50
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
51
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
52
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
53
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
54
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
55
James Moore, 1762–1799
Uckfield Holy Cross Church, East Sussex, England
1793
56
James Moore, 1762–1799
Tonbridge Castle, Kent, England
1793
57
James Moore, 1762–1799
Holy Trinity Parish Church, Cookham, England
1793
58
James Moore, 1762–1799
Duff House, Scotland
1793
59
James Moore, 1762–1799
Church of St. Mary the Virgin, Hurley, Berkshire, England
1793
60
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
61
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
62
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
63
James Moore, 1762–1799
Medmenham, England
1793
64
James Moore, 1762–1799
Unidentified Church
1793
65
James Moore, 1762–1799
Duff House, Scotland
1793
66
James Moore, 1762–1799
Church of St. Nicholas, Thames Ditton, Surrey, England
1793
67
James Pattison Cockburn, 1779–1847
An Italian Fete: Figures on Terrace of a Palazzo
undated
68
James Pattison Cockburn, 1779–1847
Procession in a Church
undated
69
Joseph Farington, 1747–1821
View of St. Nicholas Church at Valenciennes after the Siege
1793
70
James Pattison Cockburn, 1779–1847
Figures by a Tomb
undated
71
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
72
Thomas Daniell, 1749–1840
East View of the Forts Jellali and Merani, Muskat
1793
73
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
74
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige
1793