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Collection
Prints and Drawings
16
Creator
Ward, James, 1769–1859
7
Hills, Robert, 1769–1844
3
Unknown artist
3
Collings, Samuel, active 1784–1795
1
Scratch, Annibal, active 1791
1
Smith, John, 1749–1831
1
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1752
82
1830
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1827
73
1834
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41
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22
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1794
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1700
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1784
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16
1832
16
1808
14
1772
13
1775
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1781
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1831
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1833
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1824
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1828
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1768
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1826
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1782
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1788
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1751
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1783
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1797
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1805
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1812
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1839
8
1737
7
1748
7
1763
7
1780
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1785
7
1793
7
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7
1813
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1821
7
1732
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1697
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1575
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1633
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1734
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1742
2
1743
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1753
2
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2
1758
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1760
2
On-site Access
Accessible by appointment in the Study Room
16
Image Use
Free to Use
16
Image Available
Available
16
Classification
Drawings & Watercolors
12
Prints
4
Creator Gender
male
13
unknown
3
Period
18th century-19th century
10
18th century
6
Materials & Techniques
graphite
9
wove paper
7
laid paper
6
gray wash
4
watercolor
4
brown wash
2
black chalk
1
black ink
1
brown ink
1
charcoal
1
pens
1
red chalk
1
white chalk
1
Height [cm]
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38
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39
Work Type
drawing
11
watercolor
7
Genre
genre subject
5
animal art
4
architectural subject
2
landscape
2
sporting art
1
still life
1
Subject Terms
genre subject
5
animal art
3
horses (animals)
3
landscape
3
sporting art
3
architectural subject
2
farm
2
fence
2
skeleton
2
trees
2
agriculture
1
animals
1
barn
1
beams
1
boar
1
bulls (animals)
1
byre (cattle shed)
1
cart
1
cattle
1
cliffs
1
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Subject Terms
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Associated Places
England
3
United Kingdom
3
Derbyshire
1
Europe
1
Harrow
1
Kent
1
Matlock
1
Exhibition History
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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16
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1784
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31
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1
John Warwick Smith, 1749–1831
Matlock High Tor
1784
2
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
3
James Ward, 1769–1859
A Human Skeleton
undated
4
James Ward, 1769–1859
A Farm Cart
undated
5
James Ward, 1769–1859
Sir Charles Blunt at the Death of the Boar
undated
6
Robert Hills, 1769–1844
Budds Green, Kent
undated
7
Annibal Scratch, active 1791
The Temple of Purity; or, Master Billy Pit-i-full's Introduction
1784
8
unknown artist
The Political Sampson in Revenge Sets Fire to the Country
1784
9
unknown artist
The May Garland
1784
10
unknown artist
Fox in a Trap & The Constitution Preserved
1784
11
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
12
James Ward, 1769–1859
Head of a Tiger
undated
13
James Ward, 1769–1859
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
14
Robert Hills, 1769–1844
A Farm at Harrow
undated
15
Robert Hills, 1769–1844
A Cow Byre
undated
16
Samuel Collings, active 1784–1795
A Querulous Committee Meeting
undated