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Collection
Prints and Drawings
34
Paintings and Sculpture
2
Creator
Cozens, John Robert, 1752–1797
14
Dayes, Edward, 1763–1804
5
Boydell, John, 1720–1804
2
Davis, Samuel, 1760–1819
2
Hodges, William, 1744–1797
2
Robertson, George, 1749–1788
2
Tremenheere, Henry Pendarves Capt., c.1763–1841
2
Barralet, John Melchior, active 1750–1787
1
Beaumont, George Howland, Sir, 1753–1827
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Ellis, William, 1747–1810
1
Gore, Charles, 1729–1807
1
Mason, James, 1710–1783
1
More, Jacob, 1740–1793
1
Morland, George, 1763–1804
1
Sandby, Paul, 1731–1809
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Vivares, Thomas, c.1735–c.1790
1
Walmsley, Thomas, 1763–1806
1
Wilson, Richard, 1713–1782
1
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Date
1791
668
1834
316
1800
214
1826
188
1827
177
1835
172
1814
166
1836
161
1802
151
1825
139
1830
134
1820
124
1833
123
1767
120
1793
107
1818
102
1784
92
1816
92
1772
90
1745
87
1803
87
1832
86
1758
82
1792
76
1799
72
1775
71
1790
71
1801
68
1837
67
1795
66
1828
66
1841
64
1811
63
1823
61
1829
61
1821
60
1819
59
1850
58
1805
56
1810
56
1812
56
1808
55
1813
54
1822
48
1780
46
1847
46
1783
45
1786
45
1845
43
1817
42
1831
42
1776
41
1815
41
1771
40
1782
40
1804
40
1838
40
1774
39
1785
39
1807
39
1824
38
1789
37
1809
37
1777
36
1778
[remove]
36
1797
34
1859
34
1755
33
1839
32
1840
31
1851
31
1787
30
1796
30
1857
30
1861
28
1762
27
1794
26
1779
25
1773
24
1842
24
1764
23
1770
23
1844
23
1896
23
1742
22
1748
22
1759
22
1768
22
1900
22
1744
21
1740
20
1700
19
1760
19
1788
19
1798
19
1806
19
1846
19
1855
19
1852
18
1746
17
On-site Access
Accessible by appointment in the Study Room
34
Not on view
2
Image Use
Free to Use
36
Image Available
Available
33
Unavailable
3
Classification
Drawings & Watercolors
30
Prints
4
Paintings
2
Creator Gender
male
36
Collective Title
Beaumont Album
13
Period
18th century
25
18th century-19th century
10
Materials & Techniques
graphite
26
laid paper
21
watercolor
13
wove paper
13
varnish
9
black ink
7
gray wash
5
brown ink
3
gray ink
3
line engraving
3
pen
3
canvas
2
etching (printing process)
2
gouache
2
oil paint
2
painting (technique)
2
red chalk
2
blue wash
1
brown wash
1
panel
1
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Materials & Techniques
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112
Work Type
drawing
30
watercolor
16
intaglio print
4
painting
2
Genre
landscape
[remove]
36
genre subject
8
architectural subject
5
cityscape
1
Subject Terms
landscape
29
trees
18
mountains
11
hills
10
buildings
7
rocks (landforms)
7
clouds
6
Grand Tour
5
architectural subject
5
genre subject
4
river
4
boats
3
ruins
3
arches
2
bridge (built work)
2
cattle
2
churches
2
cliffs
2
coast
2
dog (animal)
2
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Subject Terms
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Associated Places
Europe
19
Italy
14
United Kingdom
6
England
4
Terracina
3
Asia
2
France
2
Portici
2
Salerno
2
Aberconwy and Colwyn
1
Adyar
1
Aiguebelle
1
Alps
1
Ariccia
1
Arve
1
Bharat
1
Borromean Islands
1
Chamonix-Mont-Blanc
1
Charlton
1
Church of Santa Maria dell'Assunzione
1
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Associated Places
»
Exhibition History
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
12
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
2
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (Museo de Arte de Puerto Rico, 2016-01-29 - 2016-04-24)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (The Blanton Museum of Art, 2015-06-14 - 2015-09-06)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (The Brooklyn Museum of Art, 2015-10-02 - 2016-01-03)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
William Hodges, RA (1744-1797) (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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36
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Yale Center for British Art, Paul Mellon Collection
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Date
1778
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Genre
landscape
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1
William Hodges, 1744–1797
The Marmalong Bridge
ca. 1783
Not on view
2
William Hodges, 1744–1797
Otley Bridge on the River Wharfe
ca. 1783
Not on view
3
Thomas Walmsley, 1763–1806
Composition: River Winding between High Rocks
undated
4
Jacob More, 1740–1793
A View at Terracina
1778
5
George Morland, 1763–1804
Peasants in a Grotto
undated
6
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ruins Outside Rome
ca. 1783
7
Charles Gore, 1729–1807
Chamonix, Mer de Glace
between 1778 and 1779
8
Paul Sandby, 1731–1809
View at Charlton, Kent
ca. 1783
9
John Melchior Barralet, active 1750–1787
The Old Stables, Petworth
1778
10
circle of Edward Dayes, 1763–1804
Milkmaid and Dog in a Landscape
undated
11
Print made by William Woollett, 1735–1785
Solitude
1778
12
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
13
Print made by Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
1778
14
Print made by James Mason, 1710–1783
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
1778
15
Edward Dayes, 1763–1804
Conway Castle, Caernarvonshire
undated
16
Samuel Davis, 1760–1819
From Rungpore [Rangpur]
ca. 1783
17
John Robert Cozens, 1752–1797
At Portici, Evening, August 9
ca. 1783
18
John Robert Cozens, 1752–1797
Near Aiguebelle
ca. 1783
19
Edward Dayes, 1763–1804
Cumberland Landscape
undated
20
John Robert Cozens, 1752–1797
Tivoli
1778
21
John Robert Cozens, 1752–1797
From Mirabella, the Villa of Count Algarotti on the Euganean Hills
ca. 1783
22
John Robert Cozens, 1752–1797
Near Raito on the Gulf of Salerno
ca. 1783
23
John Robert Cozens, 1752–1797
Vietri and Raito
ca. 1783
24
John Robert Cozens, 1752–1797
From the Inn at Terracina
ca. 1783
25
John Robert Cozens, 1752–1797
In the Tyrol
ca. 1783
26
Edward Dayes, 1763–1804
The Island of Hoy, the Orkneys
undated
27
Edward Dayes, 1763–1804
Coast Scene with Mouth of a River
undated
28
Samuel Davis, 1760–1819
Rock Formation Above a Village
undated
29
John Robert Cozens, 1752–1797
Monte Circeo from the Road between Terracina and Velletri
ca. 1783
30
John Robert Cozens, 1752–1797
Cypress in the Garden of the Franciscans at Salerno
ca. 1783
31
John Robert Cozens, 1752–1797
Ariccia
ca. 1783
32
John Robert Cozens, 1752–1797
On the Coast of Salerno
ca. 1783
33
John Robert Cozens, 1752–1797
At Portici
ca. 1783
34
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn from Penzance
undated
35
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn Town
undated
36
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Stanford, the Seat of Sir Edward Winnington, Baronet
undated