The Preposterous Head Dress, or the Feathered Lady
1776
21
Henry Swinburne, 1743–1803
Personalized Design
1776
22
William Pars, 1742–1782
A View of Rome Taken from the Pincio
1776
23
John Raphael Smith, 1752–1812
Mrs. Montagu
1776
24
John Raphael Smith, 1752–1812
Mrs. Morris
1776
25
James Watson, 1740–1790
The Right Reverent Thomas Newton, D.D
1776
26
William Dickinson, 1746–1823
Lady Charles Spencer
1776
27
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
28
John Smart, 1741–1811
Robert, first Baron Clive of Plassey
1776
29
J. Tobin, active 1776
Preparing to lay eel traps
undated
30
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
31
Print made by unknown artist
View of Theatre Royal, Drury Lane
1776
32
unknown artist
The Fashionable Dresses for the Year, 1776
1776
33
James Malton, 1761–1803
Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
undated
34
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
35
Mather Brown, 1761–1831
A Page Boy in Blue with a Red Shield
undated
36
Mather Brown, 1761–1831
Man Seated on a Rock
undated
37
Charles Gore, 1729–1807
Lago Fucino
1776
38
Moses Griffith, 1747–1819
View of Baron Hill, Anglesey, Wales
1776
39
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
40
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
41
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
42
Print made by James Barry, 1741–1806
King Lear and Cordelia
1776
43
James Barry, 1741–1806
The Phoenix or the Resurrection of Freedom
1776
44
James Barry, 1741–1806
Temptation of Adam
1776
45
James C. Allen, active 1821–1831
Baroness Howe's Villa & Pope's Grotto
undated
46
Francesco Bartolozzi, 1728–1815
The Rape of Cephalus By Aurora
1776
47
Francesco Bartolozzi, 1728–1815
Angel Gesticulating
1776
48
John Raphael Smith, 1752–1812
Marie Antoinette d'Autriche Reine de France
1776
49
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
50
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
51
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
52
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
53
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
54
John Downman, 1750–1824
Portrait of a Divine Called Reverend John Wesley
ca. 1781
55
Gabriel Scorodomoff, 1748–1792
The Ephesian Matron (laid down on same sheet as B1977.14.11653)
1776
56
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
57
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
58
Richard Bernard Godfrey, 1728–op.1794
View of London from Blackheath
1776
59
Francois Vivares, 1709–1780
Francis Vivares
1776
60
Francesco Bartolozzi, 1728–1815
Venus Standing By the Sea, Two Cupids Carry Masks
1776
61
Print finished by John Dixon, ca. 1740–1811
Garrick as Abel Drugger in "The Alchemist"
1776
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
64
John Warwick Smith, 1749–1831
Isola Madre, Lago Maggiore
ca. 1781
65
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
66
Francesco Bartolozzi, 1728–1815
Ticket for the Masked Ball at Ranelagh
1776
67
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
68
William Woollett, 1735–1785
The Death of General Wolfe
1776
69
William Watts, 1752–1851
Strensham, the ancient Seat of the Russells
1776
70
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
71
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
72
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
73
Print made by Matthew Darly, active 1754–1778
Caricature of Matthew Darly
1776
74
Francesco Bartolozzi, 1728–1815
James Harris
1776
75
Francesco Bartolozzi, 1728–1815
James Harris
1776
76
unknown artist
Songsheet of a Hymn to be sung by the Charity Children of Christ Church Middlesex 10 November 1770
1776
77
after Richard Wilson, ca. 1712–1782
Twelve Original Views in Italy
1776
78
William Dickinson, 1746–1823
St. Caecilia (Miss Lindley)
1776
79
William Dickinson, 1746–1823
Mrs. Sheridan
1776
80
John Raphael Smith, 1752–1812
Mrs. Montagu
1776
81
William Watts, 1752–1851
The Seat of St. Thomas Wilson, Bart., at Charlton in Kent
1776
82
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness Of Halifax
1776
83
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
84
Francesco Bartolozzi, 1728–1815
Lauretta
1776
85
Francesco Bartolozzi, 1728–1815
The Portrait Of Anibale Caracci Drawn By Himself
1776
86
John Laporte, 1761–1839
Morning - River Scene with Figures near a Cottage
undated
87
John Laporte, 1761–1839
Day - Landscape with Rapids and Cattle
undated
88
John Laporte, 1761–1839
Night - River Landscape with a Ruined Abbey
undated
89
John Laporte, 1761–1839
Evening - Landscape with a Ruined Castle
undated
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
95
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
96
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..