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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1774
Remove constraint Date: 1774Search Results
1
- Pumpkin with a Stable-lad
- 1774
- Not on view
2
- Saint Vincents, near West Malling, Kent
- ca. 1779
- Not on view
3
- Studies of a Classical Bust
- 1774 to 1775
- Not on view
4
- Joseph Wright of Derby
- between 1774 and 1776
- Not on view
5
- The Profligate Punished by Neglect
- 1774
- Not on view
6
- Mary Lushington (née Altham)
- 1774
- Not on view
7
- Family Group
- between 1774 and 1780
- Not on view
8
- George Morland
- ca. 1779
- Not on view
9
- The Virtuous Comforted by Sympathy
- 1774
- Not on view
10
- Sir Robert Fletcher
- 1774
11
- His Royal Highness Henry Frederick, Duke of Cumberland
- 1774
12
- Charles Marquis of Rockingham Earl of Malton
- 1774
13
- Lady Mary O'Brien
- 1774
14
- James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
- 1774
15
- Head of a Young Girl turned toward the Left
- 1774
16
- Fille d'Auberge
- 1774
17
- Lady Harriot Grosvenor
- 1774
18
- A Priestess of Bacchus (Anne Catley)
- ca. 1779
19
- A Maid
- 1774
20
- View of Richmond Hill and Palace
- 1774
21
- South East View of Netley Abbey near Southampton
- 1774
22
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
23
- St. Cicilia
- 1774
24
- Omai, A Native Of Ulaietea
- 1774
25
- Perseus and Medusa
- 1774
26
- Nelly O'Brien (Lady Mary O'Brien)
- 1774
27
- The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
- 1774
28
- Hon / ble. Mrs. Damer
- 1774
29
- West, Geschichts mahler
- 1774
30
- Inside of the Chapel of the Foundling Hospital
- 1774
31
- Southampton Water
- undated
32
- Broom House, Fulham, London
- 1774
33
- Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe
- 1774
34
- Count Ugolino della Gherardesca and His Sons in Prison
- 1774
35
- The Captive
- ca. 1779
36
- Two Monks
- 1774
37
- Study of a Woman Seated on a Horse
- undated
38
- Title page for "The Guardian"
- undated
39
- Woodcutter and His Family
- undated
40
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
41
- Sailors Carousing and Frying Watches
- undated
42
- Portrait of a Gentleman
- undated
43
- Crossing the Line Ceremony on Board the Ship, "Vestal"
- undated
44
- Ram Head, North by West (2 miles distance)
- undated
45
- Gibraltar, South West by West
- undated
46
- Gibraltar, The Signal House
- undated
47
- The Edge of the Lake
- undated
48
- Old Harry, Swanage Bay
- undated
49
- Bolt Head, South East, 1/2 South (4 or 5 miles)
- undated
50
- St. Maws Castle, Falmouth, East South East
- undated
51
- The Start, West North West
- undated
52
- The High Land of Dungarven, West by North
- undated
53
- Composition: The Edge of a Wood
- undated
54
- Plymouth Roads
- undated
55
- Italian Peasants
- undated
56
- Dunmose, West by North (one of five drawings on one mount)
- undated
57
- The North Foreland (one of three drawings on one mount)
- undated
58
- The Bill of Portland (one of three drawings on one mount)
- undated
59
- The South Foreland (one of three drawings on one mount)
- undated
60
- The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
- undated
61
- The Needles Bearing East (one of five drawings on one mount)
- undated
62
- Piveral Point (one of five drawings on one mount)
- undated
63
- The Start Point, North East by North (one of five drawings on one mount)
- undated
64
- The Bolt Head, West North West (one of five drawings on one mount)
- undated
65
- View of Shershah's Tomb at Sasaram in Bihar
- ca. 1779
66
- Portrait of John Laporte
- undated
67
- Landscape with Trees and two Figures
- undated
68
- Dover Castle, North East, 1/2 North (one of five drawings on one mount)
- undated
69
- Lisbon from the Convent of St. Francis da Citadel
- 1774
70
- The Ram Head (one of five drawings on one mount)
- undated
71
- Composition: Italian Seascape Effect
- undated
72
- Composition: Marshland Landscape
- undated
73
- Seashore with Sand Dunes
- undated
74
- Thomas Hearne Sketching at a Table
- undated
75
- Composition of Rocks and Pine Trees
- undated
76
- Composition inspired by Richard Wilson's Paintings of Cader Idris
- undated
77
- Cottage amongst Trees
- undated
78
- Composition: Hilly Country
- undated
79
- Detail of Scrolled Acanthus Molding
- ca. 1779
80
- Rochester
- undated
81
- Lake and Mountains
- undated
82
- Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
- ca. 1779
83
- Coaching: 5. A postilion facing right with hands extended
- 1774
84
- Coaching: 4. Back view of a postilion, distant village in background
- 1774
85
- Coaching: 3. Postilion facing right, a horse in background
- 1774
86
- Coaching: 2.Postilion, wearing tricorne hat and pigtail, facing right
- 1774
87
- Portrait of a Cleric
- 1774
88
- Coaching: 1.Postilion, wearing broad-brimmed hat, facing left
- 1774
89
- Blazing on the Hearth, The Father Recounting the History to His Children
- undated
90
- Supported by a Bramble
- undated
91
- Acorn Strength
- undated
92
- Cutting Mistletoe from it by the Druids
- undated
93
- Washing with Ashes
- undated
94
- Shelter for Cattle
- undated
95
- Making into Charcoal
- undated
96
- Sawed into Planks
- undated
97
- Concealing Charles II
- undated
98
- Split with Wedge and Beetel
- undated
99
- Squared
- undated
100
- Forming the Civic Crown
- undated