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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
60
Creator
Serres, John Thomas, 1759–1825
23
Ibbetson, Julius Caesar, 1759–1817
21
Monro, Thomas Dr., 1759–1833
12
Hills, Robert, 1769–1844
2
Monro, School
2
Linnell, John, 1729–1796
1
Renton, John, 1774–c.1841
1
Robertson, Charles, 1759–1821
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
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1796
364
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359
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291
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1
On-site Access
Accessible by appointment in the Study Room
60
Image Use
Free to Use
60
Image Available
Available
60
Classification
Drawings & Watercolors
59
Drawings & Watercolors-Miniatures
1
Creator Gender
male
60
Collective Title
History of the Acorn
12
Period
18th century-19th century
[remove]
60
Materials & Techniques
wove paper
45
watercolor
39
graphite
30
black ink
15
gray wash
12
black chalk
9
laid paper
7
brown ink
5
gray ink
4
pen
4
black wash
2
gouache
2
ivory
1
scraping
1
scratching out
1
stump
1
white chalk
1
Height [cm]
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64
Work Type
drawing
58
watercolor
51
miniature
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Genre
landscape
31
genre subject
16
marine art
4
figure study
3
portrait
3
animal art
2
sporting art
2
botanical subject
1
cityscape
1
literary theme
1
military art
1
religious and mythological subject
1
Subject Terms
landscape
30
sea
18
cliffs
16
genre subject
15
coast
13
hills
13
trees
13
men
12
forest
5
rocks (landforms)
5
women
5
beach
4
figure study
4
horse (animal)
4
portrait
4
workers
4
bushes
3
children
3
woman
3
animal art
2
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Associated Places
United Kingdom
8
England
7
Europe
5
Devon
2
Gibraltar
2
Cader Idris
1
Cornwall
1
Dorset
1
Dover
1
Dover castle
1
Falmouth
1
Freshwater Bay
1
Isle of Wight
1
Italy
1
Kent
1
Salcombe
1
Start Point
1
Swanage
1
Swanage Bay
1
Ventnor
1
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Associated Places
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Associated People
Hearne, Thomas (1744–1817), watercolour painter and topographical draughtsman
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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60
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Yale Center for British Art, Paul Mellon Collection
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Date
1774
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Period
18th century-19th century
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1
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
2
Dr. Thomas Monro, 1759–1833
Thomas Hearne Sketching at a Table
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3
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
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4
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
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5
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
6
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
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7
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
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8
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
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9
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
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10
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
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11
Dr. Thomas Monro, 1759–1833
Portrait of John Laporte
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12
Charles Robertson, 1759–1821
Portrait of a Gentleman
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13
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
14
Julius Caesar Ibbetson, 1759–1817
Woodcutter and His Family
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15
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
16
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
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17
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
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18
Julius Caesar Ibbetson, 1759–1817
Cutting Mistletoe from it by the Druids
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19
Julius Caesar Ibbetson, 1759–1817
Concealing Charles II
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20
Julius Caesar Ibbetson, 1759–1817
Shelter for Cattle
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21
Julius Caesar Ibbetson, 1759–1817
Squared
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22
Julius Caesar Ibbetson, 1759–1817
Sawed into Planks
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23
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
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24
Julius Caesar Ibbetson, 1759–1817
Forming the Civic Crown
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25
Julius Caesar Ibbetson, 1759–1817
Split with Wedge and Beetel
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26
Julius Caesar Ibbetson, 1759–1817
Making into Charcoal
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27
Julius Caesar Ibbetson, 1759–1817
Washing with Ashes
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28
Julius Caesar Ibbetson, 1759–1817
Blazing on the Hearth, The Father Recounting the History to His Children
undated
29
Julius Caesar Ibbetson, 1759–1817
Galloping Rider With Whip Under His Arm
undated
30
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
31
Julius Caesar Ibbetson, 1759–1817
Rider on a Galloping Horse
undated
32
Julius Caesar Ibbetson, 1759–1817
Acorn Strength
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33
John Thomas Serres, 1759–1825
Southampton Water
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34
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
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35
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
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36
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
37
John Thomas Serres, 1759–1825
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
38
Julius Caesar Ibbetson, 1759–1817
Crossing the Line Ceremony on Board the Ship, "Vestal"
undated
39
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
40
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
41
John Thomas Serres, 1759–1825
The Start, West North West
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42
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
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43
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
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44
John Thomas Serres, 1759–1825
Rochester
undated
45
Attributed to John Renton, 1774–c.1841
Lake and Mountains
undated
46
John Thomas Serres, 1759–1825
Plymouth Roads
undated
47
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
48
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
49
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
50
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
51
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
52
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
53
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
54
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
55
John Thomas Serres, 1759–1825
Italian Peasants
undated
56
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
57
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
58
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
59
attributed to Robert Hills, 1769–1844
Landscape with Trees
undated
60
Robert Hills, 1769–1844
The Shearing
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