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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1745

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Subject Terms columns

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James Bruce St. Agnes (after Domenichino)
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
James Bruce St Agnes (after Domenichino)
James Bruce, 1730–1794
St Agnes (after Domenichino)
undated
Giovanni Battista Borra Details of a Corinthian Temple on the Acropolis of Pergamon
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order, Possibly from Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order at Geramo
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
Giovanni Battista Borra View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
Giovanni Battista Borra Details of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Plan and View of the Third Theater at Laodicea
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
James Paine Design for a Church: Elevation of the West Front
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
Giovanni Battista Borra Frieze and Capitals (from Priene?)
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
Giovanni Battista Borra Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
Giovanni Battista Borra Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
Giovanni Battista Borra Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra Remains of an Ionic Temple of Bacchus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
Giovanni Battista Borra Details of a Composite Order from the Temple of Augustus at Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
Giovanni Battista Borra View of the Ruined Theater of Aezani at Tjaden
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
Giovanni Battista Borra Sepolcro di Absalon
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra Remains of an Ionic Order and Circus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
Giovanni Battista Borra Sepolcro di Zagaria
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
Giovanni Battista Borra View and Plan of the Theater of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Reconstruction of the Proscenium of the Theater at Hierapolis
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
Giovanni Battista Borra Details of a Doric Order from Toreh
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
Rev. William Gilpin Landscape with Classical Building at Left
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748