The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
7
Print made by William Blake, 1757–1827
The Whirlwind of Lovers (Plate 1)
1827
8
James Paine, 1717–1789
Shrubland Hall, Suffolk: Elevation
ca. 1770
9
unknown artist
Shanklin Church/ Isle of Wight
undated
10
unknown artist
Elevation of the Ordnance Office
after 1780
11
John Varley, 1778–1842
Boat Building
1806
12
Jacob More, 1740–1793
A View at Terracina
1778
13
Robert Marris, 1750–1827
Waterfall near Lynton
1780
14
Heinrich von Moller, Born 1879
Steelyard
15
Alexander Monro, 1802–1844
Classical Landscape
undated
16
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the East Dining Room
1811
17
Adam Callander, active 1780–1811
High Cliff Castle (Hants)
undated
18
Edward Hull, 1810–1877
Lowestoft
1858
19
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
20
William Green, 1760–1823
Landscape with River and a Bridge
undated
21
William Green, 1760–1823
Landscape, Castle by a River
undated
22
Thomas Barker, 1769–1847
Woodland Landscape
undated
23
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Dairy
ca. 1790
24
James Wyatt, 1746–1813
Cobham Hall, Kent: South Elevation of Stables
1789
25
James Wyatt, 1746–1813
Cobham Hall, Kent: West Front Elevation of the Stables
1789
26
James Wyatt, 1746–1813
Cobham Hall, Kent: Ground Plan
1798
27
James Wyatt, 1746–1813
Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage
1798
28
Studio of Thomas Telford, 1757–1834
Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
1819
29
Willem van de Velde the Younger, 1633–1707
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
30
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Dairy
1795
31
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
ca. 1790
32
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing for Wall Decoration
ca. 1790
33
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
34
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
35
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
36
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
37
Attributed to Francis Xavier Vispré, active 1730–1790
Louis François Roubiliac
ca. 1760
38
James Wyatt, 1746–1813
Cobham Hall, Kent: Section and Ceiling Plan of the Dairy
1795
39
James Wyatt, 1746–1813
Cobham Hall, Kent: Windows in Dairy
1795
40
James Wyatt, 1746–1813
Cobham Hall, Kent: Section through Stables
1789
41
James Bruce, 1730–1794
Arch of Trajan Makther
undated
42
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
43
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
44
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
45
James Bruce, 1730–1794
Plan of temple at Baalbec
undated
46
James Bruce, 1730–1794
Plan of Temple at Baalbec
undated
47
James Bruce, 1730–1794
Order of the Great Temple at Baalbec with descriptive notes attached
undated
48
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
49
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
50
James Bruce, 1730–1794
No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra
undated
51
James Bruce, 1730–1794
Fragments of Architecture at Temple of Thignica Ain Tunga
undated
52
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
53
James Bruce, 1730–1794
Lower Arch at Makther on Back
undated
54
James Bruce, 1730–1794
Architectural Details of Arch at Makther
undated
55
James Bruce, 1730–1794
Trajans Arch, Makter
undated
56
James Bruce, 1730–1794
XVLL Arch at Makther
undated
57
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
58
James Bruce, 1730–1794
Corinthian Temple at Assuras
undated
59
James Bruce, 1730–1794
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
60
James Bruce, 1730–1794
Lambressa, the Praerorium
undated
61
James Bruce, 1730–1794
XXIV Lybian Mausoleum at Dougga
undated
62
James Bruce, 1730–1794
Pl. VIII Temple of Jupiter at Tebessa
undated
63
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
64
James Bruce, 1730–1794
No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
undated
65
James Bruce, 1730–1794
Finished Drawing of Unidentified Palladian Mansion
undated
66
James Bruce, 1730–1794
Veduta di Tunga
undated
67
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
68
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
69
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
70
James Bruce, 1730–1794
Cisterns at Carthage
undated
71
James Bruce, 1730–1794
Unidentified Ungulate
undated
72
James Bruce, 1730–1794
Constantine
undated
73
James Bruce, 1730–1794
Gate at Medjez-el-bab
undated
74
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
75
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
76
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
77
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
78
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
79
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
80
Giovanni Battista Borra, 1713–1770
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
81
Giovanni Battista Borra, 1713–1770
View of Hill Towns or Ruins near Damascus
1751
82
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
83
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
84
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
85
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
86
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
87
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
88
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
89
attributed to Peter DeWint, 1784–1849
View of the Terrace at Windsor
undated
90
Francois Vivares, 1709–1780
A View of Stour Head in the Country of Wiltshire the Seat of Henry Hoare Esq. [The Lake and Pantheon]
1777
91
John Raphael Smith, 1752–1812
"William and Margaret"
1802
92
John Hill, 1770–1850
Cape Coast Castle, a British Settlement on the Gold Coast of Africa
1806
93
Francois Vivares, 1709–1780
A View of Hagley Park, belonging to Sir Thomas Lyttelton Bart
1748
94
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
95
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
96
Wilson Lowry, 1762–1824
An Iron Work for Casting of Cannon
1788
97
James Fittler, 1758–1835
A View of the Iron Bridge
1788
98
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
99
J. Wellis, active 1799
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
1799
100
John Hill, 1770–1850
View of the Excavated Grounds for the Highgate Archway