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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomHeight [cm] 13
Remove constraint Height [cm]: 13Search Results
1
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
2
- The Homeward Star
- begun ca. 1880
3
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
4
- The Weary Ploughman
- 1858
5
- The Weary Ploughman
- 1858
6
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
7
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
8
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
9
- The Herdsman's Cottage
- 1850
10
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
11
- The Timber Wain
- between 1833 and 1834
12
- The Ruins of Netley Abbey
- 1826
13
- Suffolk Landscape
- undated
14
- A View on the Orwell
- undated
15
- View near Arundel
- between 1834 and 1835
16
- Landscape with Windmill
- between 1825 and 1830
17
- Rhodes
- between 1823 and 1824
18
- Fisherman's Cottage, Dover
- ca. 1790s
19
- North East View of Grantham Church, Lincolnshire
- ca. 1797
20
- Albania
- between 1848 and 1849
21
- The Pontine Marshes above Terracina
- ca. 1880
22
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
23
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
24
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
25
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
26
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
27
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
28
- Caius Julius Cæsar
- 1821
29
- From Antique Coins
- 1821
30
- Introduction (Plate 34)
- 1794
31
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
32
- Frontispiece (Plate 1)
- ca. 1788
33
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
34
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
35
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
36
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
37
- Lion Attacking a Stag
- undated
38
- A Lion Standing over a Wounded Leapard
- undated
39
- Fox and the Hedgehog (Porcupine)
- undated
40
- View at Mr. Sheppard's, The Ridge, Gloucestershire
- undated
41
- A View from St. Mary's, Southwark, Looking Towards Westminster
- ca. 1638
42
- Herstmonceux Castle, Sussex Pl. IV
- undated
43
- Herstmonceux Castle, Sussex Pl. 4
- undated
44
- West Hill, the seat of D.H. Rucker
- undated
45
- Landscape with Sheep
- undated
46
- Ryde, Isle of Wight
- undated
47
- The Needles, Isle of Wight
- undated
48
- Undercliff, Isle of Wight
- undated
49
- A Lane with Figures - Isle of Wight (?)
- undated
50
- A Woman of Fashion in Walking Dress
- undated
51
- View in Oxford
- undated
52
- Landscape by Moonlight
- undated
53
- Versailles
- between 1831 and 1837
54
- Dr. Syntax Made Free of the Cellar
- undated
55
- River Ferry with Many Passengers and Animals
- undated
56
- A Satyr's Head
- 1836
57
- Man Asleep in a Bunk on Board a Ship
- undated
58
- Shepherd, Shepherdess and Dog
- undated
59
- The Deep-Dene. The Seat of Thomas Hope, Esq
- undated
60
- St. Thomas's Terrace, Wells
- 1873
61
- Two Swans on a Lake
- 1836
62
- Three Seated Ladies
- undated
63
- Hay Barge in a Calm Sea
- undated
64
- Garden Stair, Haddon Hall
- 1849
65
- Soldiers and Country Women
- undated
66
- West Hill in Surrey, the Seat of D. H. Rucker Esqr
- 1810
67
- Harbor Scene
- between 1826 and 1866
68
- View from Greenwich Park
- undated
69
- A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
- 1780
70
- Linlithgow Palace
- undated
71
- Pocket Sketchbook
- undated
72
- Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
- undated
73
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
74
- Composition: Hilly Country
- undated
75
- Cottage and Foot Bridge
- 1794
76
- The Encampment
- undated
77
- Mrs. Mary Cawse
- 1831
78
- Colonel James Griffin, Aged 15
- 1682
79
- Landscape with River and Cliffs
- undated
80
- A Fashionable Audience
- undated
81
- A Tiger Pierced with an Arrow
- undated
82
- The Fair Grounds
- undated
83
- The Turkish Porter
- undated
84
- Castle Overlooking a River
- undated
85
- Composition: Italian Seascape Effect
- undated
86
- The Front at Brighton
- undated
87
- A Path on a Hilltop
- undated
88
- Portrait Medallion of Vespasian
- after 1730
89
- Madeira Fishman, January 14, '68
- 1868
90
- Interior of Stone Building
- undated
91
- The Death of - set by William Etty R.A
- undated
92
- Fulham Palace, Porter's Lodge
- undated
93
- A Bear Attacking a Fallen Indian
- undated
94
- A Monkey and Young
- after 1799
95
- A Monkey and a Fox
- undated
96
- The Mischievous Dog
- undated
97
- A Boar and a Ram
- undated
98
- A Bull and a Rabbit
- undated
99
- A Goose and a Baboon
- undated
100
- The Bear and the Bee-Hives
- undated