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Credit Line Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

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Date 1831

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Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer Shoreham, Kent
Samuel Palmer, 1805–1881
Shoreham, Kent
between 1831 and 1832
John Constable Dawn
John Constable, 1776–1837
Dawn
between 1831 and 1832
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
John Varley London from the South West
John Varley, 1778–1842
London from the South West
1831
Edward Matthew Ward Portrait of a Young Man
Edward Matthew Ward, 1816–1879
Portrait of a Young Man
undated
Alfred Edward Chalon A Dancer
Alfred Edward Chalon, 1780–1860
A Dancer
ca. 1836
Thomas Shotter Boys The Pont des Arts, Paris
Thomas Shotter Boys, 1803–1874
The Pont des Arts, Paris
between 1831 and 1837
Robert Wallis Margate, Kent
Print made by Robert Wallis, 1794–1878
Margate, Kent
1831
William Miller The Tower of London
Print made by William Miller, 1796–1882
The Tower of London
1831
William Miller The Tower of London
Print made by William Miller, 1796–1882
The Tower of London
1831
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
James Tibbits Willmore Bedford, Bedfordshire
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
Thomas Jeavons Pembroke Castle, Wales
Print made by Thomas Jeavons, ca. 1800–1867
Pembroke Castle, Wales
1831
James Tibbits Willmore Bedford, Bedfordshire
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
Thomas Jeavons Pembroke Castle, Wales
Print made by Thomas Jeavons, ca. 1800–1867
Pembroke Castle, Wales
1831
Robert Wallis Margate, Kent
Print made by Robert Wallis, 1794–1878
Margate, Kent
1831
Edward Goodall Florence, from the Chiesa al Monte
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1831
Edward Goodall Florence, from the Chiesa al Monte
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1831
William Miller Windsor Castle, Berkshire
Print made by William Miller, 1796–1882
Windsor Castle, Berkshire
1831
William Miller Windsor Castle, Berkshire
Print made by William Miller, 1796–1882
Windsor Castle, Berkshire
1831
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
James Tibbits Willmore Bedford, Bedfordshire
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
James Tibbits Willmore Bedford, Bedfordshire
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
Robert Wallis Margate, Kent
Print made by Robert Wallis, 1794–1878
Margate, Kent
1831
Robert Wallis Margate, Kent
Print made by Robert Wallis, 1794–1878
Margate, Kent
1831
David Lucas Summer Morning
Print made by David Lucas, 1802–1881
Summer Morning
1831
David Lucas Summer Evening
Print made by David Lucas, 1802–1881
Summer Evening
1831
Richard Henry Nibbs Greenwich Hospital
Richard Henry Nibbs, 1816–1893
Greenwich Hospital
undated
Richard Henry Nibbs Hay and Log Barges on the Conway
Richard Henry Nibbs, 1816–1893
Hay and Log Barges on the Conway
undated
Alfred Edward Chalon Mrs. Mary Cawse
Alfred Edward Chalon, 1780–1860
Mrs. Mary Cawse
1831
David Hall McKewan Landscape with Stream and Haymakers
David Hall McKewan, 1816–1875
Landscape with Stream and Haymakers
undated
David Hall McKewan Mountain Rocks
David Hall McKewan, 1816–1875
Mountain Rocks
undated
Sir Edwin Henry Landseer Hounds and Hunters Attacking Deer
Sir Edwin Henry Landseer, 1802–1873
Hounds and Hunters Attacking Deer
1831
John Chessell Buckler Costessy Hall, Norfolk
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
Thomas Shotter Boys Versailles
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
Robert Brandard Gosport, Entrance to Portsmouth Harbour
Print made by Robert Brandard, 1805–1862
Gosport, Entrance to Portsmouth Harbour
1831
Robert Brandard Gosport, Entrance to Portsmouth Harbour
Print made by Robert Brandard, 1805–1862
Gosport, Entrance to Portsmouth Harbour
1831
Robert Wallis Coteaux de Mauves
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
William Miller Marly
Print made by William Miller, 1796–1882
Marly
1831
John Horsburgh Folkestone Harbour and Coast to Dover
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
John Horsburgh Folkestone Harbour and Coast to Dover
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
1831
John Scott [Shooting] The Pointer
Print by John Scott, 1774–1828
[Shooting] The Pointer
1831
Thomas Allom The Ceremony of Opening London Bridge with the Old London Bridge in the Background
Thomas Allom, 1804–1872
The Ceremony of Opening London Bridge with the Old London Bridge in the Background
1831
Charles E. P. Motte The Opening of the New London Bridge
Charles E. P. Motte, 1785–1836
The Opening of the New London Bridge
1831
John Woods Custom House
John Woods, active 1836–1860
Custom House
1831
S. Lacey Sessions House, Clerkenwell Green
S. Lacey, active 1830s
Sessions House, Clerkenwell Green
1831
unknown artist An Alcove of Old London Bridge
unknown artist
An Alcove of Old London Bridge
1831
unknown artist The Opening of London Bridge with the Old Bridge in the Background
unknown artist
The Opening of London Bridge with the Old Bridge in the Background
1831
Josiah Henshall Fleet Street
Josiah Henshall, 1806–1869
Fleet Street
1831
Edward William Cooke Part of Old London Bridge, St. Magnus and the Monument
Edward William Cooke, 1811–1880
Part of Old London Bridge, St. Magnus and the Monument
1831
Edward William Cooke The Southwark End of Old London Bridge
Edward William Cooke, 1811–1880
The Southwark End of Old London Bridge
1831
Edward William Cooke Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge
Edward William Cooke, 1811–1880
Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge
1831
David Lucas Opening of Waterloo Bridge
Print made by David Lucas, 1802–1881
Opening of Waterloo Bridge
1831
Frederick James Havell Lincoln from the Castle
Frederick James Havell, 1801–1840
Lincoln from the Castle
ca. 1836
Frederick James Havell Coaching: The Blenheim, Leaving the Star Hotel, Oxford
Frederick James Havell, 1801–1840
Coaching: The Blenheim, Leaving the Star Hotel, Oxford
1831
Edward Duncan Spaniel. The Winner of the Derby Stakes at Epsom 1831
Edward Duncan, 1803–1882
Spaniel. The Winner of the Derby Stakes at Epsom 1831
1831
John Horsburgh Folkestone Harbour and Coast to Dover
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
Frederick Christian Lewis the Elder Sir Thomas Lawrence P.R.A. Aged 35
Print made by Frederick Christian Lewis the Elder, 1779–1856
Sir Thomas Lawrence P.R.A. Aged 35
1831
Robert Wallis St. Germain-en-Laye
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1831
Robert Wallis Coteaux de Mauves
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
Robert Wallis Coteaux de Mauves
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
Robert Wallis Coteaux de Mauves
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
David Lucas A Heath
Print made by David Lucas, 1802–1881
A Heath
1831
David Lucas A Lock on the Stour, Suffolk
Print made by David Lucas, 1802–1881
A Lock on the Stour, Suffolk
1831
David Lucas Summer Evening
Print made by David Lucas, 1802–1881
Summer Evening
1831
Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Charles Rosenberg, active 1828–1848
Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
1831
John Martin Pandemonium
Print made by John Martin, 1789–1854
Pandemonium
1831
Henry Ninham At Hellesdon
Henry Ninham, 1793–1874
At Hellesdon
1831
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
William Miller Windsor Castle, Berkshire
Print made by William Miller, 1796–1882
Windsor Castle, Berkshire
1831
George Hunt Coaching: The Cambridge Telegraph, Starting from the White Horse
George Hunt, active 1820–1840
Coaching: The Cambridge Telegraph, Starting from the White Horse
1831
Richard Gilson Reeve Angling: Anglers Packing Up
Richard Gilson Reeve, 1803–1889
Angling: Anglers Packing Up
1831
George Hunt [Coaching]: Highgate Tunnel
George Hunt, active 1820–1840
[Coaching]: Highgate Tunnel
1831
Thomas Jeavons Pembroke Castle, Wales
Print made by Thomas Jeavons, ca. 1800–1867
Pembroke Castle, Wales
1831
William Miller Marly
Print made by William Miller, 1796–1882
Marly
1831
S. G. Hughes Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)
S. G. Hughes, active 1832
Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)
1831
William Bernard Cooke Isleworth Ferry
William Bernard Cooke, 1778–1855
Isleworth Ferry
1831
Robert Wallis St. Germain-en-Laye
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1831
Thomas Anthony Dean Portrait of Lawrence When a Boy
Print made by Thomas Anthony Dean, 1801–1860
Portrait of Lawrence When a Boy
1831
James Thomson John Jackson, R. A.
James Thomson, 1789–1850
John Jackson, R. A
1831
John Buckler FSA North East View of Crest Park, Bedfordshire
John Buckler FSA, 1770–1851
North East View of Crest Park, Bedfordshire
1831
Philip Audinet James Northcote
Print made by Philip Audinet, 1766–1837
James Northcote
1831
Richard Dagley Paul Sandby
Print made by Richard Dagley, ca. 1765–1841
Paul Sandby
1831
James Tibbits Willmore Folkestone Harbour and Coast to Dover
Print made by James Tibbits Willmore, 1800–1863
Folkestone Harbour and Coast to Dover
1831
Frederick Rosenberg Coaching: The Royal Mails Preparing to Start for the West of England
Frederick Rosenberg, active 1816–1832
Coaching: The Royal Mails Preparing to Start for the West of England
1831
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Thomas Higham St. Mary, Lambeth
Thomas Higham, 1796–1844
St. Mary, Lambeth
1831