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Collection
Prints and Drawings
113
Creator
Serres, John Thomas, 1759–1825
23
Ibbetson, Julius Caesar, 1759–1817
22
Monro, Thomas Dr., 1759–1833
12
Reynolds, Joshua, Sir, 1723–1792
11
Bretherton, James, ca. 1730–1806
9
Bunbury, Henry William, 1750–1811
9
Bartolozzi, Francesco, 1727–1815
4
Dickinson, William, 1746–1823
4
Dixon, John, ca. 1740–1811
4
Cozens, John Robert, 1752–1797
3
Unknown artist
3
Cipriani, Giovanni Battista, 1727–1785
2
Dance, Nathaniel, 1735–1811
2
Grimm, Samuel Hieronymus, 1733–1794
2
Hills, Robert, 1769–1844
2
Monro, School
2
Runciman, Alexander, 1736–1785
2
Smith, John Raphael, 1752–1812
2
Soane, John, Sir, 1753–1837
2
Watson, Thomas, 1743–1781
2
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Creator
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Date
1800
1,310
1791
1,047
1802
991
1834
646
1796
602
1745
563
1795
544
1771
478
1804
454
1827
451
1789
443
1790
442
1826
432
1793
420
1792
419
1797
405
1803
404
1772
399
1825
398
1799
397
1700
391
1835
390
1832
385
1814
374
1820
369
1784
366
1830
354
1794
346
1808
344
1775
343
1782
335
1823
313
1785
298
1801
297
1818
296
1780
292
1836
287
1812
285
1798
279
1833
278
1767
275
1768
275
1853
264
1546
247
1752
245
1821
241
1807
239
1748
238
1787
238
1811
230
1809
227
1783
226
1828
219
1817
218
1805
215
1815
215
1813
213
1739
206
1819
203
1810
199
1840
199
1788
195
1837
190
1755
187
1758
187
1824
186
1770
184
1630
179
1839
179
1778
178
1816
177
1831
172
1822
171
1855
166
1786
164
1806
163
1829
152
1781
149
1777
145
1754
141
1850
141
1765
140
1763
139
1742
134
1870
134
1776
128
1877
123
1841
119
0
116
1753
116
1762
114
1774
[remove]
113
1838
113
1779
110
1740
106
1750
105
1854
104
1751
98
1760
96
1773
96
On-site Access
Accessible by appointment in the Study Room
[remove]
113
Image Use
Free to Use
113
Image Available
Available
107
Unavailable
6
Classification
Drawings & Watercolors
73
Prints
36
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Creator Gender
male
112
unknown
3
female
1
Collective Title
History of the Acorn
12
Iconographie Anglaise par Reynolds et Autres
3
Drawings after Nature
1
Eight Views of Northern England
1
Period
18th century-19th century
60
18th century
52
Materials & Techniques
wove paper
51
watercolor
49
graphite
41
laid paper
30
black ink
24
gray wash
19
mezzotint
15
black chalk
9
brown ink
8
pen
8
gray ink
7
brown wash
4
gouache
4
stipple engraving
4
black wash
3
etching (printing process)
3
line engraving
3
ivory
2
colored ink
1
crayon manner
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
3
to
66
Unknown
14
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
4
to
84
Unknown
14
Work Type
drawing
73
watercolor
64
intaglio print
23
miniature
2
Genre
landscape
38
genre subject
24
portrait
20
architectural subject
6
figure study
5
animal art
4
marine art
4
literary theme
3
religious and mythological subject
3
sporting art
3
cityscape
2
historical subject
2
military art
2
botanical subject
1
Subject Terms
landscape
38
genre subject
19
trees
19
sea
18
cliffs
17
men
17
hills
16
portrait
15
coast
13
rocks (landforms)
8
woman
8
figure study
6
women
6
architectural subject
5
children
5
forest
5
horses (animals)
5
man
5
Grand Tour
4
beach
4
more
Subject Terms
»
Associated Places
United Kingdom
13
England
11
Europe
9
Italy
4
Campagna
3
Devon
2
Gibraltar
2
Kent
2
London
2
Albano, Lago
1
Brentford
1
Cader Idris
1
Castel Gandolfo
1
Chiavenna
1
Chiswick
1
Cornwall
1
Dorset
1
Dover
1
Dover castle
1
Falmouth
1
more
Associated Places
»
Associated People
Cupid
1
Damer [née Conway], Anne Seymour (1749–1828), sculptor and author
1
Edgcumbe, Richard, second earl of Mount Edgcumbe (1764–1839), writer on opera
1
Fletcher, Col Sir Robert (1738–1776), colonel in the Indian Army, M.P.
1
Hearne, Thomas (1744–1817), watercolour painter and topographical draughtsman
1
Henry Frederick, Prince, duke of Cumberland and Strathearn (1745–1790)
1
Mars
1
O'Brien, Mary, 3rd Countess of Orkney (1755–1831)
1
Shakespeare, William (1564–1616), playwright and poet
1
Venus
1
West, Benjamin (1738–1820), American history painter active in Britain
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
2
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
1
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
1
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
1
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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113
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Yale Center for British Art, Paul Mellon Collection
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On-site Access
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Date
1774
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1
William Augustus Barron, active 1777
Broom House, Fulham, London
1774
2
John Thomas Serres, 1759–1825
Southampton Water
undated
3
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
4
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
5
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
6
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
7
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
8
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated
9
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
10
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
undated
11
John Thomas Serres, 1759–1825
The Start, West North West
undated
12
John Thomas Serres, 1759–1825
Rochester
undated
13
Attributed to John Renton, 1774–c.1841
Lake and Mountains
undated
14
Sir John Soane, 1753–1837
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
ca. 1779
15
Sir John Soane, 1753–1837
Detail of Scrolled Acanthus Molding
ca. 1779
16
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
undated
17
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
18
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
19
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
20
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
undated
21
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
undated
22
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
23
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
undated
24
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
undated
25
Dr. Thomas Monro, 1759–1833
Thomas Hearne Sketching at a Table
undated
26
Dr. Thomas Monro, 1759–1833
Portrait of John Laporte
undated
27
Charles Robertson, 1759–1821
Portrait of a Gentleman
undated
28
Charles Gore, 1729–1807
Lisbon from the Convent of St. Francis da Citadel
1774
29
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
30
Julius Caesar Ibbetson, 1759–1817
Woodcutter and His Family
undated
31
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
undated
32
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
33
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
34
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
35
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
36
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
37
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
38
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
39
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
40
Samuel Davis, 1760–1819
View of Shershah's Tomb at Sasaram in Bihar
ca. 1779
41
John Thomas Serres, 1759–1825
Italian Peasants
undated
42
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
43
John Thomas Serres, 1759–1825
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
44
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
45
John Thomas Serres, 1759–1825
Plymouth Roads
undated
46
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
47
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
48
Julius Caesar Ibbetson, 1759–1817
Crossing the Line Ceremony on Board the Ship, "Vestal"
undated
49
Print made by William Dickinson, 1746–1823
Lady Harriot Grosvenor
1774
50
Print made by James Bretherton, ca. 1730–1806
Two Monks
1774
51
Print made by Johan Fredrik Martin, 1755–1816
The Captive
ca. 1779
52
John Raphael Smith, 1752–1812
A Priestess of Bacchus (Anne Catley)
ca. 1779
53
Julius Caesar Ibbetson, 1759–1817
Cutting Mistletoe from it by the Druids
undated
54
Julius Caesar Ibbetson, 1759–1817
Squared
undated
55
Julius Caesar Ibbetson, 1759–1817
Washing with Ashes
undated
56
Julius Caesar Ibbetson, 1759–1817
Blazing on the Hearth, The Father Recounting the History to His Children
undated
57
Julius Caesar Ibbetson, 1759–1817
Making into Charcoal
undated
58
Julius Caesar Ibbetson, 1759–1817
Galloping Rider With Whip Under His Arm
undated
59
Julius Caesar Ibbetson, 1759–1817
Salmon Spearing
undated
60
Julius Caesar Ibbetson, 1759–1817
Rider on a Galloping Horse
undated
61
Johann Elias Haid, 1739–1809
West, Geschichts mahler
1774
62
John Raphael Smith, 1752–1812
Hon / ble. Mrs. Damer
1774
63
John Dixon, ca. 1740–1811
Nelly O'Brien (Lady Mary O'Brien)
1774
64
Edward Fisher, 1722–1785
Charles Marquis of Rockingham Earl of Malton
1774
65
Francesco Bartolozzi, 1728–1815
Omai, A Native Of Ulaietea
1774
66
Print made by William Baillie, 1723–1810
James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
1774
67
William Dickinson, 1746–1823
Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe
1774
68
John Dixon, ca. 1740–1811
Lady Mary O'Brien
1774
69
after Sparrow, active 1773–1787
Dudley Priory, Worcestershire (Pl. I)
1774
70
James Bretherton, ca. 1730–1806
Coaching: 1.Postilion, wearing broad-brimmed hat, facing left
1774
71
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
72
Julius Caesar Ibbetson, 1759–1817
Acorn Strength
undated
73
Julius Caesar Ibbetson, 1759–1817
Shelter for Cattle
undated
74
Julius Caesar Ibbetson, 1759–1817
Concealing Charles II
undated
75
Julius Caesar Ibbetson, 1759–1817
Forming the Civic Crown
undated
76
Julius Caesar Ibbetson, 1759–1817
Split with Wedge and Beetel
undated
77
Julius Caesar Ibbetson, 1759–1817
Sawed into Planks
undated
78
James Scouler, 1741–1812
Portrait of a Cleric
1774
79
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
80
Paul Sandby, 1731–1809
A Carriage and Pair, with Coachman
1774
81
James Bretherton, ca. 1730–1806
Coaching: 5. A postilion facing right with hands extended
1774
82
Print made by James Bretherton, ca. 1730–1806
Fille d'Auberge
1774
83
Print made by James Bretherton, ca. 1730–1806
A Maid
1774
84
John Sanders, 1768–1826
Inside of the Chapel of the Foundling Hospital
1774
85
Print made by James Mason, 1710–1783
South East View of Netley Abbey near Southampton
1774
86
Richard Bernard Godfrey, 1728–op.1794
View of Richmond Hill and Palace
1774
87
Francesco Bartolozzi, 1728–1815
St. Cicilia
1774
88
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
89
William Dickinson, 1746–1823
Sir Robert Fletcher
1774
90
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
91
Thomas Watson, 1743–1781
His Royal Highness Henry Frederick, Duke of Cumberland
1774
92
Print made by Louis Marin Bonnet, 1736–1793
Head of a Young Girl turned toward the Left
1774
93
Print made by John Dixon, ca. 1740–1811
Count Ugolino della Gherardesca and His Sons in Prison
1774
94
Alexander Runciman, 1736–1785
Perseus and Medusa
1774
95
Print made by Elizabeth Bridgetta Gulston, 1749–1779
Collection of Prints by Notable Dilettanti
1774
96
James Bretherton, ca. 1730–1806
Coaching: 4. Back view of a postilion, distant village in background
1774
97
James Bretherton, ca. 1730–1806
Coaching: 2.Postilion, wearing tricorne hat and pigtail, facing right
1774
98
James Bretherton, ca. 1730–1806
Coaching: 3. Postilion facing right, a horse in background
1774
99
Archibald Rutherford, 1743–1779
Portrait of a Man
1774
100
John Deare, 1759–1798
Study of a sculptural group: Mars, Venus and Cupid
undated
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