Student of the Reimann School and Studios of Industrial and Commercial Art, 1937–1940
European Swimming Championships
1938
204
Anna Katrina Zinkeisen, 1901–1976
Richmond Horse Show
1934
205
Thomas Rowlandson, 1756–1827
Henry Angelo and Madame Cain Fencing
undated
206
Thomas Rowlandson, 1756–1827
A Stag Hunt in the West Country
undated
207
Bruce Davidson, born 1933
Brighton
1960
208
Bruce Davidson, born 1933
Scotland
1960
209
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
210
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
1833
211
Marcellus Laroon the Younger, 1679–1772
Fencers
undated
212
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
213
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
214
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
215
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
216
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
217
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
218
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
219
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
220
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
221
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
222
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
223
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
224
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
225
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
226
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
227
George Denholm Armour, 1864–1949
Some Have Greatness Thrust Upon Them
undated
228
Lionel Edwards, 1878–1966
Newmarket - Pulling Up
1933
229
Robert Healy, 1743–1771
Tom Conolly of Castletown Hunting with His Friends
1769
230
Brian Hatton, 1887–1916
A Huntsman on Horseback
undated
231
Samuel Howitt, 1756–1822
The Kill
undated
232
James Seymour, 1702–1752
Foxhunting
undated
233
Robert Pollard, 1755–1838
Anglers Packing Up
undated
234
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
235
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
236
James Seymour, 1702–1752
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
237
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
238
James Seymour, 1702–1752
Victorious
undated
239
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
240
James Seymour, 1702–1752
The Famous Childers
undated
241
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
242
James Seymour, 1702–1752
Study of a Mounted Jockey, Facing Left, June 3rd, 1744
1744
243
John Varley, 1778–1842
Two Pack Horses
undated
244
unknown artist
Epsom
1896
245
Sir Alfred J. Munnings, 1878–1959
Horse Fair in East Anglia
1899
246
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
247
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
248
Sir Alfred J. Munnings, 1878–1959
Walking Up to the Start
undated
249
Sir Alfred J. Munnings, 1878–1959
The Stands at Epsom (drawn on an Australia Club invitation)
undated
250
Thomas Rowlandson, 1756–1827
Drawing Cover
undated
251
Thomas Rowlandson, 1756–1827
Captain Barclay's Rally Match - The Finish
undated
252
C. R. W. Nevinson, 1889–1946
Walkers, For a Good Start Use the Motor-Bus
1921
253
Tom Purvis, 1888–1959
Yorkshire Moors
1930
254
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
255
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
256
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
257
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
258
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
259
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
260
Edward Duncan, 1803–1882
Pheasant Shooting
1825
261
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
262
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
263
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
264
William Heath, 1795–1840
Woodcock Shooting
undated
265
Samuel Howitt, 1756–1822
Going out of Kennel
undated
266
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
267
Samuel Howitt, 1756–1822
Full Cry
undated
268
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
269
Possibly Sir Thomas Lawrence, 1769–1830
The Duke of Wellington Riding Copenhagen
undated
270
Sir Edwin Henry Landseer, 1802–1873
The Deer-Stalker, Oct. 15, 1852
1852
271
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
272
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
273
Thomas Rowlandson, 1756–1827
'How to Twist Your Neck'
undated
274
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
275
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
276
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
277
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
278
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
279
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
280
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
281
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
282
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
283
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
284
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
285
Francis Barlow, 1622–1704
Hare Hunting
undated
286
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
287
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
288
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
289
James Ward, 1769–1859
Ralph John Lambton on His Hunter, "Undertaker"
ca. 1815
290
James Ward, 1769–1859
Head of a Tiger
undated
291
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
292
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
293
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
294
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
295
Henry Thomas Alken, 1785–1851
"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
undated
296
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
297
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
298
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
299
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'