Collection: Prints and Drawings / Width [cm]: 66 / Image Use: Free to Use

1. Headfort House, Ireland: Detail of Entablature in the Staircase

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Pen and black and brown ink over graphite on moderately thick, moderately textured, cream laid paper mounted on canvas
Dimensions:: Sheet: 21 1/8 x 25 15/16 inches (53.6 x 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. An English Man of War, Starboard Quarter View: Possibly the Victory

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1675
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 17 1/8 x 25 13/16 inches (43.5 x 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tassisudon

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Watercolor, pen and gray ink, graphite, and gouache on very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 20 3/8 × 30 1/4 inches (51.8 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Tremal Naig's Choultry, Madura

Creator:: Thomas Daniell, 1749–1840
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 19 3/8 × 25 15/16 inches (49.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

5. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Half Title page for: Views in Paris and its Environs.

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Dedication Page for: to the Right Honorable George Earl of Essex

Creator:: Print made by James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of the City with the Louvre &c., taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A General View of Paris taken from Chaillot

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Waterworks at Marli; and St. Germain en Laye seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of the Village of Chaillot &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View of the Village of Chaillot and &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Rosehill

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The View from One Tree Hill in Greenwich Park

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1744
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 3/16 × 26 inches (41.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A View of St. Katharine's Dock in the Month of January, 1828

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 3/16 × 27 7/8 inches (61.4 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Death of the Stag

Creator:: Print made by Andrew Lawrence, 1708–1747
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 1/4 × 31 5/8 inches (61.6 × 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Distraining for Rent

Creator:: Abraham Raimbach, 1784–1868
Date:: 1828
Materials & Techniques:: Engraving with chine collé on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 27 7/8 inches (54.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. (i) A True and Exact Prospect of the Famous Citty of London, . . .(ii) Another Prospect of the Sayd Citty taken from the Same Place . . .

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1666
Materials & Techniques:: Engraving and etching
Dimensions:: Sheet: 8 7/8 x 26 1/16in. (22.5 x 66.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Niobe

Creator:: Figures engraved by William Sharp, 1749–1824
Date:: 1792
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Hare Hunting and Coursing: His Majesty's Harriers

Creator:: Richard Woodman, 1784–1859
Date:: 1815
Materials & Techniques:: Engraving
Dimensions:: Sheet: 22 x 26in. (55.9 x 66cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Fox Hunting

Creator:: Charles Knight, 1743–c.1826
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 5/8 x 26 1/8in. (49.8 x 66.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. [Racing] Hap-Hazard. The Property of the Rt. Hon. the Earl of Darlington

Creator:: William Bernard Cooke, 1778–1855
Date:: 1805
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 x 26 1/8in. (53.3 x 66.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Cape of Good Hope

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Selling Rabbits

Creator:: William Ward, 1766–1826
Date:: 1796
Materials & Techniques:: Mezzotint, colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/4 × 26 inches (51.4 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Waterworks at Marli; and St. German en Laye seen in the distance

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1816
Materials & Techniques:: Etching on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/2 × 26 inches (54.6 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Tiger Hunting in the East Indies

Creator:: Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ancient Carthage - The Embarcation of Regulus

Creator:: Print made by Daniel Wilson, 1816–1892
Date:: 1840
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "Tempest", Act I, Scene I

Creator:: Benjamin Smith, 1775–1833
Date:: 1797
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 25 7/8 inches (50.8 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. The Truants

Creator:: William Ward, 1766–1826
Date:: 1796
Materials & Techniques:: Mezzotint, in color on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 25 15/16 inches (51.8 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The East Front of the Library of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Cambridge University: Queens College

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Headfort House: Lady's Room Ceiling

Creator:: Robert Adam, 1728–1792
Date:: 1772
Materials & Techniques:: Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper mounted on canvas
Dimensions:: Sheet: 21 1/16 x 26 1/8 inches (53.5 x 66.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Lleweney Bleach Works

Creator:: Thomas Malton, 1726–1801
Date:: 1798
Materials & Techniques:: Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Ancient Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, white chalk, and scraping out; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Recruits

Creator:: Print made by John Copley, 1875–1950
Date:: 1915
Materials & Techniques:: Lithograph on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/8 x 25 13/16 inches (50.5 x 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Deepdene, South West Front Elevation

Creator:: unknown artist
Date:: 1841
Materials & Techniques:: Pen and black ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Image: 12 1/4 × 17 3/16 inches (31.1 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 28 1/2 inches (57.2 × 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Pile Driving on the Banks of the Thames

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, brown ink, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 26 1/8 inches (49.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. High Street, Oxford

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1811
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne

Creator:: Print made by James Ward, 1769–1859
Date:: 1847
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 29 3/16 inches (54.9 × 74.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. The Enchantress

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1786
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. The Enchantress

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1786
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Embassy of Hyderbeck to Calcutta

Creator:: Richard Earlom, 1743–1822
Date:: 1800
Materials & Techniques:: Stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Ambulance

Creator:: John Copley, 1875–1950
Date:: 1918
Materials & Techniques:: Lithograph, printed in black
Dimensions:: Image: 17 1/8 x 21 1/2 inches (43.5 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund.

78. A Boy Employed in Burning Weeds

Creator:: James Ward, 1769–1859
Date:: 1793
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 25 7/8 inches (53.3 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Death of Captain Alexander Hood

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1798
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 26 1/2 inches (56.2 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. York, the Old Bridge and St. William's Chapel

Creator:: Henry Cave, 1780–1836
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 19 x 26in. (48.3 x 66cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Drinking Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Colored stipple engraving
Dimensions:: Sheet: 21 1/8 x 25 7/8in. (53.7 x 65.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Fighting Téméraire

Creator:: Print made by Henry Robert Robertson, 1839–1921
Date:: ca. 1887
Materials & Techniques:: Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 29 1/4 inches (55.9 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968

83. The Elect

Creator:: Conrad Martin Metz, 1749–1827
Date:: 1801
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 25 7/8 inches (28.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

84. Saturday Night

Creator:: Print made by Henry Lemon, 1823–1882
Date:: ca. 1850
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 22 1/16 × 26 inches (56 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

85. Ruth and Naomi

Creator:: Print made by Felix Rosenstiel, active from 1880–died 1895
Date:: between 1880 and 1895
Materials & Techniques:: Hand-colored photogravure on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 26 inches (54 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

86. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire II, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Old Mosque at Rajemahl [Rajmahal]

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 26 1/8 inches (44.1 × 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Mr. Croft's bungalow, Near Madras

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of Skiddaw and Derwentwater

Creator:: Joseph Farington, 1747–1821
Date:: ca. 1780
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Windsor Castle from near Brocas Meadows

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 3/16 × 25 15/16 inches (46.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Llanberis Lake, with Castle Dolbadern

Creator:: John Varley, 1778–1842
Date:: ca. 1805
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. An Arcadian Landscape

Creator:: George Lambert, 1700–1765
Date:: 1742
Materials & Techniques:: Pastel on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 x 25 7/8 inches (49.5 x 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of Brian Allen, Director of Studies, Paul Mellon Centre for Studies in British Art (1993-2012)

93. Gefaler Cathedral

Creator:: Print made by Axel Herman Haig, 1835–1921
Date:: 1901
Materials & Techniques:: Etching on medium, smooth, beige wove paper mounted on linen
Dimensions:: Sheet: 35 7/16 × 25 13/16 inches (90 × 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

94. Bathing Place, Anstey's Cove

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Frame: 18 1/2 × 26 × 1 inches (47 × 66 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

95. The Death of Chatterton

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1860
Materials & Techniques:: Mezzotint and stipple engraving with chine collé on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 39 3/8 inches (67.9 × 100 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan

96. Perspective View of a Church

Creator:: unknown artist
Date:: ca. 1900
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

97. A Tragedy of Sophocles Performed before the Emperor Hadrian

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching and aquatint on moderately thick, slighly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 26 inches (64.8 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

98. Lion and Horse

Creator:: Robert Laurie, 1755?–1836
Date:: 1791
Materials & Techniques:: Mezzotint, proof before all letters
Dimensions:: Sheet: 20 1/2 x 26 1/8in. (52.1 x 66.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Inside View of the Theatre Royal, Drury Lane

Creator:: Print made by Benedetto Pastorini, Italian, ca.1746–after 1803
Date:: 1775
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 5/16 × 25 13/16 inches (49.1 × 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Dover

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 26 1/2 inches (52.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Headfort House, Ireland: Detail of Entablature in the Staircase

2. An English Man of War, Starboard Quarter View: Possibly the Victory

3. Tassisudon

4. Tremal Naig's Choultry, Madura

5. View of Pont St. Michel, taken from Pont Neuf

6. A General View of Paris taken from Chaillot

7. A View of Pont Neuf, the Mint, &c.

8. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

9. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

10. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

11. View of the Pantheon taken from the Arsenal

12. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

13. View of the Pantheon taken from the Arsenal

14. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

15. View of St. Cloud and Mount Calvary taken from Pont de Seve

16. View of St. Cloud and Mount Calvary taken from Pont de Seve

17. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

18. Half Title page for: Views in Paris and its Environs.

19. View of Thuilleries and Bridge taken from the Quay d'Orsai

20. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

21. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

22. Dedication Page for: to the Right Honorable George Earl of Essex

23. View of Pont St. Michel, taken from Pont Neuf

24. View of the City with the Louvre &c., taken from Pont Marie

25. A General View of Paris taken from Chaillot

26. View of the City with the Louvre &c. taken from Pont Marie

27. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

28. A View of Pont Neuf, the Mint, &c.

29. View of the Gate of St. Denis taken from the Suburbs

30. View of the Palace and Village of Choisi on the Banks of the Seine

31. View of the Palace and Village of Choisi on the Banks of the Seine

32. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

33. The Waterworks at Marli; and St. Germain en Laye seen in the distance

34. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

35. View of the Village of Chaillot &c., taken from Pont de la Concorde

36. On the Banks of the Marne below the Bridge at Charenton

37. View of the Village of Chaillot and &c., taken from Pont de la Concorde

38. Rosehill

39. The Water Mill above the Bridge at Charenton

40. View of the Gate of St. Denis taken from the Suburbs

41. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

42. The View from One Tree Hill in Greenwich Park

43. A View of St. Katharine's Dock in the Month of January, 1828

44. The Death of the Stag

45. Distraining for Rent

46. (i) A True and Exact Prospect of the Famous Citty of London, . . .(ii) Another Prospect of the Sayd Citty taken from the Same Place . . .

47. Niobe

48. Hare Hunting and Coursing: His Majesty's Harriers

49. Fox Hunting

50. [Racing] Hap-Hazard. The Property of the Rt. Hon. the Earl of Darlington

51. The Cape of Good Hope

52. Selling Rabbits

53. The Waterworks at Marli; and St. German en Laye seen in the distance

54. The Kill

55. Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

56. Labourers

57. Tiger Hunting in the East Indies

58. Ancient Carthage - The Embarcation of Regulus

59. "Tempest", Act I, Scene I

60. The Truants

61. The East Front of the Library of Trinity College in the University of Cambridge

62. Cambridge University: Queens College

63. South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

64. Headfort House: Lady's Room Ceiling

65. Lleweney Bleach Works

66. Ancient Italy

67. Recruits

68. The Encampment at Brighton

69. Deepdene, South West Front Elevation

70. A View of Oxford from the Abingdon Road

71. Pile Driving on the Banks of the Thames

72. High Street, Oxford

73. John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne