An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
3
Samuel Davis, 1760–1819
Tassisudon
1783
4
unknown artist
Deepdene, South West Front Elevation
1841
5
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
6
Richard Earlom, 1743–1822
Embassy of Hyderbeck to Calcutta
1800
7
Richard Earlom, 1743–1822
Labourers
1790
8
unknown artist
Pile Driving on the Banks of the Thames
undated
9
Print made by John Copley, 1875–1950
Recruits
1915
10
Lawrence Josset, 1910–1995
The Drummond Family
1960
11
Lawrence Josset, 1910–1995
The Drummond Family
1960
12
John Copley, 1875–1950
The Ambulance
1918
13
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
14
Print made by James Ward, 1769–1859
John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne
1847
15
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
16
Print made by John Murphy, ca. 1748–1820
The Encampment at Brighton
1796
17
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
18
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
19
Print made by Daniel Wilson, 1816–1892
Ancient Carthage - The Embarcation of Regulus
1840
20
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
21
James Ward, 1769–1859
A Boy Employed in Burning Weeds
1793
22
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
23
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
24
Thomas Malton the Younger, 1748–1804
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
25
Print made by James Tibbits Willmore, 1800–1863
Ancient Italy
1842
26
William Ward, 1766–1826
The Truants
1796
27
Henry Cave, 1780–1836
York, the Old Bridge and St. William's Chapel
1820
28
Print made by Andrew Lawrence, 1708–1747
The Death of the Stag
1753
29
Print made by Gerard van der Gucht, 1696–1776
The Cape of Good Hope
1736
30
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon, 1931 or 1932
undated
31
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon
1931 or 1932
32
William Ward, 1766–1826
Selling Rabbits
1796
33
Print made by Joseph Wood, 1720–1763 or 1764
The View from One Tree Hill in Greenwich Park
1744
34
unknown artist
A View of St. Katharine's Dock in the Month of January, 1828
1828
35
Lawrence Josset, 1910–1995
The Drummond Family
1960
36
Thomas Malton, 1726–1801
Lleweney Bleach Works
1798
37
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
38
Print made by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1811
39
Wenceslaus Hollar, 1607–1677
(i) A True and Exact Prospect of the Famous Citty of London, . . .(ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
40
Abraham Raimbach, 1784–1868
Distraining for Rent
1828
41
Figures engraved by William Sharp, 1749–1824
Niobe
1792
42
James Godby, 1767–1849
The Drinking Well in Hyde Park
1802
43
Charles Knight, 1743–c.1826
Fox Hunting
1808
44
Print made by Joseph Constantine Stadler, active 1780–1812
Rosehill
ca. 1810
45
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
46
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
47
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
48
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
49
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
50
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
51
Print made by James Basire II, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
52
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
53
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
54
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
55
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
56
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
57
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
58
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
59
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
60
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
61
Victor Pasmore, 1908–1998
Points of Contact No. 25
1974
62
Victor Pasmore, 1908–1998
Points of Contact No. 24
1974
63
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
64
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein at the Cinema Admires Betty Gable
1965
65
Sir Eduardo Paolozzi, 1924–2005
As Is When
1965
66
Sir Eduardo Paolozzi, 1924–2005
Reality
1965
67
Samuel Howitt, 1756–1822
The Kill
undated
68
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
69
Thomas Daniell, 1749–1840
Tremal Naig's Choultry, Madura
1792
70
Sir Eduardo Paolozzi, 1924–2005
As is When Title page
1965
71
Sir Eduardo Paolozzi, 1924–2005
Parrot
1965
72
Sir Eduardo Paolozzi, 1924–2005
Wild Track for Ludwig (text page)
1965
73
Sir Eduardo Paolozzi, 1924–2005
Tortured Life
1965
74
Sir Eduardo Paolozzi, 1924–2005
Futurism at Lenabo
1965
75
Sir Eduardo Paolozzi, 1924–2005
The Spirit of the Snake
1965
76
Sir Eduardo Paolozzi, 1924–2005
Experience
1965
77
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein the Soldier
1965
78
Sir Eduardo Paolozzi, 1924–2005
Assembling Reminders for a Particular Purpose
1965
79
Sir Eduardo Paolozzi, 1924–2005
He Must, So To Speak, Throw Away the Ladder
1965
80
Sir Eduardo Paolozzi, 1924–2005
Artificial Sun
1965
81
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein in New York
1965
82
Robert Adam, 1728–1792
Headfort House: Lady's Room Ceiling
1772
83
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
84
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
85
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
86
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
87
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
88
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
89
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
90
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
91
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
92
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
93
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
94
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
95
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
96
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
97
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
98
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
99
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
100
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton