Collection: Prints and Drawings / Width [cm]: 62 / Image Use: Free to Use

Joseph Mallord William Turner, 1775–1851

The Moselle Bridge, Coblenz

ca. 1847–50

Print made by Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint, & c

1803

Thomas Cundy, 1790–1867

Design for Grosvenor House, London: South Elevation

1845

Thomas Cundy, 1790–1867

Design for Grosvenor House, London: North Elevation

1845

John Robert Cozens, 1752–1797

Galleria di Sopra, Albano

ca. 1778

John Robert Cozens, 1752–1797

The Lake of Albano and Castel Gandolfo

between 1783 and 1785

Mary Hoare, 1744–1820

The Three Witches from Macbeth: Double, Double, Toil and Trouble

1781

Sir William Chambers, 1723–1796

Headfort House: Chamber Floor Plan

1765

Sir William Chambers, 1723–1796

Headfort House: Plan of the Cellar Story

1765

Sir William Chambers, 1723–1796

Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan

1765

Sir William Chambers, 1723–1796

Headfort House, Ireland: Plan of Principal Floor

ca. 1765

Sir William Chambers, 1723–1796

Headfort House, Ireland: Sections of the House and Offices

1765

Sir William Chambers, 1723–1796

Headfort House, Ireland: Elevations of the North and South Fronts

1765

Print made by Henry Robert Robertson, 1839–1921

The Fighting Téméraire

ca. 1887

Print made by unknown artist

The Early Repast

1851

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

James Pollard, 1792–1867

Easter Monday. 2. A View of Fair Mead Bottom Epping Forest

1820

Thomas Rowlandson, 1756–1827

Hyde Park Corner

undated

John Singer Sargent, 1856–1925

Study for Gassed Soldiers

1918

Joseph Farington, 1747–1821

View of St. Nicholas Church at Valenciennes after the Siege

1793

George Arthur Fripp, 1813–1896

Old British Camp in Bulstrode Park

1860

Samuel Davis, 1760–1819

Chukha Castle in Bhutan

1783

Samuel Davis, 1760–1819

Boree Timranze Durgum Taken from the Pehher River Near Cavenpatan-Barramah'l (South India)

undated

Samuel Davis, 1760–1819

Mountainous Landscape with River

undated

John Robert Cozens, 1752–1797

Near Chiavenna in the Grisons

ca. 1779

John Robert Cozens, 1752–1797

The Bay of Naples from Capodimonte

1790

William Henry Ward M.A., A.R.I.B.A., 1865–1924

Square of Twelve Cottages, for the Co-partnership Tenants Ltd, Erskine Hill, Hampstead

ca. 1909

Print made by Robert Walker Macbeth, 1848–1910

Marlow Ferry

1880

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Print made by Thomas Girtin, 1775–1802

The Water Works at Marli,and St. Germain en Laye Seen in the Distance

1803

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Lady Diana Beauclerk, 1734–1808

An Allegory of Love

Undated

Etched by Thomas Girtin, 1775–1802

View of the Pont St. Michael, taken from the Pont Neuf

1803

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802

A General View of Paris, taken from Chaillot 1803

1803

Print made by Thomas Girtin, 1775–1802

View of the Gate of St. Denis Taken from the Suburbs

1803

Print made by Thomas Girtin, 1775–1802

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Print made by Thomas Girtin, 1775–1802

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame

1803

Print made by Frederick Christian Lewis the Elder, 1779–1856

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Print made by Richard Earlom, 1743–1822

Rubens' Son and Nurse

1785

Print made by Jacob Hogg, active 1751

John Howard, Esq. Visiting and Relieving the Miseries of a Prison

1790

Print made by William Ward, 1766–1826

Garrick in the Green Room

1829

Print made by Edward Goodall, 1795–1870

Caligula's Palace and Bridge, Bay of Baiæ

1842

Print made by Edward Goodall, 1795–1870

Caligula's Palace and Bridge, Bay of Baiæ

1842

Print made by James Tibbits Willmore, 1800–1863

The Old Téméraire

1845

Edward Rooker, 1724–1774

Perspective View of the Bridge at Sion

1768

William Dickinson, 1746–1823

The Gardens of Carleton House with Neapolitan Ballad Singers

1784

Peltro W. Tomkins, 1760–1840

Encampment at Fornham near St. Edmund's Bury

1782

William Johnstone White, active 1804–died c.1870

Representation of the Festival for the Return of Peace

1814

Thomas Malton the Younger, 1748–1804

The Sessions House for the County of Middlesex

1799

Print made by William S. Barnard, 1774–1849

A Correct View of the Golden Lake Genuine Brewery

1807

Samuel Alken, 1756–1815

St. Mary Magdelen College, Oxford

1799

Thomas Goldsworth Dutton, 1819/20–1891

Colombo and Cabral (Floating Batteries Built for the Imperial Brazilian Navy)

Charles Rosenberg, active 1828–1848

Harwich

1841

Thomas Sutherland, ca. 1785–1838

Morning of the Gale, November 23 1824 in Catwater at Plymouth

ca. 1825

Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

unknown artist

Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

1825

George Vertue, 1684–1756

King Edward VI presenting the Charter for Bridewell to Sir George Barnes

1750

Print made by J. P. Quilley, active 1828

The Deluge

1828

Francis Nicholson, 1753–1844

View of Edinburgh from Calton Hill

1811

Thomas Vivares, c.1735–c.1790

Design of a Ruineous Bridge for the Garden at Sion

1778

Victor Marie Picot, 1744–1805

Wanstead House in Essex

1775

Robert Adam, 1728–1792

Headfort House, Ireland: Elevation of the Eating Parlor

1775

John Rocque, 1704?–1762

...Plan of Windsor Park

1738

John Roe of Warwick, active 1771–1812

Church, Churchyard and Figures (The Graveyard)

undated

Raphael Lamar West, 1769–1850

Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)

undated

Wenceslaus Hollar, 1607–1677

A View from Peterborough Tower at Tangier

1669

James Basire, 1730–1802

Distribution of His Majesty's Maundy...Chapel Royal at Whitehall

1777

William Johnstone White, active 1804–died c.1870

Representation of the Festival for the Return of Peace

1815

John Harris, 1811–1865

Fox-hunting: Who-hoop!

1844

John Harris, 1811–1865

Fox Hunting: Away!

1844

Thomas Daniell, 1749–1840

Tremal Naig's Choultry, Madura

1792

William Ward, 1766–1826

Reaping

1810

Print made by James Heath, 1757–1834

The Riot in Broad Street on the Seventh of June 1780

1790

Abraham Raimbach, 1784–1868

The Parish Beadle

1834

Figures engraved by William Sharp, 1749–1824

Niobe

1792

Print made by Thomas Girtin, 1775–1802

View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

1803

Willey Reveley, 1760–1799

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

ca. 1785

Print made by John Murphy, ca. 1748–1820

[Animals: an eagle with a dead pheasant, watched by a fox]

1799

William Henry Davis A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

William Henry Davis, active 1803–1849

A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

1840