<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Width [cm] 53

Remove constraint Width [cm]: 53

Search Results

Design for Omega Workshops Fabric
Creator:
Vanessa Bell, 1879–1961
Date:
1913
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove graph paper
Dimensions:
Image: 21 × 16 inches (53.3 × 40.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Pistil Mawddach, North Wales
Creator:
Samuel Palmer, 1805–1881
Date:
between 1835 and 1836
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 x 21 inches (44.1 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Shepherd and his Flock under the Moon and Stars
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1827
Materials & Techniques:
Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:
Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Waves
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen and iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 20 1/4 inches (38.1 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 20 3/4 inches (35.2 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 21 inches (40.3 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Turin, Italy
Creator:
Edward Lear, 1812–1888
Date:
after 1872
Materials & Techniques:
Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
New Harbour, Malta
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/8 x 20 7/8 inches (18.1 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
between 1749 and 1802
Materials & Techniques:
Black ink with watercolor over graphite on moderately thick moderately textured white laid paper
Dimensions:
Sheet: 14 1/4 x 21 inches (36.2 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Prison Scene
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
A Design of Masks
Creator:
Francois Boitard, ca. 1670–1715
Date:
1710
Materials & Techniques:
Pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 20 13/16 inches (37.1 × 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 29 3/4 × 21 inches (75.6 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 25 drawing of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 20 3/4 inches (40 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spanish Pointer
Creator:
John Buckler FSA, 1770–1851
Date:
ca. 1799
Materials & Techniques:
Watercolor, pen and gray ink, black ink, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 9/16 × 21 inches (39.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 21 view from the North Angle of the peristyle of the temple
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 × 21 inches (40.3 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Seven Bishops Going To Trial
Creator:
Richard Westall, 1765–1836
Date:
1790
Materials & Techniques:
Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Ilos, Lycia
Creator:
William James Muller, 1812–1845
Date:
ca. 1843
Materials & Techniques:
Watercolor and gouache, over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 13 3/4 × 20 3/4 inches (34.9 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Church of Notre Dame, Bruges
Creator:
Samuel Austin, 1796–1834
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 18 5/8 × 22 3/4 inches (47.3 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge
Creator:
William James Muller, 1812–1845
Date:
undated
Materials & Techniques:
Watercolor over graphite, with gouache and some gum on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 13 5/8 × 20 3/4 inches (34.6 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harbledown, a Village near Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
1757
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 10 1/4 × 23 1/2 inches (26 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An English Man of War, Starboard Quarter View: Possibly the Victory
Creator:
Willem van de Velde the Younger, 1633–1707
Date:
ca. 1675
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:
Mount: 17 1/8 x 25 13/16 inches (43.5 x 65.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: South Elevation of North Wing
Creator:
George Shakespear, active 1752, died 1797
Date:
ca. 1790
Materials & Techniques:
Watercolor and gray wash, pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: City of Verona and Church of San Giorgia looking to the left on the Bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: City of Verona and Castle of San Pietro from another bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: City of Vicenza, 2.n Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: View of the Doge's Palace and Church of St. Mark, Venice 4th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: View from Daniele's Hotel on the Riva degli Schiavoni 8th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: The Church of St. Maria della Salute 10th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: The Rialto - Venice 8th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: View on the Grand Canal 9.th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: View of the back of San Marco 11.th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, black wash, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: The Bridge of Sighs and part of the Doge's Palace 10th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: Square at Bologna, Cathedral and Palace of the Pope's legate 12th Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: Drawing Room, Casino Pecori 12.th Oct.er 1841
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Fan
Creator:
Angelica Kauffmann, 1741–1807
Date:
1775
Materials & Techniques:
Watercolor, gouache and gold over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 21 inches (17.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apollo and Daphne
Creator:
Master of the Giants, active 1779
Date:
between 1770 and 1799
Materials & Techniques:
Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton Court Palace
Creator:
Print made by Charles Westwood, active 1819–1838
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunstanborough Castle, Northumberland
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alnwick Castle, Northumberland
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bolton Abbey, Yorkshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Road Near Bettws-y-Coed
Creator:
George Price Boyce, 1826–1897
Date:
1851
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/8 x 20 7/8 inches (37.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Caernarvon (Castle) Eagle Tower
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1809
Materials & Techniques:
Pen and black ink, brown ink, brown wash, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 14 13/16 × 21 inches (37.6 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, red ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 11/16 × 20 11/16 inches (37.3 × 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Havre and Le Manche: A Map of Le Havre
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, red ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 15 × 20 15/16 inches (38.1 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Shooting, Plate IV
Creator:
William Woollett, 1735–1785
Date:
1771
Materials & Techniques:
Engraving with etching
Dimensions:
Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Shooting] The Spanish Pointer
Creator:
William Woollett, 1735–1785
Date:
1768
Materials & Techniques:
Engraving and etching, first state
Dimensions:
Sheet: 17 1/2 x 22 1/8in. (44.4 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shooting, Plate II
Creator:
William Woollett, 1735–1785
Date:
1770
Materials & Techniques:
Engraving with etching, fifth state
Dimensions:
Image: 15 1/2 x 20 13/16in. (39.4 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shooting, Plate III
Creator:
William Woollett, 1735–1785
Date:
1770
Materials & Techniques:
Engraving with etching
Dimensions:
Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shooting, Plate I
Creator:
William Woollett, 1735–1785
Date:
1769
Materials & Techniques:
Engraving and etching, fifth published state
Dimensions:
Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Cobham Hall, Kent: North Elevation of South Wing
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Plan of Parlor Floor
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Plan of Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Elevation and Section of New Entrance and Offices
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink and yellow wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 21 inches (35.2 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: Castles of Wafenstein [?], Sprechenstein and Reifenstein some miles from the Brenner, 27th Oct.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1840
Materials & Techniques:
Pen/brush and black ink over graphite on wove paper
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: The Ruins of the Nunnery of Seben near Klausen, 27th Oct.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: Castle of Salurn near the Town
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lowther House, Westmorland: Elevation of the Garden Front
Creator:
Colen Campbell, 1676–1729
Date:
between 1718 and 1729
Materials & Techniques:
Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: General View of the City of Trent, 30th Oct.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: City of Verona from the Bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: Convent of St. Valentine, 31st Oct.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; completed engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malmsbury Abbey, Wiltshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton, Devonshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lowestoffe
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 20 3/4 inches (37.8 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fisherman and Dog Sitting by the Coast
Creator:
George Morland, 1763–1804
Date:
1803
Materials & Techniques:
Graphite touched with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Mount: 18 1/4 x 20 7/8 inches (46.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
M. Kearney's "Ginger Red"
Creator:
Harry Lyman, active 1886
Date:
1886
Materials & Techniques:
Pastel on moderately thick, slightly textured, brown wove paper mounted on linen
Dimensions:
Sheet: 25 × 21 inches (63.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone
M. Kearney's "Brown Red"
Creator:
Harry Lyman, active 1886
Date:
1886
Materials & Techniques:
Pastel on moderately thick, slightly textured, brown wove paper mounted on linen
Dimensions:
Sheet: 25 × 21 inches (63.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone
A Fallen Oak
Creator:
attributed to William Henry Hunt, 1790–1864
Date:
ca. 1815
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Etching and line engraving; 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund