George Legge, 3rd Earl of Dartmouth, Viscount Lewisham
1764
714
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite Bank of the Neckar
1846
715
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite Bank of the Neckar
1846
716
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
717
James Holland, 1799–1870
Church of St. Benoist, Paris
ca. 1831
718
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
719
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
720
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
721
unknown artist
Sketch for Ceiling or Bed Canopy
undated
722
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
723
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
724
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
725
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
726
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
727
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
728
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
729
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
730
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
731
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
732
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
733
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
734
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
735
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
736
Figures by Francesco Bartolozzi, 1728–1815
[Fox-Hunting]
1783
737
William Brockedon, 1787–1854
Landscape with Houses Set into a Hillside
738
William Brockedon, 1787–1854
Landscape with Grazing Cows and Watermill
739
William Brockedon, 1787–1854
Cityscape from a Distance, with Church Towers and Smokestacks
740
William Brockedon, 1787–1854
Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
741
William Brockedon, 1787–1854
Hilly Landscape with Horse-Drawn Cart in Foreground
742
William Brockedon, 1787–1854
Landscape with Crumbling Building atop a Cliff
743
William Brockedon, 1787–1854
Mountainous Sketch
744
William Brockedon, 1787–1854
Landscape of Steep Hills with Building on one Summit
745
William Brockedon, 1787–1854
Sketch of Mountains, with House in the Foreground on right
746
William Brockedon, 1787–1854
Coal Mining Posts and Houses Set Against a Dark Mountainside
747
William Brockedon, 1787–1854
Faint Sketch of Mountains
748
William Brockedon, 1787–1854
Hillside Entrance to a Mine, with Figure Standing in Front
749
Print made by James McArdell, ca. 1729–1765
Lady Caroline Russell
undated
750
Benjamin Cole, 1697–1783
A View of the House of Peers
751
Charles Howard Hodges, 1764–1837
Mambrino
1788
752
unknown artist
View up a lane in the park: Man hunting with his three dogs
753
unknown artist
Front view of house, with cattle, horse and man in the foreground
754
unknown artist
View Across meadow towards house and chapel
755
unknown artist
View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
756
unknown artist
View from a grove of trees, across several fields
757
unknown artist
View of one side of house and part of the terrace, from behind a clump of trees
758
unknown artist
View of side and front of house, including surrounding lawn and trees
759
unknown artist
Study of very large Cedar of Lebanon (?)
760
unknown artist
View of Several Small Buildings on the estate with cattle in the foreground
761
unknown artist
View Across a meadow from behind a fence and tree
762
unknown artist
View of House, taken from across the lake
undated
763
unknown artist
View of lake surrounded by trees, with waterfowl flying over head
undated
764
unknown artist
View onto terrace of house, from a higher vantage point; female figure admiring the view
undated
765
unknown artist
View of house, through trees and shrubbery
undated
766
unknown artist
View of terrace on one side of the house, including two men with scythes in foreground
undated
767
unknown artist
Man with two dogs standing under a very large Cedar of Lebanon (?)
undated
768
unknown artist
View through a modest gate up a lane, where a man is leading two saddled horses
undated
769
unknown artist
View of facade of house, with its adjacent arcade
undated
770
unknown artist
View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
undated
771
unknown artist
View of river with rowboat beached on one side, and several ducks flying overhead
undated
772
unknown artist
Man walking down lane towards fence and archway
773
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
774
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
775
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
776
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
777
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
778
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
779
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
780
Sir John Everett Millais, 1829–1896
Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
1872
781
Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
782
unknown artist
The House of Peers, view of the Throne end
783
Richard Redgrave, 1804–1888
Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17
1867
784
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
785
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
786
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
787
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
788
Charles West Cope, 1811–1890
Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
789
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
790
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
791
John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
792
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
793
Richard Redgrave, 1804–1888
Etchings for the Art Club of London by the Etching Club: Undercliff, Number 15
1868
794
Print made by Jacob Gole, 1660–1737
Nicolaus Boileau Despreaux
1704
795
Print made by Charles Wilkin, 1750–1814
Mrs. Parkyns
1795
796
Print made by Louis Sailliar, 1748–1795
His Royal Highness George Prince of Wales
1786-1787
797
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
798
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
799
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &