<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Height [cm] 37

Remove constraint Height [cm]: 37

Search Results

Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
William Baillie Portrait of Sofonisba Angusciola Pittrice
Print made by William Baillie, 1723–1810
Portrait of Sofonisba Angusciola Pittrice
between 1761 and 1786
John Spilsbury George Legge, 3rd Earl of Dartmouth, Viscount Lewisham
John Spilsbury, 1730–1795
George Legge, 3rd Earl of Dartmouth, Viscount Lewisham
1764
Thomas Abiel Prior Heidelberg from the Opposite Bank of the Neckar
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite Bank of the Neckar
1846
Thomas Abiel Prior Heidelberg from the Opposite Bank of the Neckar
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite Bank of the Neckar
1846
John Spilsbury Catherine Macaulay (née Sawbridge)
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
James Holland Church of St. Benoist, Paris
James Holland, 1799–1870
Church of St. Benoist, Paris
ca. 1831
Richard Banks Harraden New Building of St. John's from the Gardens, Cambridge
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
Richard Banks Harraden Corpus Christi College, Cambridge
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
Miss Elizabeth Hart Volume I - Views in Staffordshire and Derbyshire
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
unknown artist Sketch for Ceiling or Bed Canopy
unknown artist
Sketch for Ceiling or Bed Canopy
undated
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head of man with helmet
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
Giles Hussey Two studies of head from classical figure
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Four chalk studies of heads
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Francesco Bartolozzi [Fox-Hunting]
Figures by Francesco Bartolozzi, 1728–1815
[Fox-Hunting]
1783
William Brockedon Landscape with Houses Set into a Hillside
William Brockedon, 1787–1854
Landscape with Houses Set into a Hillside
William Brockedon Landscape with Grazing Cows and Watermill
William Brockedon, 1787–1854
Landscape with Grazing Cows and Watermill
William Brockedon Cityscape from a Distance, with Church Towers and Smokestacks
William Brockedon, 1787–1854
Cityscape from a Distance, with Church Towers and Smokestacks
William Brockedon Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
William Brockedon, 1787–1854
Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
William Brockedon Hilly Landscape with Horse-Drawn Cart in Foreground
William Brockedon, 1787–1854
Hilly Landscape with Horse-Drawn Cart in Foreground
William Brockedon Landscape with Crumbling Building atop a Cliff
William Brockedon, 1787–1854
Landscape with Crumbling Building atop a Cliff
William Brockedon Mountainous Sketch
William Brockedon, 1787–1854
Mountainous Sketch
William Brockedon Landscape of Steep Hills with Building on one Summit
William Brockedon, 1787–1854
Landscape of Steep Hills with Building on one Summit
William Brockedon Sketch of Mountains, with House in the Foreground on right
William Brockedon, 1787–1854
Sketch of Mountains, with House in the Foreground on right
William Brockedon Coal Mining Posts and Houses Set Against a Dark Mountainside
William Brockedon, 1787–1854
Coal Mining Posts and Houses Set Against a Dark Mountainside
William Brockedon Faint Sketch of Mountains
William Brockedon, 1787–1854
Faint Sketch of Mountains
William Brockedon Hillside Entrance to a Mine, with Figure Standing in Front
William Brockedon, 1787–1854
Hillside Entrance to a Mine, with Figure Standing in Front
James McArdell Lady Caroline Russell
Print made by James McArdell, ca. 1729–1765
Lady Caroline Russell
undated
Benjamin Cole A View of the House of Peers
Benjamin Cole, 1697–1783
A View of the House of Peers
Charles Howard Hodges Mambrino
Charles Howard Hodges, 1764–1837
Mambrino
1788
unknown artist View up a lane in the park: Man hunting with his three dogs
unknown artist
View up a lane in the park: Man hunting with his three dogs
unknown artist Front view of house, with cattle, horse and man in the foreground
unknown artist
Front view of house, with cattle, horse and man in the foreground
unknown artist View Across meadow towards house and chapel
unknown artist
View Across meadow towards house and chapel
unknown artist View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
unknown artist
View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
unknown artist View from a grove of trees, across several fields
unknown artist
View from a grove of trees, across several fields
unknown artist View of one side of house and part of the terrace, from behind a clump of trees
unknown artist
View of one side of house and part of the terrace, from behind a clump of trees
unknown artist View of side and front of house, including surrounding lawn and trees
unknown artist
View of side and front of house, including surrounding lawn and trees
unknown artist Study of very large Cedar of Lebanon (?)
unknown artist
Study of very large Cedar of Lebanon (?)
unknown artist View of Several Small Buildings on the estate with cattle in the foreground
unknown artist
View of Several Small Buildings on the estate with cattle in the foreground
unknown artist View Across a meadow from behind a fence and tree
unknown artist
View Across a meadow from behind a fence and tree
unknown artist View of House, taken from across the lake
unknown artist
View of House, taken from across the lake
undated
unknown artist View of lake surrounded by trees, with waterfowl flying over head
unknown artist
View of lake surrounded by trees, with waterfowl flying over head
undated
unknown artist View onto terrace of house, from a higher vantage point; female figure admiring the view
unknown artist
View onto terrace of house, from a higher vantage point; female figure admiring the view
undated
unknown artist View of house, through trees and shrubbery
unknown artist
View of house, through trees and shrubbery
undated
unknown artist View of terrace on one side of the house, including two men with scythes in foreground
unknown artist
View of terrace on one side of the house, including two men with scythes in foreground
undated
unknown artist Man with two dogs standing under a very large Cedar of Lebanon (?)
unknown artist
Man with two dogs standing under a very large Cedar of Lebanon (?)
undated
unknown artist View through a modest gate up a lane, where a man is leading two saddled horses
unknown artist
View through a modest gate up a lane, where a man is leading two saddled horses
undated
unknown artist View of facade of house, with its adjacent arcade
unknown artist
View of facade of house, with its adjacent arcade
undated
unknown artist View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
unknown artist
View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
undated
unknown artist View of river with rowboat beached on one side, and several ducks flying overhead
unknown artist
View of river with rowboat beached on one side, and several ducks flying overhead
undated
unknown artist Man walking down lane towards fence and archway
unknown artist
Man walking down lane towards fence and archway
Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Four Studies of heads from classical figures
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figures
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Sir John Everett Millais Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
Sir John Everett Millais, 1829–1896
Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
1872
Thomas Creswick Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
unknown artist The House of Peers, view of the Throne end
unknown artist
The House of Peers, view of the Throne end
Richard Redgrave Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17
Richard Redgrave, 1804–1888
Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17
1867
John Calcott Horsley Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
John Frederick Tayler Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
John Calcott Horsley Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
George Bernard O'Neill Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
Charles West Cope Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
Charles West Cope, 1811–1890
Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
Richard Ansdell Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
James Clarke Hook Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
John Frederick Tayler Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
Richard Ansdell Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
Richard Redgrave Etchings for the Art Club of London by the Etching Club: Undercliff, Number 15
Richard Redgrave, 1804–1888
Etchings for the Art Club of London by the Etching Club: Undercliff, Number 15
1868
Jacob Gole Nicolaus Boileau Despreaux
Print made by Jacob Gole, 1660–1737
Nicolaus Boileau Despreaux
1704
Charles Wilkin Mrs. Parkyns
Print made by Charles Wilkin, 1750–1814
Mrs. Parkyns
1795
Louis Sailliar His Royal Highness George Prince of Wales
Print made by Louis Sailliar, 1748–1795
His Royal Highness George Prince of Wales
1786-1787
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
Henry Pyall Mail Coach Behind Time
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
James Ward Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
James McArdell Maria, Countess Waldegrave
Print made by James McArdell, ca. 1729–1765
Maria, Countess Waldegrave
undated