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Collection Prints and Drawings

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Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
On view at YUAG
Francis Danby A Classical City
Francis Danby, 1793–1861
A Classical City
undated
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
John Constable Suffolk Landscape
John Constable, 1776–1837
Suffolk Landscape
undated
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
between 1880 and 1883
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Samuel Palmer Streets of the Tombs, Pompeii
Samuel Palmer, 1805–1881
Streets of the Tombs, Pompeii
undated
Edward Lear Knowsley Hall
Edward Lear, 1812–1888
Knowsley Hall
ca. 1834
Edward Lear Harb. Gozo
Edward Lear, 1812–1888
Harb. Gozo
1866
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake There Is No Natural Religion; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
Rev. William Gilpin Tree and Lake
Rev. William Gilpin, 1724–1804
Tree and Lake
between 1762 and 1783
Rev. William Gilpin Pine Trees and Castle in a Landscape
Rev. William Gilpin, 1724–1804
Pine Trees and Castle in a Landscape
between 1762 and 1783
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
unknown artist Landscape with trees, hill and dramatic sky
unknown artist
Landscape with trees, hill and dramatic sky
undated
John Varley River Landscape with Two Figures, Lake and Distant Mountains
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
Richard Wilson Ruined Temple of Minerva?, Two Figures on River Bank
Richard Wilson, ca. 1712–1782
Ruined Temple of Minerva?, Two Figures on River Bank
undated
Frederick Goulding Ruins of the Old Bridge, Vernon
Frederick Goulding, 1842–1909
Ruins of the Old Bridge, Vernon
1879
Jean Baptiste Claude Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean Baptiste Claude Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
Miles Edmund Cotman Study of Trees on the Banks of the Yare
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
John Sell Cotman Tan-y-Bwlch, Merionethshire, North Wales
Print made by John Sell Cotman, 1782–1842
Tan-y-Bwlch, Merionethshire, North Wales
between 1810 and 1817
John Smith, the mezzotinter Tobias and the Angel
Print made by John Smith, the mezzotinter, 1652–1743
Tobias and the Angel
ca. 1685
James McNeill Whistler Chelsea
Print made by James McNeill Whistler, 1834–1903
Chelsea
ca. 1882
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910
Egham
1859
Robert Austin Plane Tree Cottage
Print made by Robert Austin, 1895–1973
Plane Tree Cottage
1926
Frederick Landseer Maur Griggs Maur's Farm
Print made by Frederick Landseer Maur Griggs, 1876–1938
Maur's Farm
1913
Frederick Landseer Maur Griggs Meppershall Chapel
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
1915
Frederick Landseer Maur Griggs Meppershall Chapel
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
1915
Frederick Landseer Maur Griggs Meppershall Chapel
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
c.1915
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
John Robert Cozens Convent of Monte Olivetto near Florence
John Robert Cozens, 1752–1797
Convent of Monte Olivetto near Florence
undated
John Robert Cozens Castel Gandolfo
John Robert Cozens, 1752–1797
Castel Gandolfo
ca. 1780
John Robert Cozens Temple of Venus near Baia
John Robert Cozens, 1752–1797
Temple of Venus near Baia
undated
John Robert Cozens Cattle on a Boat
John Robert Cozens, 1752–1797
Cattle on a Boat
undated
John Robert Cozens Lago di Vico
John Robert Cozens, 1752–1797
Lago di Vico
undated
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Chepstow Castle
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
Bradshaw & Blacklock Tintern Abbey
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
Wenceslaus Hollar A View from St. Mary's, Southwark, Looking Towards Westminster
Wenceslaus Hollar, 1607–1677
A View from St. Mary's, Southwark, Looking Towards Westminster
ca. 1638
Richard Banks Harraden Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
John Warwick Smith Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
John Warwick Smith, 1749–1831
Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
undated
Graham Vivian Sutherland Barrow Hedges Farm
Print made by Graham Vivian Sutherland, 1903–1980
Barrow Hedges Farm
1924
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
Stanley Anderson Pont Corneille, Rouen
Print made by Stanley Anderson, 1884–1966
Pont Corneille, Rouen
undated
Robert Austin Zoutelande
Print made by Robert Austin, 1895–1973
Zoutelande
1929
Alfred W. Cooper Lambing Time
Print made by Alfred W. Cooper, active 1850–1901
Lambing Time
undated
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910
Egham
1859
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910
Egham
1859
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910
Egham
1859
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910
Egham
1859
Katharine Cameron Beregonium
Print made by Katharine Cameron, 1874–1965
Beregonium
1920
David Lucas Autumnal Sunset
Print made by David Lucas, 1802–1881
Autumnal Sunset
1831
William Ellis The House of William Russell, Esq., Showell Green
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
Francesco Bartolozzi Virtuous Love
Print made by Francesco Bartolozzi, 1728–1815
Virtuous Love
1793
John Cousen Manse and Church of Cults, the Birthplace of Wilkie
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie
undated
James Caldwall Hagley Hall
Print made by James Caldwall, 1739–1819
Hagley Hall
undated
William Ellis Baskerville House, the Residence of John Ryland, Esq.
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
William Ellis Bordesley Hall, the Seat of John Taylor, Esq.
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
William Ellis Beddington
William Ellis, 1747–1810
Beddington
1792
Charles Heath Green Park
Charles Heath, 1785–1848
Green Park
1825
Humphry Repton West Hill, the seat of D.H. Rucker
Humphry Repton, 1752–1818
West Hill, the seat of D.H. Rucker
undated
unknown artist Battersea
unknown artist
Battersea
undated
Thomas Shotter Boys Versailles
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
Henry Morton The Fish Ponds
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
John Varley Landscape by Moonlight
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
Sir George Howland Beaumont seventh Baronet Two Figures by the Side of a Pond and a Church in a Hilly Landscape
Sir George Howland Beaumont seventh Baronet, 1753–1827
Two Figures by the Side of a Pond and a Church in a Hilly Landscape
undated
John Linnell View at Mr. Sheppard's, The Ridge, Gloucestershire
John Linnell, 1792–1882
View at Mr. Sheppard's, The Ridge, Gloucestershire
undated
Dr. Thomas Monro Composition: Italian Seascape Effect
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
Dr. Thomas Monro Composition: Hilly Country
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
undated
unknown artist Landscape with River and Cliffs
unknown artist
Landscape with River and Cliffs
undated
John Varley Linlithgow Palace
John Varley, 1778–1842
Linlithgow Palace
undated
Francis Wheatley Soldiers and Country Women
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
Peter Toms A View of the Castle and Part of the Town of Oswestry, in the County of Salop
Peter Toms, 1726–1777
A View of the Castle and Part of the Town of Oswestry, in the County of Salop
1742
C. R. W. Nevinson Wind
Print made by C. R. W. Nevinson, 1889–1946
Wind
1918
Bernard Lens II Bacchus
Print made by Bernard Lens II, 1659–1725
Bacchus
undated
William Rider Mount Honey, Fonthill, Wiltshire
William Rider, active 1824–1849
Mount Honey, Fonthill, Wiltshire
undated
Robert Streatfeild Boulogne, France - a Mill in a Wooded Valley
Robert Streatfeild, 1786–1852
Boulogne, France - a Mill in a Wooded Valley
undated
Robert Streatfeild Spa, Germany - a road flanked by a high bank
Robert Streatfeild, 1786–1852
Spa, Germany - a road flanked by a high bank
undated
James Chisholm Gooden Coastal Scene with Shipping
James Chisholm Gooden, active 1835–1865
Coastal Scene with Shipping
undated