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Vanessa Bell Dahlias
Print made by Vanessa Bell, 1879–1961
Dahlias
1918
Vanessa Bell Basket of Flowers
Print made by Vanessa Bell, 1879–1961
Basket of Flowers
ca. 1954
John Constable Dawn
John Constable, 1776–1837
Dawn
1831-1832
John Constable Dedham Vale from Langham
John Constable, 1776–1837
Dedham Vale from Langham
between 1830 and 1831
John Constable Wormingford Church
attributed to John Constable, 1776–1837
Wormingford Church
between 1813 and 1815
John Constable Leatherhead Church, Near Epsom, from the Northeast
John Constable, 1776–1837
Leatherhead Church, Near Epsom, from the Northeast
1806
Samuel Palmer Thatched Cottage and Church
Samuel Palmer, 1805–1881
Thatched Cottage and Church
undated
Samuel Palmer A Pastoral Scene
Samuel Palmer, 1805–1881
A Pastoral Scene
1835
Samuel Palmer The Crescent Moon
Samuel Palmer, 1805–1881
The Crescent Moon
undated
Samuel Palmer Shoreham, Kent
Samuel Palmer, 1805–1881
Shoreham, Kent
between 1831 and 1832
George Stubbs Dog [A Foxhound on the Scent]
George Stubbs, 1724–1806
Dog [A Foxhound on the Scent]
1788
Edward Lear El Areesh
Edward Lear, 1812–1888
El Areesh
1867
Edward Lear Desenzano
Edward Lear, 1812–1888
Desenzano
1867
George Romney Three Lamenting Women
George Romney, 1734–1802
Three Lamenting Women
1760s
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802
Richard Cumberland Frontispiece
late 1760s
George Romney Standing Figure with Arm Upraised and Seated Figure
George Romney, 1734–1802
Standing Figure with Arm Upraised and Seated Figure
undated
George Romney Kneeling Woman
George Romney, 1734–1802
Kneeling Woman
1770s
George Romney Standing Female Figure
George Romney, 1734–1802
Standing Female Figure
1770s
George Romney Standing Figure
George Romney, 1734–1802
Standing Figure
1760s
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
early 1770s
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Two Women
George Romney, 1734–1802
Two Women
late 1790s
George Romney Study for the Portrait of Helen Morewood
George Romney, 1734–1802
Study for the Portrait of Helen Morewood
1771
George Romney Two Kneeling Figures
George Romney, 1734–1802
Two Kneeling Figures
early 1790s
George Romney Two Warriors Fighting
George Romney, 1734–1802
Two Warriors Fighting
1770s
George Romney Flute Player and Child
George Romney, 1734–1802
Flute Player and Child
undated
George Romney Hebe
George Romney, 1734–1802
Hebe
undated
George Romney Woman Before a Seated Man
George Romney, 1734–1802
Woman Before a Seated Man
undated
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
late 1760s
George Romney Seated Woman, Possibly Mrs. Harris
George Romney, 1734–1802
Seated Woman, Possibly Mrs. Harris
late 1760s-early 1770s
George Romney Seated Couple
George Romney, 1734–1802
Seated Couple
1770s
George Romney Lady Hamilton as Circe
George Romney, 1734–1802
Lady Hamilton as Circe
undated
George Romney Study for a Full Length Portrait of a Woman Standing on a Staircase
George Romney, 1734–1802
Study for a Full Length Portrait of a Woman Standing on a Staircase
1770s
George Romney Two Figures
George Romney, 1734–1802
Two Figures
undated
George Romney Woman's Head in Profile
George Romney, 1734–1802
Woman's Head in Profile
early 1770s
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Recumbent Woman
George Romney, 1734–1802
Recumbent Woman
undated
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Head
George Romney, 1734–1802
Head
1790s
George Romney Two Standing Figures Wearing Tall Hats
George Romney, 1734–1802
Two Standing Figures Wearing Tall Hats
1770s
George Romney Figure Supporting a Fainting Figure
George Romney, 1734–1802
Figure Supporting a Fainting Figure
1793
George Romney Dancers and Musicians, Probably for "L'Allegro"
George Romney, 1734–1802
Dancers and Musicians, Probably for "L'Allegro"
ca. 1769-1770
George Romney A Man with a Horse
George Romney, 1734–1802
A Man with a Horse
undated
George Romney Two Sketches of Children at Play
George Romney, 1734–1802
Two Sketches of Children at Play
1790s
George Romney Study of a Horse's Forelegs
George Romney, 1734–1802
Study of a Horse's Forelegs
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
mid-1790s
William Blake Illustrations of Imitation of Eclogue I, Page 15
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 16
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 17
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake From Antique Coins
Print made by William Blake, 1757–1827
From Antique Coins
1821
William Blake Octavius Augustus Cæsar
Print made by William Blake, 1757–1827
Octavius Augustus Cæsar
1821
William Blake Theocritus
Print made by William Blake, 1757–1827
Theocritus
1821
William Blake Epicurus
Print made by William Blake, 1757–1827
Epicurus
1821
William Blake Caius Julius Cæsar
Print made by William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake For Children. The Gates of Paradise, London, by William Blake
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
On view
William Blake The Book of Thel
Prints made by William Blake, 1757–1827
The Book of Thel
1789
William Blake Drinking Songs, Headpiece
Print made by William Blake, 1757–1827
Drinking Songs, Headpiece
1783
William Blake Miscellaneous Songs, Headpiece
Print made by William Blake, 1757–1827
Miscellaneous Songs, Headpiece
1783
William Blake Miscellaneous Songs, Tailpiece
Print made by William Blake, 1757–1827
Miscellaneous Songs, Tailpiece
1783
William Blake Ancient Ballads, Headpiece
Print made by William Blake, 1757–1827
Ancient Ballads, Headpiece
1783
William Blake Ancient Ballads, Tailpiece
Print made by William Blake, 1757–1827
Ancient Ballads, Tailpiece
1783
William Blake Canto VI. Verse 294
Print made by William Blake, 1757–1827
Canto VI. Verse 294
1803
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
On view
William Blake A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
Text by William Blake, 1757–1827
A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Publius Virgilius Maro
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
William Blake Love Songs, Class I. Headpiece
Print made by William Blake, 1757–1827
Love Songs, Class I. Headpiece
1783
William Blake Love Songs, Class II. Tailpiece
Print made by William Blake, 1757–1827
Love Songs, Class II. Tailpiece
1783
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake The First Book of Urizen, Title Page (Plate 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Title Page (Plate 1)
1794
On view
William Blake Urizen (Plate 8)
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
William Blake "They call'd her Pity, and fled..." (Plate 17)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
William Blake The Book of Thel, Title Page (Plate 2)
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2b)
1794
On view
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
On view
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
William Blake Urizen (Plate 14)
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
William Blake Urizen (Plate 21)
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 25)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793