A Perspective View of the Foundling Hospital with Emblematic Figures
1749
14
Pierre Charles Canot, ca. 1710–1777
View of the Canal in St. James's Park
1746
15
Pierre Charles Canot, ca. 1710–1777
A View from One Tree Hill in Greenwich Park
1746
16
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
17
Pierre Charles Canot, ca. 1710–1777
A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew
ca. 1764
18
Pierre Charles Canot, ca. 1710–1777
The New Building on Shrubs Hill
1772
19
after Inigo Jones, 1573–1652
Palace of Whitehall - The Water Side
1748
20
Pierre Charles Canot, ca. 1710–1777
Near Plymouth with the Ordinance Wharfe..
1756
21
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
22
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
23
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
24
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
25
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
26
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
1735
27
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
28
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
1735
29
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
30
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
31
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
32
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
33
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
34
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
35
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
36
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
37
Pierre Charles Canot, ca. 1710–1777
The Stag at Bay
undated
38
Pierre Charles Canot, ca. 1710–1777
Representation of the Glarious Defeat of the French Fleet off Belleisle on the 20 November 1759
1759
39
Pierre Charles Canot, ca. 1710–1777
A Brisk Gale
ca. 1765
40
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's dockyard, at Sheerness
1755
41
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, near Plymouth
1756
42
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical plan of his Majesty's Dockyard near Portsmouth
1754
43
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, at Chatham
1755
44
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, at Woolwich
1753
45
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, Deptford
1755
46
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
47
Print made by Pierre Charles Canot, ca. 1710–1777
A View of the City of Boston, the Capital of New England
1768
48
Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
49
Pierre Charles Canot, ca. 1710–1777
Fresh Gale
50
Pierre Charles Canot, ca. 1710–1777
Morning, or Sun rising
51
Pierre Charles Canot, ca. 1710–1777
Lambeth. The Archbishop of Canterbury's Palace
52
Pierre Charles Canot, ca. 1710–1777
Evening, or Sun setting
53
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South East View of the City of New York in North America
1763
54
Pierre Charles Canot, ca. 1710–1777
At Portsmouth with part of the Common
1754
55
Pierre Charles Canot, ca. 1710–1777
At Sheerness
1755
56
Pierre Charles Canot, ca. 1710–1777
Night & a Ship on fire
57
Pierre Charles Canot, ca. 1710–1777
A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves
58
Pierre Charles Canot, ca. 1710–1777
Storm, Representing that Violent one, which drove his Majesty King George I into Rye
59
Pierre Charles Canot, ca. 1710–1777
Shipwrack
60
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758
1762
61
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A Southwest View of the City of New York, in North America
1758-1760
62
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: An East View of Montreal in Canada